S6 E1 Insights Into Grief and Loss

Episode Summary

Imagine standing at the crossroads of change, holding the weight of grief in one hand and the hope for healing in the other. Life is full of transitions—some we celebrate, others we endure. How do we mark the moments that shape us? How do we find meaning in the spaces where loss and growth meet?

Episode Resources

→ Grief & Loss Episode Archive: https://ever-changing.net/grief-loss

→ Share Your Story: https://ever-changing.net/contact

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Imagine standing at the crossroads of change, holding the weight of grief in one hand and the hope for healing in the other. Life is full of transitions—some we celebrate, others we endure. How do we mark the moments that shape us? How do we find meaning in the spaces where loss and growth meet?

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. Welcome to episode 3 in our 4-part series looking back on the wisdom we have gained from our guests about the power of ceremony. Last season we talked about Rites of Passage and Authentic Weddings and today we will focus on Grief and Loss. 

Before we start, I want to acknowledge and honor any personal grief or tenderness that you might be carrying today. If you happened upon this episode while searching for a balm for your heart, know that you are welcome. This space is for you. I hope you find something meaningful in our time together, something that speaks to you or sparks your creativity, something that resonates with you and brings some lightness or joy. Thank you for being here exactly as you are. 

Losses come in so many shapes and sizes. There are the obvious ones, like losing someone we love, and there are the smaller and less obvious ones, like the conclusion of a long-term project we put our heart into or the end of a show we’ve been performing in. While smaller, these kinds of losses are still significant. 

In the first episode in this retrospective series, we talked about a bunch of life transitions, such as leaving home to go off to college, getting married, or arriving at the empty nest stage. Each transition in life involves a bit of loss - even the “happier” ones like having a baby. There’s loss in all of these transitions because there’s change in all of them. Change involves loss. And most of us live in a society that doesn’t really do loss, doesn’t really do grief, and so it’s easy to feel a bit abandoned by society when there’s some kind of important loss happening for us. This can be true for the smaller personal losses we might not have words for, but it can even happen with the well-recognized ones. Being surrounded by friends and family at the funeral is one thing but that is often followed by a long path toward making peace with a loss on our own. This makes it even more important that we know our grief, and welcome it, and that we can find ways to make room for it, because a lot of the nurturing we can receive might need to come from us ourselves. 

A question I often wonder about is: What does it look like to nurture myself through grief? How can I fill the gaps between what society can offer and what my heart needs? Well, today I have some answers to share with you from our former guests and how they each made it through a significant personal loss. 

Let’s start off by listening to a bit of Alicia Connor’s story. Alicia was a guest in season 2 and she shared a very personal story with us, a story of realizing that she would someday lose her vision, and that that day might be sooner than she hoped. One of the first ways this change affected her life was around driving. She told us the story of her last drive, which actually turned out to be a 3,000 mile journey from Rhode Island to California.

Connor: I actually remember my last drive as like, like, an adventure, like it was fun. We set the date for January 1 we are going to leave the East Coast and start driving toward San Francisco. And what's interesting is around that time period, it was just that year, I had been diagnosed with hypoplasia of the optic nerve at the Rhode Island Eye Institute. And it was interesting that… it was… it was that year, right? Like I was diagnosed with this vision loss condition that was genetic, and told, like, I'm not gonna be able to drive someday but I didn't know when that was. And I could see well then and I could drive then and so it wasn't a problem at that moment, but it was an imminent problem. 

Alicia did take that drive. And it ended on Haight Street in San Francisco.

Connor: But I remember when I parked that van, that I was like, "This is maybe the last time I'm going to drive." Like I just had that feeling. I was like, "This is it, I'm gonna not drive. This is happening soon. And like me in the van... like that's it.” And it wasn't something that I was like freaked out about. And I think it was because I could see well then.

Thomas: Yeah. So you're sort of in… like an empowered place within the realm…

Connor: Exactly. In control. And it's much easier to make, it's like if you're grounded and you're like, "Okay, this is the... it's on my side… like this is my decision now." Instead of the external. Like say, some people experience vision loss, very dramatic, right? There's an event and so can be very stressful and that's because it happened very quickly. There was no preparation for it, and so that's a totally different situation and that is much more challenging.

Alicia shared a great deal more in her interview about how she processed the loss, but she never lost her sense of adventure and self-care. 

Connor: Letting yourself go through the transition and feel the feelings. Because sometimes transition can produce or increase anxiety, but that's the unknown and the fear of unknown. And things usually work out. We have a choice, like... like…  go the fearful, anxiety-ridden, intense route and just kind of be a monster or... [LAUGHS] and not approachable or we could, you know, go through life and experience it, because there's a lot to experience and enjoy - much more to experience and enjoy the struggles.

[music]

Another question I often wonder about is - how long will grief take? When something really big happens, a big loss that forces me to come to terms with the reality of the situation, and go through the deep grieving, I want to know how long that will take! Even though I went through some loss as a young adult, it wasn’t until my dad passed away that I got my first exposure to some basic grief education. I remember the day that my Hospice counselor gave me a handout illustrating all of the ways grief can show up. The list really blew my mind. I don’t know exactly what I was expecting… probably something along the lines of crying and being depressed for a while. But this list was so much more inclusive and included things like confusion, difficulty focusing, fatigue, insomnia, weak muscles, and joint pain. I was surprised to find that many were true for me. I remember that during the first few weeks after that huge loss, I felt like I was walking through jell-o. Nothing seemed real. And even though I was in so much pain, I also couldn’t really feel anything. As time went on and I returned to my day-to-day life, there was a period after the jell-o phase where I felt my insides were on the outside. I was super sensitive to fluorescent lights and I could only get my brain to think in a straight line for about an hour at a time - and my body would tell me when that hour had passed by giving me chest pains. Walking around the block seemed to give me that extra space to breathe, so I did that every hour for several weeks. It was kind of like juggling two opposite worlds and ways of being: the bright, click-click along of daily life, and the amorphous blob of heartbreak. They didn’t mix very well so I had to intentionally create time for all of the heart work my body was doing, all of the intentional grief work I was doing alongside the regular day-to-day. 

They say everyone responds to loss differently, and everyone responds to every loss differently, so I knew I just needed to keep carving out space and time for my heart to do its thing. But I also often wondered, how long will this take?? So, as you can imagine, I was grateful to explore this question a bit with Irisanya Moon in season 5. She shared a theory with me, one she had been piecing together for herself over the years.

Moon: I would say… the first thing I would say is like how long has it been since this has all happened? Because what I think I know is that it takes years. The first year is the year of shock. Absolute shock, nothing makes sense anymore. To a certain extent, if you're not feeling all the things and you're not sort of grieving actively, that makes sense. Because it's just a shock. You're just going through the motions. Going through the day by day. Figuring out what life looks like without a person or a situation or whatever. And this goes not just death. And then the second year is when it hits. And at least again, not a perfect formula, but I know for me the second year was always like I felt everything because now I knew what was going to come. I knew about the anniversaries. I knew about people saying things that were ill-timed and I knew that I was gonna have another year of remembering how bad our culture is at grief and handling that and holding that. And then the third year, it just gets easier. It starts to make sense, it starts to get integrated. It's not that the pain goes away, but you kind of understand that it's there. And that it's… why it's there, and how it might show up. And for some reason, that third year for me usually is like, “Oh, okay.” And, “Alright, I have to figure out how to build a life around this,” if I haven't already. But that's kind of the formula and it really has worked with most of my things. So I'm curious if other folks decide to look back and go, “Is that true? Did that actually happen?” It also was really helpful for me, because it defined time. I could go like, okay, because some of the one of the things I hate as a Sagittarius or just as me, is that I don't mind going through stuff. Can you tell me how long? Because that would be great. You know, is this going to hurt forever? So by having sort of a container, it does also go like, “Okay, I can get through this next month. Year.” Yeah, I mean, it's worked with deaths, and my divorce and all of that it’s been really consistent with. So hopefully, that helps somebody. It helped me tremendously.

After the break we’ll hear an inspiring story about the healing power of community after a breakup, and take a deep dive into the wisdom of our dreams. 

[MUSIC] 

Welcome to today's show! Whether this is your first or your 50th episode, it's always wonderful to have you along. If there is something changing in your world right now, some shift you're going through, know you're not alone. Shame Piñata will continue bringing you stories to inspire your own creative response to a changing self. Subscribe today in your favorite player!

One super important part of making it through grief is the people we choose to surround ourselves with and how honest we are with them about what kind of support we need. Catherine Monahon sat down with us in season 2 to share a wonderful story of how their community showed up during a breakup. Sometimes friends showed up in little ways that had a big impact, as Catherine shared in this story. 

Monahon: When I got there and people were helping me with all my stuff I looked at the bed and it's like a different size bed than I'm used to, you know, sharing a space with another person. I was used to a larger bed. And I just didn't even have sheets to put on it. And she was helping me move and she was just like, "Let me run down the street to my house. I have an extra set of sheets." And yes, I could have gone to Bed, Bath and Beyond or ordered some sheets online. But in that moment, it was so bleak. Looking at that mattress on the floor that was this... the wrong size for a single person, you know? Or the wrong size for what I was used to. And she went down the street with... like within 15 minutes... materialized with sheets that she... I still have them... they’re these dark, velvety purple sheets that I associate with that time. They're really soft and I will forever be grateful to her for that. So just people showing up in different ways, small ways that they probably don't even realize still.... I still think about it today.

Other times friends showed up for Catherine in longer-term ways, such as two friends who saw them through the liminal space between the relationship and being on their own again. 

Monahon: My time with Amos and Eirik was very enriching. Even though I was sleeping in their living room, it was a very cozy space, there were plants everywhere. And they are both very into food. And I had a pretty bad relationship with food at that time. I hadn't been eating from grief, and just in general wasn't really eating fresh fruits or vegetables. And they are both vegans. And they sort of reintroduced like, fresh, delicious, seasonal food into my life just because it was all around me and they would share with me. They had plants that Eirik adored and cared for, and we always would talk about the plants and notice their growth. It was a very zen and peaceful place to be. And they're both super sensitive queers who are totally down to hold space or emotions, which was a major added bonus. So during that time, I was basically going to school doing homework, crying in the kitchen, eating fresh fruit, looking at plants and searching for housing.

These were just two stories of the many friends who showed up for Catherine during that transition. Toward the end of the transition, when Catherine was set up in their new place and had slept on those purple sheets, Catherine gathered all of these friends together at a brunch to acknowledge that the transition was complete, and to thank them for their support by sharing a map with them showing exactly how important and impactful their support had been. 

Monahon: So I invited nine people two weeks beforehand and three of them couldn't come. So the people who couldn't come, I texted them a picture of their part of the map that I had made. And I still, like thanked them and told them why... I even invited my friend Liz, who lives in Philadelphia. I knew that they couldn't come. But the invitation they got it. 

Thomas: So what was the map like?

Monahon: So the brunch was kind of like: I had moved twice. It had been three months. And so the map that I made was essentially just a list of memories. Everybody had, like, you know, a bunch of green dots of like, highlighted dates. You know, August 22, we went camping. August 3, I had that meltdown in public and my brother gave me an omelette, or something. And so... if like my three friends who couldn't come, I took a picture of their part of that list I had made and was like, “Hey, you know, you really showed up for me in these ways and I really appreciate that about you.”

Thomas: Wow. That would be such a nice thing to receive, to have somebody like, remember some random thing that I did, or that happened between us like writing it down and putting a date on it and sending it to me as part of like a thank you or acknowledgement. That's so thoughtful!

Monahon: You just don't know how big of a deal it is when you do something like that. Like for you, it might be a couple hours of your morning on a Saturday and your friend's cat has died. And for them, it's like, I'll never forget that Colleen showed up on this made up scenario. [LAUGHS] But like, yeah, I think, yeah, what? They got me through it.

We have one final story to share with you today, and it touches on the wisdom from our deeper self that can come to us through our dreams. Dreams can provide subtle hints, symbolic messages, or even a-ha moments of clarity about what’s going on  in the depths of our hearts. They might even reveal emotions we haven’t fully acknowledged or point us toward a deeper understanding of the journey we’re on. Tristy Taylor joined us in season 2 to tell us about her decision to let go of the idea of having children and how her dream life supported her through that heartwrenching time.

Taylor: It does start with the journey my husband and I were on to make a baby together. And after trying the usual routes and discovering that nothing was happening, we entered the world of fertility treatments, medical intervention and all signs started to point to this was gonna be painful and challenging and not really get us where we wanted to be. And my husband and I talked for a long time about what that choice meant to be child-free. And being someone who really tries to show up to what's happening in my life, regardless whether or not I understand it, I realized that I needed to honor this loss and to really allow some space and time. And being an interfaith minister, I read a lot about all sorts of rituals and I had recently read a really beautiful piece about the modern day of sitting shiva for someone who had passed away from the Jewish tradition. And, knowing that shiva means seven, seven days and I really like felt the like ritual power behind that. I mean, it's a ritual... but that seven days like I really felt how... to devote seven straight days to my grief where grief came first and nothing else had precedence over my sitting inside of my grief... My whole body just resonated with that. I just was like, Yes, that's what we're gonna do! 

During the time of sitting shiva with her grief, Tristy had a dream. In the dream, she was out in the snow looking into a kind of hut, a hut that felt very ancient. Inside the hut women dressed in animal skins were gathered around a very, very pregnant woman, putting oils on her and celebrating her. There was a fire in the hut but Tristy was outside in the cold and she knew through the knowledge that comes in dreams that she was not allowed into the ritual because she was not fertile and she would be bad energy for the pregnant space. 

Taylor: And I woke up crying, and hurt, very hurt by the dream. And I also know from doing dream work all my life that no dream ever comes to hurt us and be like, "Look at you, you know, you're stuck. Haha!" You know... Our dreams always come for health and wholeness. And so I really sat with the dream. I drew pictures from the dream... I felt into it. And and the gift that came out of the dream, cause I do think all nightmares have a gift. The gift that came out of the dream was this idea for an unbaby shower. Because it didn't feel fair to me that I should be left out in the cold. And this transition that I was making is just as valuable as the transition of becoming a mother, the transition to not be a mother. 

This was only part of the story of Tristy’s transition. You can hear all about the various stages of Tristy’s  amazing grief work by listening to her original episode. In fact, you can here more from each of the guests you heard from today in our archive. Check the show notes for a link to our collection of episodes on Grief and Loss.

I hope that some of the stories we shared today are inspirational and that they might help you feel into if ceremony, or ritual, or just an intentional something-or-other might help you make sense of a loss, or find yourself again after a loss, or even rediscover hidden threads of connection between you and whatever you might have lost. 

We will have more episodes soon offering new stories from creative, talented individuals who turn to intentional actions to make it through something big. You might even get to tell your story if you created something you would like to share. If that’s you, contact us through our website, shamepinata dot com. 

Our music is by Terry Hughes. Find us on YouTube and IG at shamepinata. Reach us through our website, shamepinata dot com. And subscribe to the show on your favorite player. Also be sure to check out “Everyday Magic for Ukraine”, our ongoing series of 10-minute meditations that support you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

P.S. Get up to 2 months of free podcasting service with Libsyn. Check the show notes for your promo code to get started podcasting today.

Welcome to Shame Piñata

Shame Piñata: Creating Rites of Passage for Real-Life Transitions. Stories from people who have used ceremony to create authentic weddings, make it through hard times, honor deep loss, or reinvent themselves. 

Browse Previous Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 

Transcript

Hi, I'm Colleen. I host a show called Shame Piñata. That's "shame" as in there's nothing to be ashamed of and "piñata" as in something that is ready to be broken open. On Shame Piñata, we talk rites of passage for the significant personal moments that aren't talked about, like making it through year three after losing a parent or choosing not to start a family. If you're going through your own personal transition right now and want some cool ideas on how to make it through, join us. You can subscribe wherever you get your podcasts, and go to shame pinata dot com to learn more.

Bonus: Additional Offerings

Episode Summary

You're invited to check out two additional offerings from the Shame Piñata team:

  • 10 Minutes for Your Heart, a 10-part limited meditation series for Ukrainians - now available in both English and Ukrainian!

Join us for one or both!

Learn More:

10 Minutes for Your Heart: https://10minutesforyourheart.com 

 

Shame Piñata Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 

S5 E8 Insights Into Authentic Weddings

Episode Summary

Weddings are more than just a celebration. They are markers of a profound life transition that affects not only the couple but also their families and community. Today we reflect on the full range of emotions that can accompany this pivotal rite of passage and learn how our guests made room for them in the wedding time.

Episode Resources

→ Authentic Weddings Episode Archive: https://ever-changing.net/authentic-weddings

→ The Conscious Bride: https://conscious-transitions.com/books/

→ Share Your Story: https://ever-changing.net/contact

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Weddings are more than just a celebration. They are markers of a profound life transition that affects not only the couple but also their families and community. Today we reflect on the full range of emotions that can accompany this pivotal rite of passage and learn how our guests made room for them in the wedding time. 

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. I’m happy you are here to join us for the second episode in a 4-part series in which we pause to reflect on the insights we’ve gained from our guests over our first five seasons. Last month we looked at Rites of Passage and today we focus on Authentic Weddings. 

There are so many ways a wedding can be authentic. It might defy familial tradition if the traditions don’t feel right for the couple. It might be an elopement instead of ceremony. It might be not inviting the extended family even though they invited you to their weddings. And it might be finding a way to throw a wedding within a reasonable budget even if that means having a cake and punch wedding on a Wednesday night (not that we know about that). The very act of dedicating time to sit down together and thoroughly figure out what is perfect for us, US, can be revolutionary. This event will create the container for the sacred ceremony in which you move from being single people to married or committed people, so let it be special. Let it be unique. Let it be truly you. Today we will hear stories of people creating authentic weddings by acknowledging the real feelings and transitions that come with a marriage. But first, let’s think about how to uncover what those might be. 

A great way of doing this is by being curious and asking questions, both individually and as a couple. And since you may still be figuring out who you will be as a team, what the essence of your committed partnership may look like, it’s worth taking some time to really sit with it and ask the tough, deep questions like: What do you really want out of the wedding day? And break it down: What do you want out of that day on a body level? What will your body need to be calm, to be regulated, to be invigorated, to feel strong, to feel pleasure. What do you want out of that day on the heart level? What will your heart need to be able to be fully open to this transition, to be fully open to connecting as deeply as you feel ready to with this other person? What aspects of the ceremony can you design to maximize a feeling of safety and intimacy with your partner? What do you want out of the day on a spiritual level? What markers or supports might your spiritual self be seeking during such an important moment of change? These are questions for both you and your partner (if they’re open to it) to consider separately, and then you might talk through them together and see where you overlap and where you don’t. And in this way you might begin to sketch out what each of you needs in order to build the ceremony of your dreams, a ceremony that fully welcomes both of you in an authentic way. 

Be warned though, that bringing in your partner to your dream event may not go as smoothly as you wish, because they are a separate person with their own needs and dreams, so there will be negotiating, and that’s not always easy, but it’s kind of where we’re headed in making a commitment to a new relationship, right? Speaking of commitment and partnership, I’d like to welcome my husband Rodrigo to join us for a few minutes. 

Thomas: Hey there, sweetie, how's it going? 

Torres: Good.

Thomas: I'm glad you're here. 

Torres: Me too.

Thomas: So I was wanting to ask you, I'd love to know what the biggest thing you got out of our wedding planning time was, and how that made the day more authentic for you. 

Torres: Thanks, that's a good question. Weddings were on my mind because we were having all the conversations and I just happened to be listening to a radio talk show. And a woman got asked what was the best advice that she had gotten for her wedding, and she said that it was to not manage anything on her wedding day, and that it had been really profound for her, because she had been able to just be present and experience it in a way that she wouldn't have if she she had been in charge of things. And so I thought that was a great idea. I also thought it'd be a hard idea for me, because I'm such a control freak around events and make wanting to make sure that they go perfectly. But I remember I brought it up to you and we both agreed to just letting go. And I also remember that we committed to it and then at the wedding, there was a sound system problem that happened and I wanted to just go fix it, basically. And I was like, "Okay, no, I committed to not do that", and it turned out fine. So I thought it was a really good decision that we made to just not be in charge, after making sure that our team was really prepared and they knew all the instructions, but we just were gonna, "Okay. We're gonna let go, and if something happens, it's just it's gonna happen. It'll be what it is, and we'll be present for it." So I was really happy about that. 

Thomas: I'm really glad that that you did that too. That really helps me to release and relax on the day and trust, which is so important. 

Torres: Yeah, that's great. And is there anything that you remember about our wedding planning conversations? 

Thomas: Well, I think mostly I'm really glad we took our time and we let things come together organically. I remember feeling frustrated at first because nothing was clicking. The ideas I liked didn't work for you and the ones you had didn't work for me. And I thought because we got along so well and we love each other, it would be easy to get on the same page about what we wanted for our wedding, but because it was such an important event, neither one of us wanted to just agree to whatever. We didn't want to compromise. We wanted to feel 100% right about it. So it took some time, and we were stuck for a long time, but then one night, the magic happened. And we randomly attended a community event we used to both love and we realized that was what we wanted for our wedding. 

[MUSIC]

Thomas: After the break, we’ll hear from several Shame Piñata guests who created authentic weddings by acknowledging the real feelings and transitions that come with a marriage.

Season one of Shame Piñata focused on creating authentic weddings. Writer Tria Wen was one of our earliest guests. When we met her, she was preparing for her second wedding. As a former wedding planner, she had a lot of ideas to draw from as well as some things from her first wedding she wanted to let go of. She spent a great deal of intentional time with her fiancé feeling into how they could best create the event that felt truly right for them. 

Wen: So I had the advantage of expertise and of seeing many different kinds of weddings and in thinking about what really mattered. And I talk to my fiancé about it and luckily for me he’s really interested in exploring those things as well and questioning why do we do certain things and do we need to do those things. So for example, walking down the aisle is kind of a given. And having your father, as a bride, give you away it’s kind of a given for most people. The default is to have the groom already there at the end of the aisle waiting for you and then to have your father walk you down the aisle and essentially give you away, give responsibility to your husband of you. At this point in my life and 35. I’ve lived across the country for my father for over a dozen years now. So the symbolism doesn’t quite make sense of him giving me away to someone else. And for my partner and I, it was also important for us to realize that this is a phase of our life that we’re going on together. It’s not him standing there waiting for me to join him and get on his journey. It’s really going on something together. So, one, we don’t have an aisle, we’re not getting married in a church, but we plan to just show up to our guests together at the same time.

Thomas: That’s, that’s a nice example of how you’re reclaiming the tradition and make it your own.

Chang: Yeah, and there are so many things that we do so automatically I think, without questioning or wondering about them and it was important for us to really pair down things and think, you know, do we even need this or that? Or, can we do this in a different way? How can we do something that has meaning in every step of it for us? 

Wedding Therapist Landis Bejar also joined in season 1. She reminded us that amidst the many wedding details, the event is essentially a life transition. 

Bejar: With any sort of marker of time or what I call in my work, life transition, all kinds of stress comes up because as we mark time, and as we move from one life state to another through a life transition, we ostensibly are grieving the previous state in order to make space for the new state. And that can be challenging both for the person who's moving through it and the people surrounding that person. So if we remove ourselves from the wedding example, we have like a mom sending her five-year-old to kindergarten, a mom might cry. And it's not because she doesn't she's not happy that her child is ready for the next step in their life that she might be grieving those toddler years or those years where she spent more time with the child and now is kind of watching them gain their independence and moving into this next state. And same reason why we cry at graduations, you know, and you know all of those things, so that comes up during weddings as well. And the other thing that I would say is that like, there's a lot of pressure for this to be the happiest day of your life. And so when you have all of these other sort of variables coming up that would naturally challenge our emotions and psychological states and family dynamics, the first sign of distress feels really upsetting and maybe extra upsetting because of the pressure that we're all supposed to be so happy. And I think that that kind of creates a little bit of a pressure cooker for some of these things to come out in really aggressive ways that we're not expecting.

This is something that Tria experienced as well. 

Wen: …There  is a lot going on in the wedding day, and that you're supposed to pack all of these things in, and you're supposed to be thrilled about it the whole time. [LAUGHS] And everyone is really supposed to be on their best behavior, and it doesn't usually turn out that way.

Thomas: Right. And we've had quite a few conversations about the other feelings, the feelings that are harder maybe, the feelings that don't fit in the pretty package, the feelings that we're not allowed to have at a wedding, they get discouraged, and maybe the even the unconscious losses that folks aren't even aware that they're feeling. What tensions have you seen come up at weddings?

Wen: Yeah, there have been a lot of tensions that come up, I think the most common one I've seen is usually between the couple and their parents. So sometimes there are mothers of the bride who are feeling protective, or like they don't really want to let go. So they start trying to control small things like the way the bride is getting her makeup done, or trying to change menu items last minute.  It can really come out in ways that seem unrelated, but are just things that catch their attention and show them a way of having more control in that moment.I also had a client who…  they were a slightly older couple and so they didn't have their parents involved in the planning at all. And when the mother of the groom showed up to the ceremony site, which was an art gallery, she was furious. She just hated the venue. She thought it was so ugly and she told me, “These pictures on the wall, they're awful. They have to go. There aren't enough flowers!” And, you know, in an art gallery you can't change the display. It's off limits. We did end up moving some flowers around for her. And she didn't like the concrete floor which was part of the modernist look. But I talked to the bride and groom and told them I think it would really help her if she could have some say. And so they were comfortable with us putting down an aisle runner, so at least having something cloth for them to walk down - for whatever reason that became important to her in that moment.

It’s so common for these kinds of unconscious feelings to make an appearance around the time of the ceremony because the transition doesn’t only affect the couple in question. As humans we have attachments, relationships, and connections that are affected as we change. So if you’re my best friend, or my sister, or my mom, and I get married, it will have some effect on you. Because we’re connected energetically, you’re involved in my change at some level. And this change might bring up feelings for you. You might be scared you won’t see me as much. You might not like my new partner. You might feel I’m abandoning you in some way. And this is where the confusing part comes in. Because all of this has a good chance of being unconscious. Especially since we’re told that weddings are good things and we should focus on the couple in question and make it all about them. So you might have no idea why you feel totally wedding avoidant, or suddenly really busy, or any number of other feelings you can’t explain, like that mother in the art gallery.

Authentic weddings begin with understanding there is nothing wrong with what we are feeling. Everything we are feeling, even the hard parts, is “normal and necessary,” in the words of our next guest Sheryl Paul. Sheryl was also a season 1 guest as well. She is the author of “The Conscious Bride”, a book recommended to me during my wedding planning time and now one that I highly recommend to others (link in the show notes). I love “The Conscious Bride” because it gave me permission as a bride-to-be to feel all the things, especially as I considered my relationship to my future self, who I would be as a married person, what that would feel like.

Paul: When you are in transition, you are in a death experience, you are in a liminal zone, you are between identities, you are letting go, you are grieving. And we only expect people to feel joyful. It creates a lot of anxiety and it creates even more chaos than there naturally would be around an event like this. Because I'm feeling sad, because I have a sense of loss, because I feel like a part of me is dying, because I'm not over-the-moon ecstatic... something must be wrong with me, or with my partner, or with the decision to get married - something's wrong. And it's an incredibly deep sigh of relief to the soul to know that nothing is wrong. In fact, the more you let those difficult feelings in, the more you will open to the joy; that the pain and the grief and the discomfort and vulnerability are the doorways into the joy, into what we are expected to see all and into what we hope to feel. And what I started to say earlier was that that the wedding more than any other transition, I think, has (probably being pregnant or becoming a mother comes close) carries a very strong cultural expectation of unilateral joy and it is supported in a big way by the wedding industry that sells perfection and sells joy. So it's a it's very big money behind selling us the bill of goods by selling us this message that you are supposed to be joyful and the way to do that is to create a perfect event.

Thomas: How do you work with someone if they're just starting to realize that they don't have to only feel joyful?

Paul: So, I tell them to read my book. And, you know, it's really the first part it's about re-educating people to understand all of the normal and necessary feelings that accompany this transition. And once they understand that everything they're feeling is normal and necessary, they can start to let it in and and feel it, feel the grief, feel the loss, feel the vulnerability, feel the loneliness. These are all normal feelings that accompany transitions. So once we give ourselves permission to feel without that overlay of "because I'm feeling this it means there's something wrong" everything changes from there. We don't then have to misassign meaning to the feelings and to think, "Because I'm feeling sad, it means I'm making mistake." No, it has nothing to do with that. You're feeling sad because you are in a rite of passage. You're feeling sad because you are in the death experience, letting go of this identity, this primary identity as a single person, as daughter, and shifting into an entirely new stage of life, a new identity. And there is no way to go through that without feeling grief.

So how do we go about having some of these spiritual conversations ahead of time? How can we acknowledge the changes that will be happening with ourselves and our family and friends? One option is to feel our feelings. 

Paul: If the bride is very close to her father, that's one set of emotions and experiences where there is tends to be a lot of grief, a lot of crying, really good, medicinal, necessary crying to make that separation process... and to make it more effective to make it more complete to make it more conscious. Again, in the naming, to say, I am separating from my dad, I am no longer going to be... Yes, I'm his daughter, but not in the same way, not as my primary identity. That my new partner is going to be number one and I'm transferring allegiance. 

Another option is to create a ritual. Not the ritual of the wedding, but a separate, earlier ritual. A special time with another person. It doesn’t have to be involved or complicated, or even take a lot of planning. Just some thought about the changes that are happening and how we want to observe them.  Spiritual director Jeanne and her son Astro have a lovely story of leaning in and co-creating a simple but powerful ritual to address some of the feelings that were bubbling up.

Astro: We live on this beautiful lake, and this is, this is already kind of a ceremonial place for us, like it's very spiritual and profound place for our family. Yeah. It’s a really special place. So we knew this would be the ritual spot, the lake, and it was like a beautiful summer time and we just hopped in a small fishing boat and we went out to the middle lake. 

Jeanne: And Patrick had been a tennis player, so he had a lot of trophies, and I was trying to figure out where to put these trophies. So when he talked about it'd be nice if we had some object or something to release, and I thought, HA-HA [LAUGHS]

Astro: That's so funny, because I feel like I also… I had the same idea at the same time!

Jeanne: They are something that was part of my watching him and his being in that sport. And so we decided, I'm not sure how many? Probably at least three, I think probably four… we took out with us in the boat, and then we decided, well, we're in the boat. How, how would we work this? Well, how about we pick one up, and then we talk about starting with early on in life…

Astro: I think you it's pretty much you doing it like you just kind of took it and you held it and you were present with it, and just sort of spoke to like…  my like, your journey, like a baby and a toddler, and what that was like for you. And I remember, like, some lot of tears, like there was emotion, you know..

Jeanne: It was a sacred moment, and it's like 600 feet deep at that point. There's a lot of stuff in this, like people you know, buried with their ashes. Yeah, we've had friends who put their their ashes, and we've had a ceremony of ritual with them in the boat. 

Thomas: And yet, this was a different kind of letting go. This is letting go of a past life, quote unquote, of somebody who's still alive, who's transitioning and letting go of the past relationship. It was kind of a rebirthing of your relationship.

Astro: Totally, totally. And I think that's kind of what it felt like to me, is she's announcing that…  she's like, to me, it's like she's saying this trophy is Patrick as a toddler, and letting it go. It's like, kind of like a death and the same thing with, like, whatever the next trophy represented, sort of like the adolescence and letting go of that, and when all that was let go, it was definitely a rebirth. 

In addition to developing a new relationship to our future self, and to the folks that make up our community, as we approach the wedding or commitment ceremony, we will also be preparing to develop a new relationship with our partner. Nick Venegoni and his husband Thom shared a story from their own ceremony where the officiant created a memorable moment that, like Sheryl Paul said “embodies what's happening”, that acknowledges the transition the wedding couple will be experiencing in their new life. Here’s the story.  

Thom: Right after we had our hands fasted, the priestess of ceremonies, Jenya, she had found like four plants in the group that she went to beforehand and was like, "Okay, there's a part of the ritual when this happens, I'm going to you and you need to do this." So they were going to call to us, and we had to then... but they were calling to us from like four different parts of the circle at one time. So obviously, if we're tied together, we can't just tear off willy-nilly. We have to figure out: What are we doing? What's our priority? Who... what direction are we going to go together? And it was like a challenge for us, like a spiritual challenge in the midst of the ceremony that was like an energetic template for what it's like to be married, you know, where it's like, "Oh, if we're going to... we're tied together, we have to kind of figure out like, when do we go in your direction? And when do we go my direction when there's not agreement" you know? So it was this funny moment. We were both like, like... a cartoonish moment where we just sort of took off, like, like... "I'm going this way," "I'm going that way," like, "Oh, wait, we're like, tied together. What are you going to do, tear my arm off?" You know, like, like a rubber band kind of thing where we sort of like popped away from each other and then sort of snapped back and kind of bonked heads. And you know... And then we had to sit and have a conversation in front of everybody... a quiet... they couldn't really hear what we were saying. We're like, "What do we... what do we do? Which way do we go?

Venegoni: "Where do you wanna go? Where do I wanna go?"

Thom: And so then we just made a decision and walked towards somebody. And everybody was like, "Yay, they figured out their first challenge as a married couple!" Because we've been together for like, 12 years already, you know? 

Venegoni: No, it was… nine years. 

Thom: Nine years. So that was like, another way that the... our community was witnessing us behaving as a married couple and we were like normalizing. Like, yes. See, we're married. And this is what married people do. We're just… it's just like every other marriage where you have to figure it out. And this is not any different. And we just got, like, 200 people in one moment to go, "That's a marriage!"

[MUSIC] 

It's wonderful to have you here! If you enjoy the Shame Piñata, please consider leaving us a review. Check the show notes for a walk-through guide and follow the simple instructions. And thanks!

We’ve established that the day of the wedding marks a big transition, and as such, it can be an extra challenging day to face when someone we love won’t be there with us. Acute losses like death can be particularly challenging to weave into wedding planning and at the same time, acutely wonderful and necessary to weave in. Here’s Tria Wen again:

Wen: With acute losses, or grief in general, that can be a really difficult thing to handle at a wedding because, as we talked about, a wedding is supposed to be all joy and it feels scary to invite something in that will bring you grief and sadness. But sometimes people are important to us and when they're not there, to kind of brush it under the rug, it doesn't really feel real. So I think, in some ways, it could be interesting to expand what happens at a wedding to include some of the things that happen at a memorial or a grief ritual. So we can look to other cultures, for example, like the Day of the Dead. You know, they have these beautiful altars and flowers and favorite foods of that loved one, and they really presence them. 

At my little wedding ceremony, we are having our... instead of place cards with people's names, we're writing cards to everyone with our heartfelt sentiments to them and we're writing them on watercolor painted envelopes and cards. And my mom was a watercolor artist and a lot of weekends, we would spend painting big sheets of watercolor together and then cutting out envelopes. And in those days, people used to mail each other letters often. So we would use those envelopes. So I had my fiancé make these envelopes with me and I really felt her there with me. And he's never met my mom so it was a great way for me to introduce her to him and show him this is how I would spend my weekends with my mom. And I know that having those envelopes there on the day, it's small, it's not going to be very distracting for people who didn't know her. But I will make a mention of the meaning that they have to me. And I think I'll feel her there more in that way.

As I’m sure you’ve gathered by now, I don’t think a wedding needs to be traditional. And I would go a step further to  say that we can transmute the power of a wedding ritual and have a wedding-like ritual that isn’t exactly a wedding.

This was the case with our guest Betsy and her partner Brandon. When Betsy learned that her 

mother had six months to live, she was spurred to create a ceremony that celebrated both of the loves in her life: her mother and her partner, with a beautiful gathering called a Celebration of Love and Family.

Weiss: When I was in college actually, my mom had gotten sick. She had stage one breast cancer but had gotten better. And then a couple years later, it came back a stage four breast cancer and she had really good results through chemo, but in a moment when she was actually doing a lot better, I was in the car with Brandon, we were on the way to see his family. And I was sitting there and thinking, I want to have a ceremony with you. I want to do something with my mom, before she dies, like if something were to happen. And at the time, we're thinking she had 10-20 years. We thought, you know, she was recovering really well. But I just said, like, I want to do this. I want to recognize our relationship with my mom. And he said, yeah, okay.

So we did need to figure out sort of what the day would look like. And we decided that we wanted to have sort of this simple ceremony in a park close to my house

We hired a photographer, which is something I'm so grateful for it because now as I look back, and remember my mother, I have these really wonderful pictures from our celebration. 

You can hear Betsy and Brandon’s full story on the season 1 episode called, “I Want to Have a Ceremony with You”. It’s one of my favorite episodes and I highly recommend it to anyone planning a wedding or a non-wedding. 

One of the more unusual ways but wonderful ways to get committed to someone is to get committed to yourself. This is something you can do instead of committing to someone else, in addition to committing to someone else. Self-commitment, or self-marriage, can feel lots of different ways and be done for lots of different reasons, but I tend to think of it as a way to come home to yourself. To say, “I’ve got my own back. Regardless of what happens in life, I’m on my side.” You might be wondering what would lead someone to decide to marry themself. Here’s a great story from ritualist Betty Ray.

Ray: On New Year's Eve 1999, I had bought this ring that had the drama faces on it, you know, the tragedy and the comedy. And I had this idea to go up to the top of Bernal Hill with my ring... and I brought my checkbook and a candle. So I got up to the top of Bernal Hill and I wrote myself a check to myself and I wrote a check to him. And I lit the candle and I burned the check to him, and "I'm not going to spend any more time on you, dude." And the check to myself, I folded and I put it like near my heart... I guess I was wearing... I put it in my bra, frankly. And then I took the ring and I made a statement. I made a statement as San Francisco was my witness as I was up on the top of Bernal Hill and it's kind of this cloudy, foggy you know gross San Francisco winter day at the winding down of this millennia, you know, and so I had this sort of weight, this gravitas of the sense of this millennia is ending and I'm committing to myself for the new millennia to not get into drama with men anymore. And I said that I will now... I now am committed to myself and I'm marrying my own drama so that I don't need to marry it externally. I don't need to bring my drama... I don't need to create it externally and I certainly don't want to be engaged in a relationship with it anymore. I don't want to do that. That's done, adios. 

Betty used this wonderful and spontaneous ceremony to redefine herself in response to the breakup and also to forward her own desire to change her pattern around men. I had a totally different kind of self-commitment ceremony, and I chose to have mine right before I married Rodrigo. My intention was to release the idea in my head that a man could save me and instead to remind myself that I am my own strongest partner. You might wonder how self-marriage mixes with being married or committed to another person. Here’s how Betty described it. 

Ray: Being married and committed to myself makes me a way better committed partner in reality because being committed to myself, in the way in which I'm committed to myself, means I'm more authentically myself and I'm not... I don't hand over core parts of myself for my need for approval, or my need for someone to tell me what to do, or my need to be in control, whatever those needs are, like I'm a much more whole partner as a result. So it actually made me a much better partner. 

And I think we all want to be that better partner and show up with as much love and integrity as we can in our relationship. 

So this is the moment when I say: No matter where you are on the wedding planning journey, you’re in the right place. You are doing great. Everything will be okay. Trust yourself. Listen deeply to yourself and to your partner. 

And I would also say: See what you can do to move into a deeper, more authentic mode of wedding planning. And pay special attention to the things that will be most likely to support you on the day itself. You might assign someone to be with/support/manage your parents on the event day. You might dedicate a set amount of time to be one on one with your partner right before or right after the ceremony and make sure nothing gets in the way of that happening. You know you and you know your stresses and you know what you need. So think big. Ask for what you want. And be true to yourself. 

We look forward to sharing more stories of authentic weddings with you in upcoming episodes. We might even be able to feature your story if you have one to tell. If you do, you can reach us through shamepinata dot com. You can hear more from each of the guests you heard from today in our archive. Check the show notes for a link to our collection of episodes on Authentic Weddings. And join us for the two remaining episodes in this series where we reflect on the wisdom we have learned from our guests around Grief and Loss and also Challenging Times. Those episodes will be out when we return in February for Season 6. 

Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. Reach us through our website, shamepinata dot com. And subscribe to the show on your favorite player. Also be sure to check out “Everyday Magic for Ukraine”, our ongoing series of 10-minute meditations that support you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

P.S. Get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E7 Insights Into Rites of Passage

Episode Summary

Imagine navigating the journey of life with the power of ritual in your hand. From births and weddings to grief and personal growth, each change shapes who we are. Today we reflect on five seasons of conversations with ritual makers and look at how they have used the tool of ritual to heal, grow, and transform.

Episode Resources

→ Rites of Passage Episode Archive: https://ever-changing.net/rites-of-passage

→ Share Your Story: https://ever-changing.net/contact

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Imagine navigating the journey of life with the power of ritual in your hand. From births and weddings to grief and personal growth, each change shapes who we are. Today we reflect on five seasons of conversations with ritual makers and look at how they have use the tool of ritual to heal, grow, and transform. 

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. 

Now that we are in our fifth season, it’s time to do a little reflecting. We’ve had the opportunity to speak with many ritual makers over the years and today we’re launching a 4-episode series to reflect on the insights we’ve gained. First, Rites of Passage, then Authentic Weddings, then Grief & Loss, and finally Challenging Times. Today we begin with Rites of Passage.

When Shame Piñata was still in development, I crowd-sourced a list of life transitions and I’d like to share a bit of it with you. In reviewing it, I noticed that about two thirds of the responses were situations that are out of our control. Leaving only one third that are in our control. Now, I’m not sure if this percentage represents the actual breakdown of typical lifetime of events or if it’s just that the tougher ones grab our attention more. The mind, after all, looks for problems to solve as a way of helping us stay safe. 

In the “Things that Happen To Us” column we have a few categories. The first is life stages. These are things most of us go through if we live long enough, such as our birth, and the annual celebration of it, the first day of school, first friend, first enemy, first love, going through puberty, leaving our childhood home for college or another destination, creating some kind of family of our own, losing our grandparents or other older relatives, losing our parents or caregivers, becoming a caregiver for someone we love, planning for our own passing. 

We may also go through physical changes throughout our lifetimes such as menarche,  pregnancy, miscarriage, menopause, illness, surgery, and the healing that follows

And things can change within our relationships as well. Children may move out of the house. We may lose touch with someone we love for reasons beyond our control. We might lose someone from whom we are estranged. And then there’s pets… don’t get me started on pets. Pets are a commitment that oftentimes brings a knowledge up front that we will need to say goodbye long before we are ready. You get the idea… things happen. And they can for all the world seem like they are happening to us. But sometimes looking back, we might notice that we wouldn’t be where we are now without them. They are, perhaps, an important part of who we are.   

Flipping to the other side, let’s consider some of the life changes that are more likely to be our own choice - not all of them easy. Some ideas in this category include: choosing where we want to study and/or work, learning to drive, the first trip out of our neighborhood or country, picking a religious or spiritual community that aligns with our own beliefs, exploring and embodying our gender identity and attraction to others, getting married or committed, choosing how to raise our children, going back to work (or not) after having kids, choosing how to handle our fertility in general, working diligently to master a new skill, leaving an abusive relationship, getting out of debt, reaching an investment goal, and choosing when and how we might retire. 

That’s a lot of potential life changes! So what do these changes do on the practical, everyday level? They may change our environment, our rhythm, our planning, our relationships to others, and, if we’re honest, our relationship to ourselves. They may not start out as a means of personal growth, but they can easily become just that. As we experience losses and setbacks, we can evaluate them, seek their meaning, and use them to grow. As we make it through hard times, we learn to trust our strength and resilience.

Each of these kinds of transitions is important and each is worthy of honoring. Each time you do something you never thought you could do, I honor that for you. And each time you go through a significant loss, I honor that for you as well. The honoring is the part that ritual serves. It’s that moment of saying, “This is important. I have changed in an important way because of this event and I would like to honor that by having a ceremony” - or perhaps asking someone to organize a ceremony for you (yes, you’re allowed to do that, by the way! I did it on the 10th anniversary of my father’s death).  

As a ritualist, I break down ceremonies into three categories that I call “Significant Moments”, “Reinventing Ourselves” and “The Deep Dive”. All of the examples we just explored fall into the “Significant Moments” category. These are moments when we have changed on a fundamental level, either through something happening to us or making the change ourselves. Ritual can be especially useful when we come across a significant moment that is deeply personal, especially perhaps, when it’s something that the people around us can’t relate to. For example, if everyone in the neighborhood adores our golden retriever they may instinctually join us in grieving her loss after she passes, sharing comforting words and maybe even sending cards. But if we had a pet that no one really understood, perhaps a cat who was scared of other people, we might well find ourselves alone with the grief after that animal passes. Not alone as in no one gets why we’re sad after losing our cat, but alone in that others didn’t have the same loving experiences we did because that cat saved all of her love for us. It’s hard to feel alone. And it’s hard to hold strong feelings inside. Ritual can provide a container to both honor what is deeply personal and help us presence and release some of the emotional intensity. 

Ritual can also help us to reinvent ourselves if we feel the need for a reboot. This often instinctually happens after a significant event. How many times have you cut your hair, rearranged your living room, or made some other conscious change after a break-up? That rush of energy we get to take control after being “hard done by” is powerful. And it’s healing. It can be a type of ritual to counterbalance a sense of being out of control. I call these kinds of rituals “Reinventing Ourselves”. They can be tied to a significant event or just come to us out of the blue. Like when we just suddenly realize we don’t fit in our old skin anymore and we need a change. This can happen after we’ve gained a bit of perspective, perhaps through travel or a retreat, something that has taken us out of our usual habit patterns.

Finally, another type of ritual is what I call “The Deep Dive”. It’s reserved for those moments where we feel resourced enough to go, well, deep. Beyond the day to day, beyond life events, beyond breakups and other losses. Moments when we are willing to question who we are and why we are here. I’m talking about something along the lines of an all night vigil, a soul quest, something that makes room for deep healing and exploring what Spirit is calling us to do next. Again, Deep Dive rituals may be initiated by a significant event or we may just feel ready for them without understanding why. Deep dive rituals are great because deep work is best done with a container. What is a container? Well, the container is created by the very things we do to make it a sacred space. Things like setting aside dedicated time for the ceremony, going someplace we won’t be disturbed, opening the space with something intentional (casting a circle, reading a poem, lighting a candle), honoring that we are in a sacred space during the time of the ritual, and doing something to intentionally close the space at the end (opening the circle, dedicating the energy of the ritual to heal the world, blowing out the candle). These things might seem simple but they are powerful, because they tell our subconscious mind that we are moving into and then back out of an intentional time where we can drop more deeply into our truth. 

As mentioned at the top, we’ve been lucky enough to learn from several talented ritualists on this show. After the break, we’ll see what each of them had to teach us about the power of ritual for rites of passage.

[MUSIC]

If you enjoy Shame Piñata, consider checking out Everyday Magic for Ukraine. Everyday Magic for Ukraine is a totally different kind of show that invites you to grab an item and do a simple ritual for peace in Ukraine. Episodes are less than 10 minutes long with a focus on calming the nervous system and keeping your heart open. You can find Everyday Magic for Ukraine wherever you're listening to this podcast.

So let’s look a little more deeply now into rites of passage and what they can do for us. We’ll be hearing from some of our former guests as we go, starting with Betty Ray who shared these words when I asked her, "What is the benefit in creating our own ceremonies?”

Ray: I think that our 21st century culture has become so individualized that certain kinds of rites of passage, the generic thing, just don't resonate. And so the benefit of a personalized sort of self designed DIY rite of passage or ceremony, transition ceremony, is that it can be something that is deeply meaningful to you. And I don't think these work if they're not deeply meaningful to you. So I would argue that there is no reason to do this if it isn't personalized. It's really important that it be meaningful, and that it come from a place that has such heart and meaning that it can… that it does the sort of psychological lifting. When it is individualized, it's a creative process. It's really fun. It's really fun to think about what is the thing that nurtures me. It's really fun to think about what is the thing that I'm trying to heal. It's not fun - that's not fun. [LAUGHS] But it's healing. It's healthy to look at what is the thing that I want to let go of and how do I design something so that I can take back my power over this thing that has really hurt me or has humiliated me or that I want to leave behind.

So, personalization. Power. Fun. Hard work. Inner work. These are the types of things ritual can bring us. And as Betty pointed out in another part of that episode, ritual creates the container for these things. So it’s easier to drop into the deeper feelings we might be having when we know we have created a safe place to do that. 

So now let’s answer a few questions. Are rites of passage only for coming of age? Of course not. We keep growing and changing way past our teen years. In fact, Nick Venegoni conceptualizes life transitions as moments of initiation where we can level up. 

Venegoni: I think of initiations as these gateways that we have the opportunity to walk through and transform ourselves in our lives and those gateways hold power. You know, so it's a way to sort of step into, you know, a new experience of who you are. Whether that's like, “I'm no longer a child, I'm an adult now”. You know, whether that's through your gender, your sexuality, or your biology where you have an opportunity to really grow and step into a new level of power in terms of who you are in the world and carrying that forward in your life.

Another question: Do rites of passage need to be religious? Absolutely not. They can be religious, spiritual, or secular. It’s always your choice. The important thing is the reverence for the transition that is being honored. There are some rites of passage that are handled within a religious context. Here’s Tina Torres on the power of baptism in the Christian tradition:

Torres: It's just really exciting. And really, the person being baptized, it's very, super… there's, when you come up out of the water, there's this kind of sense of euphoria and spiritual exultation. You know what I'm saying? It's very, it's a very powerful experience. Very powerful.

Personalized rites of passage can also be created for use in place of traditional religious ceremonies. April Cantor created a special ceremony with her son after it became clear that he did not want to have a bar mitzvah.

Cantor: …and that being said, my husband and I both agreed, you still need some sort of rite of passage, like that's important that… you know, this is your time. Let's… let's figure out something we don't know what that looks like yet, but this still calls for some sort of rite of passage. And that's how it started.

Rites of passage can also be completely separate from religion, which can make them unique and interesting. Nikole Lent describes that aspect of her Welcome to Womanhood ceremony in which the elders in her community welcomed her to womanhood.

Lent: I was the only person that I knew that had had something like that aside from, you know, friends that had ceremonies related to religion or cultural background, be it a bar mitzvah, bat mitzvah, quinceañera or things of that nature. But as far as like a non-religious based rite of passage ceremony, I was the only person that I knew that had experienced such a thing. So my friends were really curious and excited and intrigued by that.

Next question: What is the benefit of community in ritual? Of the witness? Why not just honor our life transitions alone? While some rituals are best done alone, the availability of community  gives us the opportunity to shower the individual with our love and hopes and wisdom. Kind of like how we give a new couple a blender when they get married, but in this case it can be something deeper. Nikole’s mother Susan describes the gifts she asked of the women she invited to Nikole’s Welcome to Womanhood ceremony.

Burgess-Lent: it would be in the form of something that was symbolic. And they could read a poem, or they could play some music, or they could dance or they could have an object, it didn't matter. I left it up to them.

Thomas: And what were some of the gifts that showed up?

Lent: I can speak to that, because I still have many of them. [LAUGHS] One was this gorgeous woven… very intricately woven, basket that our friend had made by hand. And I've used it for so many things over the years and it's held strong for... yeah, pretty much like 15…17 years at this… at this point. And another friend gave me Joni Mitchell's album "Blue". She wrote a card that said something like, "These songs are tattoos on my soul and have been with me for like, you know, profound moments in my life. And I hope that they can be there for you the way that they worked for me." And I listened... that album was like... it was like a friend to lean on. There was also the crown... I wore a crown, like, it was like kind of a bramble and with flowers, you know, while I was in the middle of this ceremony, and that... It just felt like an honor to be celebrated and cherished, and that was a symbol of that. A lot of precious, thoughtful, deliberate offerings. 

Ritual can also help us deal with the bigger losses we might come across as we grow up. Personalized ceremonies can help us take the reins back and begin to heal our hearts. Megan Sheldon turned to ritual to help her make sense of invisible loss. 

Sheldon: And shortly after our wedding, we tried to get pregnant and we did. And, you know, seven weeks later, we miscarried. And then we got pregnant again and miscarried. And a third time, miscarried. And each time it was like this invisible loss that nobody knew. It was just, I mean… this was seven years ago. So it was just starting to kind of get a little bit more traction in terms of the media and people talking about it a little bit more, but nobody was talking about a ceremony where I could honor and say goodbye. I was never even offered any of the remains from the hospitals after my D&C procedures. So I started to create my own rituals around my loss. And my husband, Johan and I, we created our own rituals and ceremonies to acknowledge not only the loss of life, but also the loss of the stories we'd started to tell ourselves. I had a lot of growing anxiety. What was happening? Why was my body doing this? Will I ever get pregnant? You know, it was in my mid to late 30s at that point, so that… you know, there was this time pressure that was both external and internal. Yeah, I think that time for me it was really about learning how these things that I naturally wanted and needed did in my life were rituals. It was ceremony. It was, you know… I wanted to sit with my girlfriends and not only share my story, but hear their story. I wanted to, you know, every year on a due date or on a loss date, I wanted to have something that I could do that would connect me so that I wouldn't forget that I wouldn't grow… grow further away from it. 

[MUSIC]

Ritual can also help us make sense of things that happened a long time ago. I think people might not realize this. I shared an important example with Erica Sodos in our episode on Blood Magic. We were discussing menarche, or first blood, ceremonies.

Sodos: Say a woman is seventy so she hasn't bled for a while. She could still celebrate her first moon time? 

Thomas: Yeah, sure…

Sodos: Really? Even though she's already been through all these different cycles in her life. And I guess, I guess you're saying you can do it, you feel that you can do a rite of passage whenever, like even if it was a while ago?

Thomas: Yeah. I mean, it has a different effect, I think, than doing it at the moment. But I believe that ritual transcends space and time and I've been in a post… a retroactive menarche ceremony with one of my blood mothers who got a big room of 30 women together who were all  not 12 or 13, it was all for grown women to go back and connect to the moment of the, you know, the Maiden. And it was, it was just transformational and so I know that it can transcend space and time. It helps if you have a really good ritual practitioner can who can run it for you.

Sodos: That sounds like magic. Like I'm feeling that… that you… Well, that's the same idea like when I was in therapy and the therapist would have me go back to an experience from when I was little and say, you know, I was attacked, or my parents were out of control or whatever and then she would be like, “Who would protect you?” And then I did all these meditations where there was this bear… this mama bear would come and like took me away until all the fighting was still going on, but the mother was… And I think that that's that same idea. It's like almost like neural… changing the neuroplasticity in the brain, right? 

Thomas: Right.

Sodos: I mean, you're going back. And you're reclaiming this experience, and then you kind of recreated it and then in a way the timeline changes. Right? Did you feel for you and other women like the timeline changes?

Thomas: Yep. Exactly. Exactly. Like the historical events that happened in my life when I did really get my blood when I was 12 didn't change but yet the part of me… the 12 year-old who's always living in me now has had a very different experience… had like the original experience and then had this other amazing experience which kind of weaves together.

Sodos: So you became more whole, in a way. 

Thomas: Exactly.

Sodos: Because that 12 year-old who grew up who was fractured or whatever you want to say never truly connected to her power or whatever it was. But now she's had a different timeline within you, so it makes you different now, is that kind of…

Thomas: Exactly. Yeah, that's a good way to put it. 

A similar story was shared by Thom on our episode about coming out as a rite of passage.

Thom: I turned 50 a year ago. I just had my 51st birthday but a part of my 50th birthday... we did a ceremony, sort of a... like a power-retrieval type ceremony where we did go back and look... heal like specific woundings from when I was younger so that all of that energy would then collapse into the present and I would then move forward into this next part of my life without that energetic disturbance or that energetic attractor, if you will. And so that was a situation where it wasn't specifically related to coming out because I didn't have any coming out wounding, but we did do a ceremony where we went back to deal with a past, you know, scenario and then heal that in the present and that was really eye-opening and amazing and don't know why I never thought of it before.

Thom’s story gives a great example of how to use ritual as a tool, a tool we can use to move into the future we want to claim for ourselves. 

So how are you leveling up? What future are you claiming for yourself? And where do you find yourself among the many examples we touched on today? Are you dealing with something that has recently happened to you? Are you on the milestone of a significant moment that’s unique to your experience? How are you ready to reinvent yourself? Or, are you perhaps ready to take the deep dive? Wherever you are, I honor that place for you. I honor you and your unique and sacred path. Is there a ritual that would be heaving for you? Maybe it’s time to revisit the past and transform it. Maybe you are ready to take a deep dive.

We look forward to sharing more rites of passage stories with you in upcoming episodes. We might even be able to share your story if you have one to tell. Reach  us through shamepinata dot com. You can hear more from each of the guests you heard from today in our show archive. Check the show notes for a link to our collection of episodes on Rites of Passage.

Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. Reach us through our website, shamepinata dot com. And subscribe to the show on your favorite player. I’m Colleen Thomas. Thanks for listening.

P.S. Get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E6 The Emergence Ceremony (April Cantor)

Episode Summary

How can we honor our youth as they come of age in ways that are strengthened by tradition and also allow their unique spark to shine? What would happen if we let them tell us what they need and co-created ceremony with them? Join us as we hear the story of the Emergence Ceremony that bridged into a powerful transformation for the entire family.

Episode Resources

→ SoulShine Life with April: https://soulshinelife.com/

→ Instagram: https://www.instagram.com/soulshinelifeyoga

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Cantor: …for sure like every once in a while, like they’ll say, “Oh God! I would love something like that too.” In fact, right afterwards my mom, you know my Catholic mom, she was like, “I want an emergence too!” And she’s like turning 75 this year so we’re going to give it to her!

How can we honor our youth as they come of age in ways that are strengthened by tradition and also allow their unique spark to shine? What would happen if we let them tell us what they need and co-created ceremony with them? Join us as we hear the story of the Emergence Ceremony that bridged into a powerful transformation for the entire family. 

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. Today we are lucky enough to be joined by April Cantor. April is a gifted ritual leader and a gifted mom. She is here to share a story with us, a story of growth, a story of change, a story of emergence. It centers around one weekend in which a planned ceremony unfolded into an unplanned ceremony, both of which turned out to be part of a larger whole. So join me in taking a breath and centering in your heart as we travel back in time to that weekend.

Cantor: Imagine a beautiful clearing with grass that's just been fed by a misty morning light fall of rain. And these tall trees that were like, you know, these beautiful sisters and brothers of the forest that we were in. It's just the backyard, but it's just this gorgeous clearing. And they were… they created this beautiful cathedral space, this natural cathedral. And within this clearing was a circle of family and friends. And in the center of that circle of celebration was my son who was turning 13 at the time. And we were celebrating what we were calling his emergence so we called it an Emergence Ceremony. And he had actually chosen this particular town because it was a town that is known for its inclusivity. He identifies as gay but also gender… I'm probably gonna get this wrong, but… not just gender fluid but all-inclusive, right? Like he’s like a he and a she, and it doesn’t matter which one, it’s like whatever you see him as. And this particular place in Pennsylvania... so it's like New Hope, Pennsylvania… we found this, this house that we can invite everyone to. And in this ceremony,we just celebrated his crossing over the threshold from adolescence up from childhood into adolescence, in his own beautiful, special way. So that… that was that was… the that's the setting for that weekend.

Thomas: Can I ask, was the ceremony his idea? Was it your idea? Did you come up with it together?

Cantor: We created it together. It was definitely a collaborative process. And that was important to all of us, that it was a group effort. 

Ezra had been following his older brother through Hebrew school with the goal of reaching his bar mitzvah. While the process had gone smoothly for his brother, for Ezra it has been a continual struggle. He had tried to tell his parents many times that he didn’t want to go to Hebrew school, because he just didn’t feel like he belonged there. But continuing the Jewish tradition and lineage was very important to his father. Finally, he was at the finish line with only one last year to go. 

Cantor: This was when he approached me and said, “Mom, I'm not… I'm not going through it, I do not want to do this bar mitzvah. It's not who I am. And it's not an expression of me.” And I just sort of like, I heard him. You know, my heart really heard him and I knew that he would have to tell his dad who would be really disappointed. And he also knew that too. But you know, when I prepared my husband, I said, like, “Just… when he tells you what he's going to tell you just really listen, like, Listen with your heart as what he's saying.” And so once he got the message from our son, it was a bit of a relief. You know, I think that's what my husband would say. It's like, there was a relief to it of like, all right, right? We're not struggling anymore. And we heard them and we're like, “Okay.” So we all took a deep breath. And thanked him, and then of course, informed the family because we also knew it was important to his grandparents, right. And I think to most Jewish people, it's important, right, that we have some sort of lineage that keeps this tradition up. But because we're such a tight family, too, we also want to honor just the growth of family and the growth of the individual on their own personal journey. And that being said, my husband and I both agreed, you still need some sort of rite of passage, like that's important that… you know, this is your time. Let's… let's figure out something we don't know what that looks like yet, but this still calls for some sort of rite of passage. And that's how it started.

Thomas: Wow, that phrase really, really caught me when you said my heart heard him. Because there's so many conversations we can have with people where the communication does not actually get down that far and drop into our hearts because there's so much… so many other levels at which we operate.

Cantor: Yeah, and think about all the times that we had not really heard him for all those years.

And the struggle, yeah. 

Thomas: And that he persevered. So… I wish that for all… all youth to persevere and so till others can… can really hear.

Cantor: Yeah.

Ezra spent the summer preparing for the ceremony. He engaged in spiritual study, put energy toward a service project, and created and made it through a significant personal challenge. The entire family was looking forward to being there to celebrate him on the day of his official emergence. But out of the blue, the family learned that Ezra’s grandpa on his father’s side wouldn’t be able to come because of health issues. His not being there was a huge deal for the family. Everyone was devastated. April knew that she had to hold space for this additional piece, this loss for the entire family. So she began to gather resources to help her honor both things at once - the joy and the grief. And in her search, she came upon a Shame Piñata and heard our episode called “Inviting Grief to the Wedding”.

Cantor:  I just was blown away, I was like, “Oh, this is exactly what I was looking for!” And just hearing your voice was so encouraging… And then, I mean… in one in particular, this one episode you did, I'm forgetting the person that was a wedding planner and they had talked about including grief as part of the celebration ceremony and it was such a powerful episode.That was super helpful, just hearing that particular episode.

Thomas: How did you weave those together on the day?

Cantor: The morning of the whole ceremony, right? We're talking like it happened on a Saturday. Early that morning, we got a call. And it was a call from my mother-in-law and through tears, she had mentioned that they had to move him into hospice. And we all knew what that meant. And it was hard, you know? It was just a really profound moment. There was crying. There was also doubt about: Should we continue with this? Should we just cancel this? Do we need to fly out today? You know, there's all these questions about what do, we have all these people here. And it was so clear from the discussion with my mother-in-law and father-in-law, who was coherent at the time, they were like, “You must continue this journey for your son. It is imperative that you continue this ceremony. We want you to continue it.” And then… “Please have it. And then whenever you can, like as soon as possible, make it down.” Right? So we went through it. We did it. We just kind of, like, gathered everything we could as far as like just our composure, just adrenaline kicked in. And then we just sort of, like, went through as if, you know, we had to just sort of compartmentalize that for a little bit and then just say, “This is what's happening. Thank you for everyone just holding space for us. We're going to continue with this. But we're also going to hold space for this other thing that's happening.” So when I greeted everyone in the… into circle, and by the way, those who were present were just intimate, close family members. My son made it clear that he did not want a huge Bar Mitzvah the way that his older brother had had, that he really just wanted, like his grandparents there, his aunts and uncles, some close family, friends, and then his, his crew… his crew. And so there was, you know, us in a circle in this beautiful place. And once we had that little procession in, with our drums and our shakers, we greeted each other. And then I proceeded to ask everyone to just hold their hearts for a moment and take a deep breath in. And to breathe in all the joy that we're feeling. And then to also acknowledge the fact that there are some important people that weren't able to join us here in circle. But we know that just by connecting our hearts out to them and sending our deep breaths that we might encourage deeper breaths wherever they are, and to welcome in… them into our space as if they were here. Because we know in spirit that they are. And any of the grief, any of the pain that we are feeling at this moment, we could just honor it, feel it, just give us ourselves a chance to cry about it if we want at this moment. And whatever's coming ahead of time, we don't know. But we can also just be present with what is. And let's put this grief in a little boat on a river that's just gently, you know, if we use our imaginations just flowing beautifully behind us to hold this space for us, we can let it drift on this little boat, and we can pick it up down the shore a little bit but let it take its own journey while we hold the space for celebration. For as much as we can feel this pain, we can also hold the same amount of joy. And that's that was the wish we know… from directly from Jack and Mimi, this is what they wanted. So that's how we said it and I would not have had that language had I not listened to Shame Piñata.

Thomas: Oh my goodness. I was just thinking how incredibly beautiful it is the way that you put that and was brought tears to my eyes just just to… just such a deep honoring of, of, of life, that is grief and joy and our capacity to be able to drop into both. Thank you so much for sharing those words with us today. 

Cantor: My pleasure.

[MUSIC]

It's wonderful to have you here! If you’re inspired by the topics we cover, consider sharing your story about how you marked an important life transition. You can do that by sending us a message through our website Shame Piñata dot com. And thanks. 

Cantor: So the ceremony happened. It was amazing. We had set that space and woven into that some wisdom sharings, right, with everyone. You know, the grandparents, at least my parents, were there. They gave their their part. Aunts and uncles and the friends even were asked to like… what are… what are the things that you want to tell Ezra, you know, that is his, like something that you feel like he needs to know at this time. Right? That's… that was the basic question. And then everyone got to share. Because it was important that it wasn't just led by me right that this ceremony was an expression of how we all have the capacity to hold space. We all have the capacity to let our hearts be listened to. And then we all have the capacity to share wisdom. We also did some sort of like, you know, there's always… It's not a good ritual without some sort of like, sacred drama, right? So we we put him… we wrapped him in this like butcher paper. So he's like literally in a cocoon. And you know, we were like “Okay, so here's Ezra…” Like he had to go through this transformation from this little caterpillar into his now chrysalis, but he's ready to come out. And of course, like the great song, the “I'm Coming Out” song was what I played. 

Thomas: Amazing. Wow. [LAUGHS]

Cantor: But before that happened, like he was… We were drumming and we were like, the song is one of those songs that you might hear a lot in circle, which is like “I'm opening up to the sweet surrender to luminous love light of the One.” And just like letting him struggle a little bit in this really wrapped cocoon that he's in and then to eventually like little by little in his own way he starts to like break out of it. [LAUGHS] And then his… we had entrusted some of his aunties to become his fairy godmothers. And they gave him his wings. So he… literally we bought like these Isis wings that light up and so he got to, like, wear that and then like he flew around the circle and was just this like… just this beautiful, expansive butterfly just flying around the circle and giving high fives to everybody. [LAUGHS] And it was just such a celebration that we could still have all of that, you know, in this very encapsulated moment of time. Like we knew it was special when the photographer who was really only supposed to be there for a certain amount of time, like literally just expanded his time there. And he kept saying, Thank you, thank you for inviting me to this space. I know I witnessed something really special.

[MUSIC]

After the ceremony happened, the family raced back to be with Ezra’s grandfather for his last moments. They arrived about two or three hours before his passing. He had waited for them.

Cantor: And that was the night of the big eclipse two years ago. And I know we’ve just finished one big eclipse portal just recently, but like, wow, it’s so… Things happening on such an astrological level really like it was as if this was a huge portal of time, of literally combing through some new part of ourselves. I was so grateful to have had that… It's almost like the ceremony expanded into that space. So from that larger circle, we had the smaller circle, where we were gathered around his bedside in the hospital. And just you know, having breaths with him, we were able to tell him how much we loved him and give him a you know, a recap of what happened at the ceremony. We were even able to get his little thumbprint on this like family tree thing that we did every collected everyone's thumb prints on so his thumb prints on there. And then he shed one last tear, took his last breath. And while we were holding his hand or at some part of his body, we… you know, witnessed his last breath. And that was it, right like that was… there was silence and then crying. And then I just remember the bright moon outside once we had to leave the hospital. But it all felt whole in some way. So glad that he waited for us.

Thomas: And that's, that's so beautiful. Thank you for sharing that with us.

Cantor: Thank you for hearing that. And so right, ceremonies can be big and they can be small.

Thomas: And they can be planned out and they can be instantaneous. 

Cantor: Yep. Yeah. 

Thomas: Well, I'm so grateful to you for sharing the story with us because I think we all need more examples that could potentially spark, “Oh, wow, that or that little aspect of that… that's exactly what I'm looking for right now!” So thank you.

Cantor: Thank you Colleen, seriously. 

Thank you for being with us today to hear this story. It’s so important to make room for all of the layers of life that often overlap in real time. When we honor that richness, we create room for our full selves. And when our full selves are invited, who knows what will happen? So, how are you emerging right now? And how might you like to celebrate that emergence?

April Cantor is a certified yoga & mindfulness teacher and modern-day priestess. Through her company SoulShine Life she holds sacred space for children, women and men to cultivate a curious & kind relationship with Self, Community, Land & Source. For guidance in creating your own Emergence Ceremony you can contact April through her website at www.SoulShineLIfe.com or directly through Instagram @SoulShineLifeYoga

Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. Reach us through our website, shamepinata dot com. And subscribe to the show on your favorite player. Also be sure to check out Everyday Magic for Ukraine, our ongoing series of 10-minute meditations that support you as you support Ukraine. I’m Colleen Thomas. Thanks for listening. 

P.S. Get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E5 Baptism as a Rite of Passage (Tina Torres)

Episode Summary

Being part of a religious or spiritual community can be a wonderful support in life. Shared customs and traditions can bring comfort, connection, and a shared experience of the Divine. But what role does ritual play in all of this and how does it help us connect to the Divine? Join us for an exploration of Baptism as a Rite of Passage - from both sides of the pulpit.

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Torres: This is a public demonstration of what's actually happened already in them, that they have  recognized Christ and received forgiveness. 

Thomas: So the person had their experience with Christ in their own self and then chooses to have the Baptism sacrament and is publicly...

Torres: Right. It's a public testimony. Yes, public witness.

Being part of a religious or spiritual community can be a wonderful support in life. Shared customs and traditions can bring comfort, connection, and a shared experience of the Divine. But what role does ritual play in all of this and how does it help us connect to the Divine?

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. We often speak about using ritual as a tool for personal transformation, but today we’ll will focus our attention on the use of ritual within one particular religion: Christianity. This journey will actually take us through several traditions within Christianity to explore how they feel about ritual and how they use it. Two of the rituals we will delve into today the most deeply are baptism and communion. If you are familiar with Christian traditions, especially Protestant ones, you will most likely have had some kind of exposure to one or both of these rituals. If you’re new to them, then you’ll have a chance to learn all about them today.

Joining us for our conversation is friend of the podcast Tina Torres. And when I say friend of the podcast, I mean long-term friend of the podcast. Tina has been one of Shame Piñata’s main cheerleaders ever since day one - and this conversation is one that she and I have been meaning to have for almost that long. 

As a bit of background on where I’m coming from as the interviewer today, I grew up in Christianity but never fully felt I understood it, so I’ve been grateful to speak with Tina over the years about her lifetime of experience, including cross-cultural experience, withшт the Christian tradition.

Rituals within the Christian tradition are often called sacraments. Here’s a definition from Britannica: Sacrament: Religious sign or symbol, especially associated with Christian churches, in which a sacred or spiritual power is believed to be transmitted through material elements viewed as channels of divine grace. At the start of our conversation, Tina gave me the lay of the land on how the various denominations are related to one another and how they each feel about the concept of sacraments. 

Torres: Roman Catholic and Eastern Orthodox are very… we'd call it ritualistic. They have a lot of ritual. They actually have seven sacraments. They have infant baptism, confirmation, communion, matrimony, reconciliation, holy orders, and last rites. And Protestant have two. They only have communion and baptism. Mainstream… mainstream would be like Presbyterian, Methodist, Episcopalian, Lutheran, Anglicans in the UK. And then among the evangelicals, you have Baptist, Pentecostal, Assembly of God, and also many independent churches that are non-denominational.

Thomas: Got it. So it sounds like there's a distinction between mainstream…

Torres: …and evangelical, yes. So Protestantism is very… it's a big umbrella. So you’ve got your mainstream who tend to be more… well, let's just say more ritualistic. And then your evangelical is less. They don't have prescribed prayers… There's more of a formal order in the Episcopalian, Methodist, Presbyterian than the evangelicals. The evangelicals are more free-form. 

Thomas: So is it true that we get sort of less prescribed or less formatted or ritualistic as we go from Catholicism to mainstream to evangelical?

Torres: That’s right. Exactly. Yep.

Thomas:: Okay, I'm getting the… I'm getting the pattern.

Torres: …gettin’ the drift here, yeah. And then you also have the other kind of main group would be, for instance, the Society of Friends, the Quakers, and the Anabaptists. This is regarding sacraments. They believe the two sacraments are merely reminders or commendable practices, but they do not import actual grace. They call them ordinances. So they don't give them the spiritual significance that your mainstream and your evangelicals do.

Thomas: That's interesting. 

Torres: Yeah, it is interesting. There's a lot of history here too. [LAUGHS]

Thomas: A lot of history. 

Torres: And very interesting too, because in some cases, the sacraments: baptism and communion, have been the causes of almost civil wars in Protestantism, which is kind of crazy. I studied that… I got that in seminary and you know, in a Christian history course. And it's like, how is that possible? You know, the Anabaptists are very vehemently against baptism and so they do not commune with the Baptists or the Presbyterians. Anabaptist also would be like Mennonite.

Thomas: Interesting.

Torres: A fascinating subject isn't? To me it is. [LAUGHS]

Thomas: Well then what makes something a sacrament? 

Torres: I found a definition by St. Augustine of Hippo. He was from Africa, Northern Africa. He called it “An outward sign of an inward grace that was instituted by Jesus Christ”. So it's an outward sign of an inward reality. 

Thomas: And is that a definition that you would use yourself or that you… that resonates for you? 

Torres: It does, it does because it's something that you do. It's symbolic, it's a ritual. But you know, for instance, in baptism, in adult baptism, the adult is between two other people, and that the person is dunked, you know, into the water which symbols their old life and then they go into the water of spirit and then they come up to their new life when they come up out of the water. 

Thomas: Nice. 

Torres: Yeah, it is. It's beautiful. It's very moving. 

[MUSIC]

Thanks so much for being here! Shame Piñata is here to encourage and inspire you. Please consider supporting our work by rating and reviewing the show in your favorite podcast player. This is a wonderful way to support the show because it helps people discover us who could benefit. If you’ve never actually written a podcast review before, no worries! Go to shamepinata dot com and we’ll walk you through it. Just click on “Rate this Podcast”.

So as you can see, there is a wide variety in how sacraments are utilized within different traditions. And those differences kind of denote how these groups are different from one another. So let’s look now at what it’s like to live and breathe within these communities. Tina is the perfect guide because she’s lived and worked within a wide variety of Christian traditions, beginning as a child in her family’s church that in her words was “sort of fundamentalist, sort of Baptist”. And then on into her time in Mexico when she was part of an Evangelical non-denominational community. And later in life when she attended a Presbyterian seminary, and becoming a pastor, and up to today when she’s part of a small home church that meets informally. I asked her to walk me through her journey.

Torres: Well, looking back, and to many years, I believe God was leading me into different areas. And so, you know, for quite… from when I was about 18 to 30. I was in a prodigal stage. So I did not go to church at all. I rejected it totally. And then had kind of a spiritual crisis when I was 30 and realized that… I needed God, and I needed forgiveness. And because I was, I was kind of a mess. I was depressed, I was drinking. And then, at one point, I said, you know, I just can't go on like this. And I started to remember and I thought, you know, maybe, maybe that God thing is not not so bad. Maybe I better check it out again. So I did. And that was when I actually called on God, asked for forgiveness and felt that I had been forgiven and felt the presence of Christ. And I was about 30 at that time. So it's been since then. Yeah, it was, it was dramatic. It was... So it's kind of the difference between following when I was a kid, you know, they tell you to do this, go to Sunday school, go to church, learn the verses, learn this… And I did all that, but it kind of was in the head. It was all in the head, not in my heart. It was a long journey, many years. And so I was baptized in Mexico, probably around age 30, I think. 

Thomas: Had you been baptized also as a child? 

Torres: No, because in the non-denominational group, they did not believe in infant baptism. They would do baby dedications, but there was no baptism, there was no oil, there was no water sprinkling or anything. It was just praying to dedicate the parents, dedicate to bringing up the child - which is a good thing. But it wasn't a ritual let's put it that way. I was brought up in a non ritualistic… and this is funny too, because I was brought up in that context where they said, “Oh no, written prayers. You know, they don't really mean anything because it's not… it's not  spontaneous.” So there was a kind of a Christianity and had ritual involved to it. They thought that was less sincere than the freewheeling non-denominational, if that makes sense. God brought me or I ended up at the Presbyterian Church. I really like the ritualistic I really like the reverence. I like the… I like the rituals! And there definitely are rituals in the Presbyterian Church. And so they do infant baptism. They do, of course, adult baptism, and communion is taken very seriously. They believe that something… and I believe something… really happens when you take the bread and the wine. Whereas the group that I was brought up with, they said, “Oh, yeah, we'll do communion. But it's just… it doesn't… nothing really happens. It's just kind of a memorial thing. It's, you know, remembering, but nothing really happens.” And I'm like… [makes doubting noise] I guess I guess I wasn't convinced or I didn't know. But later in the Presbyterian, I understand that something does happen when you take communion. Yeah. It's very interesting. 

Thomas: You've been the one doing that communion, right, as the pastor.  

Torres: That's right. Yeah. As a pastor, I did. Yes. Mm hmm. Yeah. And actually, you know, home church, they asked me… I'm the one who… who does… presides over the communion when we do it once a month, the first Sunday of the month. And I have a shawl from Mexico that they use, and they like that, they say… Because one time I said, “Well, here's my shawl, but I don't want to stand out as being different for everybody else.” And they said, “No, use it. We like it. It adds to the whole communion thing.” So I said, “Okay, fine.”

Thomas: Right. And in the doing of a sacred ritual like that, it's nice to have, you know, have it be a special moment have somebody wearing a special something… because I feel like that's what's so beautiful about ritual is that we can… we can drink a coffee because we're drinking coffee or we can make it a moment where we are remembering our grandmother who used to drink this coffee, and maybe we will put out, you know, the tablecloth that the grandmother made…

Torres: Yes, exactly…. and the china. That is true. I'm getting to like rituals more under your influence, Colleen, and it's very good. [LAUGHS]

Thomas: They allow us to have that moment of the numinous…

Torres: …specilaness. It's not an ordinary moment. 

Thomas: Right. 

Torres: Not an ordinary moment. Right. 

Thomas: Exactly. 

Torres: And it can mark a certain passage or something, things like that, too. Like baptism is a huge one.

Thomas: Totally. So you've done baptisms also, haven’t you?

Torres: I have. Yes, I have. In a river, Sacramento River, we did we did one there. You can do it also in a swimming pool. People have done that, you know, any body of water, but a river is kind of nice, you know. Some people do it in a spa kind of thing. But I like the river. I like the the nature…the natural water, body of water. 

Thomas: Absolutely. And I'm just curious if you have any reflections on how it's been to be on, like quote unquote, the other side of those rituals as the one performing them. 

Torres: It's very exciting and it's important to be “prayed up” to use an expression… before. To make sure that I'm in a place… really, of close communion with God in order to do that. Because it's a big responsibility. Yeah, you're really doing something very meaningful, very spiritual and so you want to give it all the importance, all the time, all the preparation. And it's very exciting. It totally is. My first baptism I did was an adult baptism… was at Lake Tahoe. We were at a retreat, a church retreat, and there was another pastor there and myself and, and me. And so the two of us baptized several people at that time, a young man and his dad… maybe five or six people. And it is really neat, because you kind of start with prayer and then each person generally says something about their journey with God, a brief thing, testimony about how they met the Lord and how that changed their life. And then when you go into the baptism, it's a visual thing of the old life, and then you come up to the new life. So it's very beautiful. 

Thomas: As the leader of this ritual, the sacrament do you tell people who've just been baptized, like, you know, “Go home, drink a lot of water. Go home, pray for a week…” Like is there aftercare [LAUGHS] after a baptism?

Torres: Not as such. There's more preparation, meeting with the people before and saying, “This is what this means.” And asking them how their encounter with God and how it happened and what it meant so that they realized that this is a public demonstration of what's actually happened already in them, that they have  recognized Christ and received forgiveness. And this is a step of obedience because Jesus… when he told the disciples he told them to baptize, “Go ye into all the world baptizing and making disciples in the name of the Father and the Son in the Holy Spirit”. So that is the… where Jesus institutes the baptism. 

Thomas: Got it. So the person had their experience with Christ in their own self and then chooses to have the Baptism s acrament and is publicly, with people bearing witness to the fact that they are making this choice, and… yeah, yeah.

Torres: Exactly. Right. It's a public testimony. Public witness. And it is very meaningful. And if you do it, it's interesting, outside - well it's best done outside at a, you know, by the river or something - and people will come over and say, “Hey, what's going on,” you know? So it kind of starts…. Sometimes people are curious about what's happening and it's just really exciting. And really, the person being baptized, it's very, super… there's, when you come up out of the water, there's this kind of sense of euphoria and spiritual exultation. You know what I'm saying? It's very, it's a very powerful experience. Very powerful. 

Thomas: Right. That's very beautiful. 

Torres: It is, it is. Yep.

Thomas: Well, thank you for sharing these insights and learnings and your wisdom and your journey with me today. 

Torres: No, thank you. It's a privilege!

I love that Tina was able to give us a look into communion and baptism, arguably the two most well known Protestant rituals, from both sides of the pulpit. And I hope you could hear her genuine excitement and joy at being part of religious community - transcendent of denomination. Over the coming week. I invite you to reflect on the definition she shared of sacrament as “an outward sign of an inner grace”. That’s pretty much what a ritual is, right? Something we do on the outside that signals a change we’ve made on the inside. How cool is that? 

Tina Torres spent seven years as the pastor of a Spanish-speaking congregation in West Sacramento. She is a Spanish-English translator and interpreter with a passion for languages and background in Mexican culture and customs. Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. Reach us through our website, shamepinata dot com. And subscribe to the show on your favorite player. Also be sure to check out Everyday Magic for Ukraine, short 10-minute weekly meditations that support you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

P.S. Get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E4 Blooming Amidst the War - Pt 2 (Alina Zievakova)

Episode Summary

Imagine being able to attend a bold and beautiful theater performance that gives voice to a path you might know all too well, a path of healing from the impacts of violence or trauma. Imagine what that might feel like in your core, to see someone go on a journey similar to yours and get to the other side of it. (This is part 2 of a 2-part interview with Alina Zievakova of ProEnglish Theatre of Ukraine.)

Episode Resources

→ Blooming - Watch the Performance (47:49)
https://www.scenesaver.co.uk/production/bloom-in-violence/
(Registration is free and only takes a few minutes)

→ Part 1 of This Interview: https://ever-changing.net/episodes/s5-e3-blooming-amidst-the-war-pt-1

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Zievakova: Women come at different stages of going through their own trauma and some come saying that, “I'm so glad that I am at the end of the journey now. I came through all this way and you have shown it to me, how I have done it actually, and now I can realize it.” Or there are women who are just at the beginning and it's usually tough for them seeing the show, but at the same time, it does give this, you know, small push of hope if I can call it this way, that at least you're not alone and at least there are people around who are ready to help and ready to be there for you.

Imagine being able to attend a bold and beautiful theater performance that gives voice to a path you might know all too well, a path of healing from the impacts of violence or trauma. Imagine what that might feel like in your core, to see someone go on a journey similar to yours and get to the other side of it. This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. 

If you joined us for last month’s episode, you heard all about a unique theatrical performance that honors the journey of finding a way forward after trauma or violence. Ukrainian film and theater actress Alina Zievakova was our guide for that conversation. She told us about a show called Blooming, produced by ProEnglish Theatre of Ukraine. Blooming was created by three women: Alina, who is the lead in the show, Jasmine Sotelo, the choreographer who also appears onstage, and director Anabell Ramirez.

It all began right after russia’s full-scale invasion, when Alina and Anabell decided to volunteer their time to work as fixers. That meant that they accompanied foreign journalists who were in Ukraine documenting war crimes. In that role they witnessed some intense stories of gender-based violence and both felt very strongly that they needed to do something with all of the knowledge they gained through hearing those stories. And since theater was their strongest instrument, they decided to create a performance about it. Today I’m happy to welcome Alina back to tell us more about Blooming. We’ll touch on the uniquely Ukrainian symbolism in the show, how the show was received by the survivors who attended, and we’ll also explore the cultural differences that came up during the show’s European tour. Here’s a bit more now of our interview. 

Thomas: I have a question   I'd love to switch gears and ask you, which is, if there are any, what are some of the uniquely Ukrainian elements in the show?

Zievakova: Sure, there are a couple. So you can see on the poster, there's a hand and there is a little embroidery on it and this is actually what we do during this show. Jasmine is painting my hand. And this painting is supposed to symbolize this embroidery that is traditional to Ukraine, that is usually put on the shirts and people are wearing it on special occasions on holidays. But lately since our… you know nationality, and our survival is crucial for us, a lot of people just wear it everyday and it has become a fashion trend to incorporate those embroidery into, I don't know, hoodies and t-shirts and whatever, just regular clothes, which I found cool. I own couple of those. [LAUGHS] But yeah, for us, it's like… it's also you know, kind of symbolic that she does it on my wrist where there is… there are veins and it also feels like you know it's in my blood, in your blood. And it also kind of transcends and connects both the nationality aspect of it and cultural Ukrainian aspect of it with the broader or much deeper sense of… because she does it you… also before the really strong emotional moment in the performance and it feels like initiation as well. And it also the lights turns red and the Ukrainian song that starts at the moment, the first words of the song says крові, which means blood, give me blood. And yeah, this is one of them. And also while the song is in Ukrainian and there are a couple of moments when Jasmine's character speaks Ukrainian and they are kind of you know, spells somehow, even though it's not supposed to be, but they fit and they sound… and I guess they were more of like a prayer more of like this, half pagan, half Christian which is very broadly how our culture is based on there are both pagan elements and Christian elements. She's also whispering it so it sounds like this healing spell in some way. And the fun fact is that, well, the book itself, the Daughter, it's rather rough, rather, you know, masculine energy book about the start of the war actually in 2014 in Donbas, and the main character is a woman who becomes a volunteer for the armed forces. And the… what surprised us a lot is this excerpt that we have you know, of this kind of magical stuff are from there so, she… in the hardest moments of her life, she does address these powers that are you know… The last monologue of the performance is that… “the truth is on your side, your kith and kin are on your side, the dead or on your side and the unborn too” So there's this you know, tribal almost power that we possess and if you access it, there is nothing that in the world that can beat you. And this is kind of one of the important messages that we incorporate it into performance. And we wanted to pass it along as much as possible to men, women. It doesn't matter in this case, to humans. And to give this extra support whenever it's needed.

Thomas: Do you know if any of the survivors that you worked with, when you were first in the field have gotten to see the performance?

Zievakova: Not that I'm aware of. But you know, the horrifying and at the same time, very important fact is that, after every performance survivors come to us and tell us that thank you so much for telling the story in such a way. I felt seen, I felt heard, I felt that I'm not alone. And they felt like there is a way out. Or they're… Women come at different stages of going through their own trauma and some come saying that, “I'm so glad that I am at the end of the journey now. I came through all this way and you have shown it to me, how I have done it actually, and now I can realize it,” or there are women who are just at the beginning. And it's usually tough for them seeing the show, but at the same time, it does give this, you know, small push of hope, if I can call it this way, that at least you're not alone and at least there are people around who are ready to help and ready to be there for you.

Thomas: Yeah, and I would imagine people who can step into it, who are stepping into it on stage who are representing it, who are… who are not afraid of it, who are not frozen by it, who have movement within it, all of those pieces.

Zievakova: And not only movement within it, but it's a validation of absolutely different states of it of this nonlinear process. And people usually again, at least in Ukraine, of what I can see, or what I can judge, people are afraid to show you know, quote unquote, negative emotions, to show aggression, grief, struggle... You always have to… as if you always have to put a mask and pretend that, “Everything is fine, I'm just going through it, I'm not going to address it, I'm shoveling it under the carpet.” And that's what I personally find very important in the show is that any of the states is fine and okay… and any one of us can be in the state and we can still be us and we can be beautiful in that. And that is one of the, I guess, greatest and most important lessons I have learned on my personal journey and what I find crucial to share in anything I do.

Thomas: Absolutely. And did you go through any rites of passage, as… personally or professionally as you've been working with the show?

Zievakova: I guess for me it also is kind of a special closure of my own experience with violence. And it has been such a special way to address it through art. And I'm so lucky to have this instrument that I have to transform the pain into art. And I guess that would be it because one of the monologues is written by me in the show and I find it very special to have this privilege and opportunity to share it and to… to feel how it resonates with others which also has been absolutely opening. And again, whenever we talk about violence and survivors and there is a lot of shame, hence we are in Shame Piñata podcast. It was so important for me to share what I feel and thus to, again to validate, to show that there is no place for shame in such deep experiences. 

[MUSIC]

Thomas: So what did we not touch on that you think it’s important to mention?

Zievakova: I guess I would like to mention the difference in perception because it's kind of curious with the different countries. It's interesting that whenever we perform it in Ukraine, people tend to laugh more easily, because there are a couple of… you know, relieving, funny moments, improvisation moments in the show. And for us, it also was crucial to include something like that so the show does not feel too overwhelming and too hard to process. And well, there are some specific cultural codes. Coming back to the question of the you know, specific Ukrainian references, there is a monologue about food and there is a mention of borsch which is a traditional Ukrainian dish and people here usually tend to react on it because they know very well what it is about. And yeah… And in general, it's so curious as just, you know, anthropological, sociological observation whenever we were going through and touring through countries, especially at the very beginning, somewhere in the summer of 2022, autumn… people were so afraid to laugh, because… I also find it fascinating, because, again, whenever we're talking about harsh topics, like trauma, violence, grief, it's also as far as I can observe, those topics are not super easy to address. And it is such a joy when people do laugh, when even though you know, the contexts or cultural contexts are different, but some things are universally, you know, funny, and we can share that and laugh it out together. And that has been great because, for us, it is crucial not to be perceived only as a victim, you know, we are suffering and we're being attacked, but also, as you know, strong, courageous humans. And a nation that you know, can fight back and sometimes to laugh it out is a way to resist, is a way to fight back. So now it has been really cool to see. And in general, it's interesting that again, when we were just starting it in Kyiv, and whenever we perform in here… it depends, of course, but usually the audience would be more tense than in countries abroad, especially during the you know, harsh moments,  during the rather dramatic moments of the show. And in the contrast, whenever we are in the countries of the European Union or the countries of the Northern Europe, they tend to be… well, they do acknowledge that dramaticness of the moment or the harshness, but they seem to, to have a more… more adjusted way to talk about it. So it feels okay to bring up these topics and to discuss them even though it's not easy. And even we have a very contrast and vivid example in Sweden. We were in Stockholm this September. And we had two shows, one with Ukrainian audience because we have been hosted by a Ukrainian organization and they have brought a lot of their guys just to, you know, attend the show. And the second show was mostly Swedish audience or international audience that attendance on the festival. And you can… you can feel the energy the difference and well, it is long journey and we are happy to contribute in any way we can to to make shifts in that regard.

Thomas: So could you say more about what was the difference between those two performances from the audience?

Zievakova: So again, with Ukrainian audience here or there… especially there… the Ukrainian refugees or people who have moved even prior to full scale invasion, they, they feel more tense because there is this survivor's guilt, there is this desire to help, but at the same time being far away and being in the safety also that is a huge contributor of guilt and of this survivor's guilt. And, you know, people tend to… what I have noticed personally, tend to perceive the news, even more serious or to over-work themselves on the volunteer field more, because they feel that they need to, you know, over-capacitate themselves in order to… to contribute. And it's interesting that on the contrary, people in Ukraine, whenever I don't know the… we have a missile attack or something happens, we tend to perceive it lightly because it, first of all, it is already engraved and incorporated into our routine, our reality. But at the same time, we need to, otherwise we won't be able to handle it every time. And it's interesting that the same happens with for example, with us and with people who are on the front line, we tend to perceive what is happening there, of course, differently than the people who are in action. And that's why I guess also the humor is… sometimes very dark one… is born. And yeah, it's an interesting, also, contrast and difference.

Thomas: I appreciate you saying that. It's like the layers of how close we are to a tragedy or to a very hard experience. And I think I see myself in the survivor's guilt piece, even though I'm not a Ukrainian refugee. But, I think I recognize myself in there somehow.

Zievakova: And that's why I think it's so… it's super important to talk about it and to raise it and to just to make sure that we all have our role and the be… the distance from the epicenter of advance has no difference in impact. It all is, you know, one of my favorite metaphors is that we all are drops of the ocean. And each one each of these drops is crucial for the ocean to function.

Thomas: Yes, well said. Wow. Well, I'm so grateful to have had this time to talk to you and to get to… get to share you with the word, with… with my little corner of the world.

Zievakova: Thank you so much. It is absolutely incredible and exciting to be a part of the show.

You don’t have to go to the basement of ProEnglish Theatre of Ukraine to see Blooming, and you don’t need to wait until it comes to your town on tour. You can see it online right now. Find the link in the show notes. Thank you for joining us for this important conversation today. I’ll leave you with pretty much the only thing I can think to say… Слава Україні.

Alina Zievakova is a film and theatre actress and acting coach from Ukraine. She premiered as a female lead in the film "Rhino" at the Venice Film Festival. However, since the February 24, 2022 russian full-scale war in Ukraine, she has been acting in socially-relevant theatre pieces and creating stress-relief workshops.  

Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. And subscribe to the show on your favorite player. Also be sure to check out our new 10-part series 10 Minutes for Your Heart, Meditations for Ukrainians. Find it a 10minutesforyourheart.com. I’m Colleen Thomas. Thanks for listening.

P.S. Get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E3 Blooming Amidst the War - Pt 1 (Alina Zievakova)

Episode Summary

Imagine having a silent witness, a partner who is with you all the time, even when you go through the hardest moments of your life. Imagine not being alone but instead being held, accompanied, supported. What might that feel like in your heart, in your body, in your bones? (This is part 1 of a 2-part interview with Alina Zievakova of ProEnglish Theatre of Ukraine.)

Episode Resources

→ Blooming - Watch the Performance (47:49)
https://www.scenesaver.co.uk/production/bloom-in-violence/
(Registration is free and only takes a few minutes)

→ Part 2 of This Interview: https://ever-changing.net/episodes/s5-e4-blooming-amidst-the-war-pt-2

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Zievakova: This character is always there, is always ready to support or to connect or to offer a different way. And we believe that is one of the most important messages in the whole performance, is that even when you're alone, you are not. 

Imagine having a silent witness, a partner who is with you all the time, even when you go through the hardest moments of your life. Imagine not being alone but instead being held, accompanied, supported. What might that feel like in your heart, in your body, in your bones?

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. Today we have a treat for you. Today we are joined by Alina Zievakova, a film and theatre actress and acting coach. Alina will be speaking with us about her work with ProEnglish Theatre of Ukraine, an independent, English-Speaking, safe theatre in Kyiv - safe because it is located in the basement where there is more protection from russian missiles and drones. 

Alina is here to speak with us about the war, but in a very hopeful way. She will be walking us through the experience of birthing a unique theater production called Blooming. Blooming is a powerful work that traces the path of healing after violence, finding the way back home to self after trauma. It’s an important work that I’ve had the honor to watch - and you can too.

This is the first of two episodes where Alina will be with us. Today she will take us behind the scenes as the three female creators connected with their intuition to organically allow Blooming to come to life. We will learn how the piece has grown and changed over time. And we will explore the fundamental rites of passage we see happen in the show. We’ll go now to my interview with Alina, which got off to a bumpy start when I realized I had neglected to press the record button.

Thomas: So it is amazing to get to have an hour with you!

Zievakova: Likewise.

Thomas: And I… I've really been wanting to know more about this performance. When I watched it, I was touched by how many layers and depth it had, how many colors, how many textures, how much truth…. It just really blew me away and I'm curious, how did it come to be in the world?

Zievakova: Thank you so much for your perception, which is so deep and soulful rich. And yes, it would be a pleasure for me to share. So the show is called Blooming and originally it actually was called Bloom In Violence, but we will get to the point where we decided to change the name. And it is created by three women, which is Anabell Ramirez, who is the director of the show, Jasmine Sotelo, who is my partner on stage (she's a choreographer and dancer), and myself. So we have been together as colleagues in a place that is called ProEnglish Theatre that is situated in a basement in Kyiv. And this is where we… well, we… me and and Anabell and my other colleagues ended up being, starting from the 24th of February of 2022, to the beginning of the full-scale invasion of russian federation to Ukraine. And both me and Anabell started doing whatever we can volunteering and subsequently working as fixers - which is a kind of a field producer who is accompanying foreign journalists. And we have been going to different locations to document war crimes, and one of them being the violence and specifically gender-based violence. And we've felt both of us very strongly that there is something we should do with all of this knowledge with all these stories that women have shared with us. And we have been exploring different options, but at the end of the day, without like, theater being our main thing in life is the strongest instrument we have. So we decided to create a performance about it.

Thomas: Wow, that is incredibly powerful. And in a strange way, it kind of mirrors, in a tiny way what I was doing, which was watching things from here and being especially drawn to stories of gender-based violence, and then figuring out what is my strongest thing? That's how that one meditation series, Everyday Magic for Ukraine, came to be. Because it seems in some respects, like, “How could this possibly help?” But then “Well, this is my thing. This is where I resonate. This is where I shine. This is what I can do.”

Zievakova: Absolutely. And thank you so much for those projects. They're incredible. 

Thomas: Thank you. So can you tell us more about the creation process?

Zievakova: Sure. [LAUGHS] It's a bit non-traditional, I would say, since we are, all three of us are non-traditional. First of all, it happened so that both Anabell’s direction in her art and my direction in my art coincided in desire to step out from the traditional theater of the classical way of seeing things. And Jasmine being the choreographer and the… her language is body… also fit perfectly into our trio. So yeah, we… Our first meeting was just a conversation where we pretty much decided what is the most important message that we would like to convey… or messages… through the performance. And here comes the non-traditional no thing. So this might sound silly, and unfortunately, in the… at least in Ukraine, what I'm seeing… the notion of tarot cards is very stigmatized and very… is associated with something… fraud, or something icky. Whereas we see a lot of archetypical and depth and knowledge in that, therefore, we picked up a deck of tarot cards. And we decided to kind of lay a passage, a journey, through which the main characters go throughout this performance, exploring different emotions in different states of a person who has experienced violence. And it gave us the… also broader and deeper understanding of things that we can include into each of those steps. 

Thomas: Wow.

Zievakova: Yeah, and interesting that when we started, we didn't have any text. So we went absolutely intuitively out of what we have felt, and we started creating a lot of physical aspects of the performance. Because as you can see, if you watch it, it is a lot of visual aspects of this performance. So it is lights and blocking and physical work of our bodies. And only then when you know, there was a fertile soil of that base that we have laid this way. We started picking the texts that naturally flew into this already created flow, which has been the text from a book called “Daughter” from Tamara Horicha Zernia who is a Ukrainian writer, and also personal testimonies.

Thomas: So it started with the body and the intuition. 

Zievakova: Yeah. 

Thomas: Yeah, it has such a strong, embodied feel. It kind of feels like since there are so few words... that it opens it up so that each of us can experience it in our own way, even more than if they were words. Does that make sense? 

Zievakova: Yes, absolutely, absolutely! It gives more metaphorical meanings that can be interpreted by everyone. Therefore, that is what's crucial for us that even though it is a show created by women, based on a book written by woman, it's still for us, it isn't important that it's universal. It is for anyone who has gone through trauma or through violence. And that is, luckily, what we have managed to achieve according to the feedback that we have gotten through different audiences.

So now you have a sense of how the show came to life. But that was only the beginning, only the beginning of a true journey. 

Zievakova: It was born in Kyiv. We performed it in June of 2022 and then it started its journey abroad, since we have been traveling and touring with it throughout different countries. So we've been to Italy, Poland, Denmark, Sweden with it, and we continue to plan. So our next stop will be Prague good this spring and… Well, first of all, we changed the name, the name was Bloom in Violence at the beginning, because again, the atmosphere in which we created, it was absolutely different than the atmosphere is, is now in Ukraine, for example. And the violence, the level of it in the air was visceral. You could feel it, you could touch it almost. And that's why it was so crucial for us to put a balancing aspect to even it out, to give a passage, to give an opportunity for people who have gone through such a horrible experience in their life to at least have a notion that there is a way. And it is absolutely individual for everyone, but here we are with some options for you. And therefore Blooming it was you know, this almost as heart-beating word to, to balance it out. But then as the time passed, and the atmosphere here changes drastically, atmosphere when you traveled changes and affects your perception. And therefore, after our tour to Denmark, when we came back, we decided that how the show was developing… Because it also it is, you know, it is an entity of itself. It grows with us, it develops with us, and we trust it, we listen to it. And therefore, it felt like violence has no place even in the name of the show, therefore, we left only Blooming.

Thomas: That's, that's so wonderful that you're letting it be a being and growing and breathing and telling you how it's changing. That's beautiful. How has it been for you… How many performances have you had? And how has it been for you as you've gone through all of those, like, the trajectory?

Zievakova: I think we had around 16. It's been different every time. It also… every time since it's a live performance, a theater performance, it depends on the audience, because they also are co creators with us. And at some point in the beginning, that's also something that has changed. We have been incorporating audience members at the end. We are inviting them on the stage and we are offering them crowns and flowers as this common ritual that we share as… as they are also characters of the show equally as me and Jasmine. And recently, we've also changed it, this summer. Because it also felt that even though it was a very powerful moment, and again at the moment it felt right. But recently we have discovered that we don't need even to bring people to the stage. We are entering the audience and we are sitting with them and giving them flowers and just sharing the space, you know? So, there is no pressure for people even in that regard to come out of the stage, because it also can be stressful and people usually are, you know, not so comfortable on the stage in general. So that is something that we have applied as well.

Thomas: Wow. Have there been any moments that you can share that have been especially powerful with relating to the audience?

Zievakova: Definitely. Well, there is another important aspect to mention before I go there. So usually we don't only perform this show, but we combine it as experience with a workshop that we're bringing. And the workshop is called RAW. It's abbreviation for Relief Acting Workshop, it's a workshop that I have created. Again, starting from the full-scale invasion. It's basically a training based on breathing techniques, meditation techniques, acting techniques, body movement techniques that we are… we have been offering in ProEnglish since the spring of 2022. And it is targeted to offer people the place to breathe out, to relief in any way that connects to them personally. And we have been cooperating with different organizations to offer and target it to different groups. For example, displaced people, refugees, military, cadets, military students, veterans, women, men, and family members of people whose husbands or brothers or sisters or mothers are in the military, in the service. So we usually, especially when we travel, but here as well in Kyiv, we have it as a workshop, first two hours. And after the workshops, it's like, final touch is the performance. So the person has, you know, this journey of their own as well. And it feels more personal for them. And when we were doing this in Poland, in one of the cities because we had a tour, there was a woman who's actually Ukrainian, she… she's a refugee there. And she came, and she attended the workshop. And then she attended the performance. And she approached us and she said that this event changed her life. And she… she said that, even though it sounds very, you know, fundamental and maybe too loud, but at the same time, she felt like it was something crucial that she needed to, to grasp in order to go on with her life. And, you know, stories like that - at least one story like that makes you sure that what you do is needed, is crucial to share. Especially in in this kind of way through art, when it is applicable, let's say to different people.

Thomas: That's wonderful that she was able… that she felt comfortable enough to tell you that because there may be people who felt that way who didn't actually tell you, right?

Zievakova: Right. Right

Thomas: Wow. And I didn't know you were doing it at the end of the workshop. That really paints a different picture for me, because I know how powerful it can be to get people together out of their regular routine, more into their bodies than normal, creating community… Being in bodies in a community in a safe place, can really open people up, bring a sense of safety that allow the hearts to open and then to have something once that space has been created… at the end of that it… I know it can be very, very powerful. So that's amazing.

Zievakova: Thank you. Yeah, definitely it makes all the difference in the world.

Thomas: Yeah. Have you ever done the show without the workshop?

Zievakova: Yes, we have. Because we adjust to circumstances and especially when we travel, we are not always able to control everything how it goes. So in some venues were not able… or some venues are not suited for workshops. So then we just have it also after the show, it is mandatory for us to have a discussion. So people who want to leave can leave and again, you know, digest and process in… on their own but people who want to share, there is this opportunity of creating the community in a discussion in Q&A in still an exchange you know, so there is a closure.

Thomas: Yes. Yes. That's wonderful. That's… that's really important too, right? Because there's an opening of the heart watching… I wish I had had that. Although I suppose I'm having it now with you. To get to, sort of, process everything that came up because it is such a heart-opening experience watching it.

[MUSIC]

Thomas: I want to go back for a second to when you said you're working with the tarot cards, just… I'm just curious. When you were working with them, were you like, looking through the tarot cards and kind of picking the ones that felt right that matched the journey you were thinking might be there? Or were you letting them fall out of the deck? Or did you reading? Or how did you interact with them?

Zievakova: I love that we're talking about this, thank you so much. I really want, to you know, to give honor to this and to be on that side that protects it protects its true meaning. So we chose, we took out the higher arcanes and we only worked with those. And kind of… we took turns each one of us out of three, to… having them all in front of us pick… seeing them, pick the ones that resonate the most when we talk about this performance. And we kind of, each one of us, built their own picture out of this higher arcanes. And we discussed again, then comparing all three and kind of combining them into one common passage, we decided what are the most strong ones that speak to us that we can use whenever addressing each element of the performance or each stage of the performance.

Thomas: Wow, that's so cool. I'm seeing the three of you now and then there's that powerful symbolism of the three women doing this work, right?

Zievakova: Yeah, definitely. Definitely. 

Isn’t that cool? I mean, that’s my type of theater production. Where intuition and archetypes are welcome. Where the story evolves on its own through deep listening and collaboration. I don’t want to give too much away about the performance before you’ve had a chance to see it,  but I will tell you that in Blooming, we see a woman going on a journey that has many phases and many colors. She often has a silent companion with her who has a bit of an ethereal quality. As Alina said, most of the content is delivered through movement and sound, and music and lighting. There are very few words, which allows the actions to become even more noticeable. One scene that stood out for me was when this mysterious companion took out a tube of red lipstick and began drawing symbols on the wrist of the main character. 

Thomas: Since Shame Piñata is all about rites of passage, I have to ask you a little bit more about rites of passage, I felt like that part where she was drawing those symbols on the arm of your character, that that really resonated for me as a beautiful rite of passage. And one that was… just felt like a rite of passage for me to get to watch it, right? That's the way theater can be. And… were there other aspects of the show that were a rite of passage that I might have missed?

Zievakova: Well, I guess it has several of them, because we do explore a whole journey. So we start when the main character is, you know, in this very light and infantile stage of her life, when everything is …light, yeah, I guess that would be the most appropriate word for it. But then whenever circumstances change, or events enter her life, she adjusts. But at the same time, there is the second character, the one that Jasmine plays who represents for us, well, it can represent so many things. And that's why we prefer not to give it a specific name. It can be nature, it can be intuition, it can be something that we cannot name, something present… presence. And this character is always there, is always ready to support or to connect, or to offer a different way. And we believe that is one of the most important messages in the whole performance is that even when you're alone, you are not. There is some so much in that second character again, who at the same time represents the Ancestors and the whole crowd of people being in one. And that's why she does the initiation. That's why she draws on my hand and on my eyes, and she shows me the way. She also interacts with the audience and, you know…in regards of rites of passage, that is what felt right to us at the moment of this unity in one. 

Thomas: Yeah, and I love that description of her. I was trying to decide - who is she? At first I was waiting for her to speak. I thought she was just a person who was with you. She's also in the role of the witness, right? Which is such a sacred thing…

Zievakova: Absolutely. Yes, and you're right in. That's how… that's why that's why it's so up to interpretation. And in some moments of the performance, she does represent another person in the room with me. And she is a witness, which is such a precise word that you have chosen because that's what we were doing. We were witnessing other stories at the beginning in spring of 2022, and it was very important for us to give them proper dignity and proper way and rite of passage, actually, to transform it to, transcend it above of the physical reality.

Thomas: Yeah. So how can people see the show?

Zievakova: There is a website, a platform that is called Scenesaver, and you can register, it's absolutely free and it takes just a couple of minutes. And you can watch this show and many, many other shows. It's a great platform that offers a online theater experience. And also, we are touring. So maybe at some point, we'll end up in the US, hopefully. And yeah, we are looking forward every time to a new location, since the experience is different, the cultural differences, in fact the perception of the show, and it is also very valuable this international experience.

Alina will be back with us next time to explore the cultural differences the team noticed as they took Blooming on tour throughout Europe, to highlight some of the uniquely Ukrainian symbolism within the show, and to share some of the feedback the team received from survivors who attended.

In the meantime, I highly encourage you to check out the performance linked in the show notes and consider supporting the Relief Acting Workshops for the National Guard of Ukraine. These Relief Acting Workshops are ongoing so you can support them no matter when you are listening to this episode.

Alina Zievakova is a film and theatre actress and acting coach from Ukraine. Before February 24th 2022, she was dedicated to a career on the screen, premiering as a female lead in the film "Rhino" at the Venice Film Festival. However, during the russian full-scale war in Ukraine, she has mainly been acting in socially-relevant theatre pieces and adapting her acting coaching for stress-relief workshops. 

Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. Reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. Also be sure to check out our new 10-part series 10 Minutes for Your Heart, Meditations for Ukrainians. I’m Colleen Thomas. Thanks for listening.

P.S. Get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E2 Techno Cosmic Wedding (Pt 2 - The Event)

Episode Summary

So it’s the big day. The day of the Techno Cosmic Wedding. With your virtual invitation in hand, you walk into the venue. Prayer flags hang from the ceiling above you. A set of handmade neon signs rests neatly in the window ledge, spelling out “Marry Me Colleen” The neon question mark at the end is no longer working, but that’s okay because she said yes.

Episode Resources

→ Techno Cosmic Wedding (Pt 1 - The Plan): https://ever-changing.net/episodes/s5-e1-techno-cosmic-wedding-1

→ Matthew Fox: https://www.matthewfox.org/

→ Michelle Jordan: https://www.facebook.com/michelle.jordan.9461

→ A Joyful Wedding Can Still Make Room for Grief: https://www.washingtonpost.com/lifestyle/2019/07/31/joyful-wedding-can-still-make-room-grief/

→ “We Have Come to be Danced” Poem: https://alicewalkersgarden.com/2019/10/hard-times-require-furious-dancing-we-have-come-to-be-danced-jewel-mathieson/

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Thomas: Keep an eye out for trains.

Torres: Oh. Really?

Thomas: Yes.

Torres: Okay. Why? What are you gonna do…

Thomas: Stop.

Torres: …have them stop them?

Thomas: No. We stop and we wait. 

Torres: Oh, we stop. 

Thomas: We wait for trains to go by. It's part of the process.

Torres: Oh. I see. Okay. [LAUGHS] Choo-choo.

Thomas: Shhhh. Not now. [LAUGHES]

So it’s the big day. The day of the Techno Cosmic Wedding. With your virtual invitation in hand, you walk into the venue. Prayer flags hang from the ceiling above you. A set of handmade neon signs rests neatly in the window ledge, spelling out “Marry Me Colleen” The neon question mark at the end is no longer working, but that’s okay because she said yes.

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. So welcome back to our discussion about the Techno Cosmic Wedding. On last month’s episode, we told you about how this unusual ceremony came to be, why it was modeled on an event called the Techno Cosmic Mass, and how it welcomed something you don’t normally see at a wedding - grief. Today my husband Rodrigo and I are going to walk you through the day itself, starting a few weeks before the day itself when things started to go off the rails. 

Torres: So a couple things that happened before the actual wedding day were that couple of unexpected events happened. One was that… you were in a car accident. And you're healthy and whole. 

Thomas: Yes. But I was a little bit sore. 

Torres: But you were, yes. Very sore.

Thomas: And I couldn’t dance. Which was terrible, because I was having a dancing wedding and I couldn't dance. 

Torres: So sorry.

Thomas: And what was much bigger than that was a week later… was that your father passed away very suddenly.

Torres: Right. Yeah, it was a big deal and he was in Mexico City. So it meant a trip down right before our wedding basically and with my mom who was also an officiant at our wedding. So we basically, just a few days before the wedding… so I ended up going down and coming back and then having a wedding. So it was… it was a lot.

Thomas: Yeah. You had a friend who said that he would fill in for you if you didn't get back. [LAUGHS] That was funny.

Torres: That was funny. 

Thomas: Yeah, but that was such a really bumpy ride into the day. Yeah, it was like so much confusion and heartbreak going into... I feel like we kind of went into the day, the transition, the wedding, the ceremony - we went into a kind of broken wide open in different ways, you know?  And I think more than we even expected to, we had to give in and give over and trust our team. And then, on the wedding day itself the house was… our house which is normally so quiet was full of family and… We had grandchildren on the back porch making signs and people were cooking… Your daughter was making the wedding cake, and you guys are all in the front room doing the tech. And I was probably lying down for my back. 

Torres: Yeah. The speakers and the…

Thomas: And then at some point we sent them all away. Everybody was gone and we got the afternoon or a few hours before the wedding to just be alone and we sent them all… They all were done at the facility, the site getting ready and that's when I handed out drawings of the altars, like sketches. You know, “This is what I want it to look like and here's all the material you need for it.” They took, like all the stuff and the plans and they went and we just were like, “Well we're going to put it together and…” We had our time to connect and, you know, prepare.

After spending our time together, we went to the venue with our open hearts and my healing body. We were excited to see what our team had built. 

Torres: For me, walking in was really cool because we hadn’t been there for it all being set up. We were kind of like guests walking in because it was like, “Oh, that's really cool. That's really cool.” And yeah, and kind of seeing how, like… the care that our friends had put into setting everything up how we wanted it, and how… To me it just felt like everything was right on. Like the altars and the Moon Tent and the… you know, having the screens and the and the videos, it just felt, like, really immersive and it felt really good.

So we spent those initial few minutes looking around, kind of in awe really, at what a year of living and breathing the Techno Cosmic Mass had helped us manifest: The world’s first Techno Cosmic Wedding. There were five big altars, dedicated to the relationship in all its forms, relationship with self, friendships, romance, family and the Earth. There were two huge video screens, a sound system, and lighting. 

It was important for us to attend the event as bride and groom and leave the work of holding the space and moving everyone through the event to our event managers, our officiants, and our Weaver of Context Michelle Jordan. Michelle had worked for many years with the Mass team, so we knew she would do a great job and she was awesome. 

Torres: There was the calling of the directions, which I thought was really cool. And then somewhere between there and the next thing, there was this sort of tech problem. 

Thomas: Oh, yeah. 

Torres: That was also really interesting, because I'm usually the tech guy, and usually my instinct is to go fix it. And so I was like, “Okay, I'm not gonna go fix it.” You know, I think it was like, a couple of minutes that it took to resolve but those minutes seemed like really long. So it's just like, “Okay, I'm just gonna just kind of let it be.” But then it was resolved and people were… responded well to it being resolved, and everybody's happy that it was resolved and then we didn't have any problem, any tech problems after that. So that was really nice.

Thomas: I think our Weaver of Context made a little song up about it because she was wonderful in the moment. She did a really good job of explaining what was happening and  really holding everybody's like, you know, hands and hearts throughout the whole day. 

[MUSIC]

If you joined us for last month’s episode, you learned a lot about The Techno Cosmic Mass, which is the event we based our wedding on. Here’s the Cliff Notes version: The spiritual tradition underlying the Techno Cosmic Mass is called Creation Spirituality. It was started by Theologian Matthew Fox. The Mass is built on the Four Paths of Creation Spirituality which are the Via Positiva, celebrating joy, awe, and wonder; the Via Negativa, honoring darkness, loss, and grief; the Via Creativa, celebrating ourselves as divinely creative beings, and lastly the Via Transformativa, honoring our role as spiritual warriors. Like the Mass, the wedding had four distinct parts, beginning with the Via Positiva. 

Thomas: Like we had mentioned before, our friend Dara sang often throughout the ceremony. And one of the first things we did during the Via Positiva section was we did a circle dance. [MUSIC] It was a very simple dance, we had everybody in a big circle and it really loosened everybody up, got everybody singing, got everybody… got their bodies more present in the space, which was part of that, you know, “Come join us. We're here together in this community event. You know, you're not just going to be sitting in a chair watching a wedding.” 

Torres: …watching what’s happening. Yeah.

Thomas: And then after that, our wonderful friend Shanti read the “We Have Come To Be Danced” poem and then we segued into the trance dance. 

Poem Being Read at Event: (We Have Come to Be Danced by Jewel Mathieson)

The mother may I?

Yes you may take 10 giant leaps dance

The olly olly oxen free free free dance

The everyone can come to our heaven dance.

We have come to be danced

Where the kingdoms collide

In the cathedral of flesh

To burn back into the light

To unravel, to play, to fly, to pray

To root in skin sanctuary

We have come to be danced.

WE HAVE COME

[MUSIC]

Thomas: And the trance dance was wonderful. I remember I fought for it to be 20 minutes. People were like, “That's too long, that’s too long.” And I'm like, “No, no, no! 20 minute dance!” And it was wonderful. I loved it even though I couldn't dance. I loved it. It was a dance to sweat your prayers. It was a dance to wake up your body and, you know…

Torres: And it was… it had techno music and lights, like techno lights so it had that rave sort of feature of the Techno Cosmic Mass. Which was really cool.

Thomas: Yes. That was really good. And then we transitioned into the Via Negativa. What do you remember about that?

Torres: Well, for me personally it was really powerful because my dad had died and so I… that was like a grieving time for me and you… you know, grieving for you not being able to dance. And yeah so it felt good to be able to like be my whole self in the space and not have to kind of set that apart from like, “Oh I'm just supposed to be happy and have a smiley face and not feel my feelings.”

Thomas: Yeah, I really explored on season one of Shame Piñata with a lot of guests about… that a wedding… a wedding is a transition and with every transition, there's loss as well as something new. And we don't usually create room for that loss - for ourselves and then for our loved ones, you know, who maybe like they're losing a sister or they're losing a daughter or son or… With a wedding supposed to be a certain happy way there's not room for those feelings. So it was really special to have… to have room… I feel like the Via Negativa is such a jewel and as a concept and such a wonderful addition to any ceremony to have a time dedicated to whatever's there that’s sad, that wants to be expressed. Because then, in addition to getting to express it and be our whole selves, we can come out with that like you know going through, like after the rain, you know that like fresh feeling after the… Like during the… we did a passing of the peace right after the Via Negativa and most of us had like red noses and we were… our faces were all wet and crying and it was just had a really hard opening very beautiful soft authentic quality. 

Torres: Yeah, totally. And like good way to connect with people and that space

Thomas: Yeah, that's very beautiful.

Thomas: And then we went on to the Via Creativa celebrating the cosmos, celebrating our role as creators in creation. And our good friend Sean was our officiant for that section and we actually watched a little bit of a Neil deGrasse Tyson video….

Torres: Right.

Thomas: …which was wonderful. 

Torres: About the cosmos, the cosmos in how we're connected to it.

Thomas: And then I believe there was the flower-pelting ceremony which was designed to get everybody back up off the floor and moving, moving, moving again before the actual ceremony where they'd be sitting for a while. 

[MUSIC]

So we’ve reached the Via Transformativa, the final path of the four paths. And in our case, the time when the wedding ceremony would be happening. Rodrigo put on his wedding jacket and I grabbed my veil. Our mothers took up their positions and everyone found their chair. 

Torres: After having used the room as a dance floor, then it was set up with chairs… several rows of chairs in concentric circles with two aisle ways through. 

Thomas: Yeah, I remember we started. Like, if it's a clock, you started at twelve o'clock, and I started at six o'clock. So then you would have walked twelve to six. And I would walk from six to twelve alone around the outside of the circle. And then when we got to the opposite point, the 180 degrees from where we started, we met our mom, our moms. And then we walked in, me with my mom, you with your mom, to the middle. And our moms were holding our rings, like my mom was holding my ring and your mom is holding your ring. And when we got to the center, the moms exchanged rings, as like a token of you know, blending the families. 

So we walked in, our mothers exchanged rings, and then our mother sat down leaving us standing alone in the middle of the circle, in the round waiting for what was next. The plan was for our good friend Dara Ackerman to come out and sing a song about honoring fear, like the fear we were swimming in at that moment, and then to get married. But what happened really surprised me. 

Thomas: Dara came in singing this beautiful song this “I am not afraid song.” And everybody was so into it. Everybody just loved it. And I remember my mom had been, like so horrified when I told her we wanted to use that song. “No, no, no, no, no, no, no, you're just you're wrong, you're wrong!” But, she was so into it. Everybody was so into it. And much later, I realized that she married us and I hadn't seen that coming. I thought, oh Dara will sing a song and then we will get our blessings and then we will be married. I didn't realize that Dara would be marrying us. It was so beautiful. 

Torres: Yeah. 

Thomas: All of the heart-opening work we had been doing with everybody who was there throughout the night - that was just so evident, because everybody's hearts were so open during that song and people were so present. And then they were…  they were very kind and patient and waited through the three plus… three sets of blessings plus the actual, you know, official wedding ceremony. 

Torres: Yeah, it's interesting, cause, I mean, we weren't planning to have Dara be kind of the officiant, but she kind of became kind of like the emotional sort of officiant with that song. And the way she sort of… like the first verses of it, she kind of gets everybody singing with her. And then she kind of sings the last one on her own, and it was kind of this shift. And it was her singing to us, basically, and singing kind of like words that we would sort of be expressing to each other about like, “I'm not afraid. I'm so afraid.” And it was…  was emotional and funny and real.

Thomas: After we had the blessing because we had what we had a Native American blessing and we had a New Age blessing and we had a Christian blessing and then our main officiant our final officiant she said, ‘“You've had the world’s religions to have blessed you. You have been planning this wedding longer than some of the world's religions have been around.”

Torres: Totally.

Thomas: And your wonderful friend made us a beautiful wedding quilt with gifts… panels from all our friends and presented that around us and pronounced us a couple. And somebody dumped a big basket of flowers on top of us and we did a really slow rotation being sort of presented to the community. That was really magical.

Torres: It was. 

In producing these two episodes, Rodrigo and I had the chance to relive the day in our own hearts and reflect on some of the moments that have stayed with us over the years. 

Torres: A surprising thing for me that I wasn't expecting was the… kind of how big of presence that children that came were. They were very present for the entire thing. They were, you know, in the middle of the room a lot of the time. And we were just like, we didn’t like, shush them out, or, you know, which I thought was really precious: that, you know, we were just like, “Yeah, if you want to be in the middle of the circle, you know, come in and be in the middle of the circle.” And so yeah, that sort of energy of like, their youth, and they're just being themselves. And during the Negativa, there was a girl that like, came up to us… because she could tell that we were like, you know, crying and she wanted to, like comfort us and it was just really sweet to have that sort of... And that was not something, you know, that was planned in any sort of way or anything like that. And even afterwards, I… somebody said that they had asked, “Oh, is this how all the weddings are?” Because that was the first wedding they had been to. And we were like, “Oh my goodness. They’re gonna be in for a surprise when they go to another wedding.”

Thomas: Yeah totally. Yeah, I remember this… when we are getting ready for the trance dance and we were…our friend was reading the poem about “We've Come to Be Danced”, one of the little boys was just running around, just like… he was so exuberant, he was just feeling the energy. He was jumping, and he could just… he was like, he was just totally present with the energy. And like you said, when we were both sitting on the floor, crying, you know, and she came up to us, and she was just kind of like, just watching us like, “Wow. Huh.” You know, they were just like, curious and around and… yeah. They were such a blessing. And we heard from some of their families that they weren't normally like that, and they just felt really free and really able to express themselves and it was really beautiful.

Torres: Yeah. And I liked the idea that, you know, maybe we created something that could shift how they thought of weddings. You know… what the possibility of a wedding can be.

Thomas: Yeah. I think we did that for everybody, including ourselves.

Torres: Yeah.

As you can hear from the way we describe it, Rodrigo and I were successfully able to create a wedding ceremony that expressed the uniqueness of us. It didn’t matter that people were a little unsure of what we were about or what they were expected to do. We took their hands and welcomed them in, encouraging them to participate at whatever level felt right. 

If you are in the midst of the wedding planning journey, remember you can do it your way! Don’t be shy. Lean into the things that make your relationship unique and special. Dare to be unconventional. And if you have friends planning a wedding, share these two episodes with them. Thank you so much for coming to my wedding. Don’t forget to grab a piece of cake on the way out. 

Learn more about Creation Spirituality at matthewfox.org. Find Michelle Jordan on FB  at michelle.jordan.9461. Hear the entire “I Am Not Afraid” song at daraackerman.com.

And get a look into the Via Negativa section of our ceremony in the Washington Post article, “A Joyful Wedding Can Still Make Room for Grief” written by friend of the podcast, Tria Wen. Find links for all of these in the show notes. Special thanks to Carol Ann Fusco who called the directions. 

Our music is by Terry Hughes. Find us on YouTube, IG, and X at shamepinata. Reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. I’m Colleen Thomas. Thanks for listening.

P.S. You can get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

S5 E1 Techno Cosmic Wedding (Pt 1 - The Plan)

Episode Summary

What would you think if you received an invitation to attend to something called a Techno Cosmic Wedding? Would you be curious? Avoidant? Undecided? What if it was framed as a post-modern, rave-inspired event where your whole self was welcome. How would you feel then?

Episode Resources

→ Techno Cosmic Wedding (Pt 2 - The Event): https://ever-changing.net/episodes/s5-e2-techno-cosmic-wedding-2

→ Matthew Fox: https://www.matthewfox.org/

→ The Cosmic Mass: https://www.thecosmicmass.com/

→ A Joyful Wedding Can Still Make Room for Grief: https://www.washingtonpost.com/lifestyle/2019/07/31/joyful-wedding-can-still-make-room-grief/

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Thomas: Can you hear? 

Torres: Oh, now I can. Yeah, now I can.

Thomas: Good. Alright. I’m going to turn this light off because it makes a hum. 

Torres: [HUMMING]

Thomas: Okay, say something.

Torres: That makes it hum too…

Thomas & Torres: [HUMMING]

What would you think if you received an invitation to attend to something called a Techno Cosmic Wedding? Would you be curious? Avoidant? Undecided? What if it was framed as a post-modern, rave-inspired event where your whole self was welcome. How would you feel then?

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. So you’re invited. You are retroactively invited to attend my wedding. And joining us today to help me bring you into the scene, into the moment, is my amazing husband, Rodrigo. We’re going to tell you about how this unusual ceremony came to be, why it was modeled on an event called the Techno Cosmic Mass, and how it welcomed something you don’t normally see at a wedding - grief. 

We’re going to share the story in two parts. Today we will fill you in on the who, how and why and take you through the planning phase - which as you know is really the richest part of any intentional event. Then, next time, you’ll hear how it all turned out, including the bumpy ride that led to the actual wedding day. 

So, here’s the story. A long time ago, I moved to the San Francisco Bay Area to attend graduate school in spirituality. The school I attended was called The University of Creation Spirituality and it was run by theologian Matthew Fox. You may know of Matthew through his many books. He has actually authored 40 books over the past 50 years. Some titles that might sound familiar are “Original Blessing”, “The Coming of the Cosmic Christ”, and “One River, Many Wells”. Like several other students at the school, I felt that the universe had somehow called me out to complete that very program. And one of the pieces that spoke to me the most was an event Matthew and his team regularly hosted called the Techno Cosmic Mass. Now, unknown to me, Rodrigo was also attending the Cosmic Mass which at that time was held in the historic Sweets Ballroom in downtown Oakland. This was before we met, like way before we met. Here he is helping me describe it. 

Torres: And the Techno Cosmic Mass was kind of a multimedia Mass held in a huge ballroom in Oakland, when I went to it. And you'd walk in, there was a lot of screens showing a lot of different spiritual designs and images and music. Very low lights. It was kind of like a rave, almost, the atmosphere… Not that I've really been to a rave, but what I imagine one to be like. And then there were altars in the big ballroom you could walk around to. And then when it would start, they would go through a whole sort of ceremony and kind of a four… four movements. Some of them were very upbeat and, and had like dancing, and were kind of like a rave, and some were very introspective and dark. It was pretty unique. It was pretty cool. 

Thomas: And we were going at the same time and we didn't know each other then.

Torres: Right

Thomas: And I was volunteering at a lot of them. In fact, when I first came out to check out the University of Creation Spirituality, I just spent a weekend here in Oakland, and I just wanted to hang out at the school as much as I could to see what it was about and what the people were like, and if it was a place I wanted to study. And so I helped with… helped with the Mass, because that was going on over the weekend and           I built this beautiful altar. I had, like, the whole day to build it. And all this big room of stuff. It was like multi-layered, different heights. I found a big bowl, a big silver kitchen-type bowl that had a glass, a really tall, clear glass, glued into it. I don't know why it was glued into it, but I put a candle like a taper candle inside there. And then it filled the bowl of water and then the candle was inside the glass and it burned down throughout the night. So it eventually was under the water. You know, it was just really… it was really meaningful to me and it was a signal that this was a place I definitely wanted to come and study.

And so I did. And I loved the school and loved my classmates and loved my teachers and had an amazing time. And then over the years everything kind of faded away. I’m sad to say that the school actually closed shortly after I left. The Masses continued for a while but then they stopped too. And then, many years later, I met Rodrigo through a completely different community. And we did all the things. We dated and moved in together and were not going to get married. And then changed our minds. But when it came to wedding planning, it was a little bit difficult. 

Torres: Well, our spiritualities are different and I'm… I think I was pretty sure that wasn't something very conventional and I think you didn't either, that’s my guess… I’m not sure… or did you?

Thomas: We did a lot of thinking and talking about that about traditions. Like what are the wedding traditions? What… Why are they there? What do we want about them? Because I think it's always fine to pull them in if…

Torres: If they make sense.

Thomas: If they're meaningful, right? If it's not just, “Oh well we should….”

Torres: I think we were trying to find… something that was meaningful to both of us. 

Thomas: Yeah, and we couldn't. We hadn't. We were in limbo as I recall and then we went that night to… well, as luck would have it, or as synchronicity would have it, they started doing the Masses again - right then. Because they had stopped.

Torres: They hadn’t done them in a long time. 

Thomas: Yeah, just out of the blue they started and I… I saw the flier that with that old art they used to use with the… you know, the event flier. I was like, “Oh, my goodness!”  It's like I mean, Oakland, not at Sweets Ballroom but in Oakland, right. And we went and Matt was there and he was welcoming people from all the different faiths, which was one of my favorite parts. Getting to represent for my underdog faith, and then getting to be welcomed in and then the dancing and... I just remember, we were dancing. It might have been the Via Creativa dance, the Via Transformative dance - I think it was toward the end of the night - and just looking over at you and being like, “I want this for our wedding!” And you were like, “Yeah”. And I was like “Oh my gosh, we finally found something!” And we were both a big yes to it.

Torres: Totally. And that was good to find the big yes.

Thomas: Yeah. And looking back at it from now, what was the yes to you?

Torres: It just felt right. It just felt aligned. And it felt like it wasn't… it wasn't even a very conscious thing, it was just “Yes”. Just like from my gut. How about you?

Thomas: Yeah, it definitely had that perfectly right…. and really excited to hear that it felt that way to you, too, because sometimes we're not on the same page. So I was like, “Oh, wow. Okay. Yeah, definitely. We're on the same page!” And for me, it had always been like, you know, I'm super into bringing the body into worship into ritual and remembering we have bodies and coming into the bodies and dancing with the body and you know, all of the… bringing the chakras and the colors and the lights and the celebration and the grieving that's in the body too like, the whole way that it's so embodied and so fun. Yeah.

Torres: Yeah. And it had, like elements of what felt like a wedding, like bringing a whole bunch of people together and doing ritual and ceremony and… But it was like, a different way of doing it.

Thomas: And we… It felt sort of divinely guided because like we said they came up with a Technic Cosmic… they started doing the Cosmic Mass again out of the blue from our perspective. And then we jumped in and started volunteering with a Cosmic Mass crew for about six months to learn how to do it. And then pretty much right after we had our wedding, they stopped again, they stopped doing the Masses again. So we got in this tiny little we know, which was like maybe nine months or a year or something?

Torres: Yeah.

Thomas: I think they're still doing the Mass, but they do them only at events now. So they… it's an on-the-road thing. But we were perfectly aligned and and doing the volunteering with them was great.

Torres: Yeah. Yeah, we got to see kind of behind the scenes.

Thomas: Yeah

[MUSIC]

So at this point you might be wondering what actually happens at a Techno Cosmic Mass and why we would want to use it as the foundation of our wedding. Bear with us as we take you into a bit of the spiritual framework behind the event. 

Thomas: So in Creation Spirituality, there are four “tivas”, as we call them affectionately. There are Four Paths of Creation Spirituality. There is the Via Positiva, which is joy, awe, and wonder. And the Via Negativa, which is about darkness and letting go, grieving. The Via Creativa, which is about… we are creative beings, creative as the… divinely creative as the Creator is divine, right? And then Via Transformativa, which is where we ready ourselves to return to the world as spiritual warriors - that's how I always think about it. 

Torres: Transform.

Thomas: Transform. Yeah. And in the Mass, traditionally, my experience was that they did a trance dance, a joy dance, during the Via Positiva, and some kind of group grieving during the Negativa. And then they did the Eucharist during the Creativa…

Torres: Right.

Thomas: …the actual taking of the bread and the body of Christ. And then the Transformativa was another trance dance. Yeah, to prepare yourself to go out into the world and be a warrior for social justice. So I remember when we were planning the wedding, I was really enamored with the idea of having a dance for the Positiva, cause I really loved having the trance dance. And then grieving for Negativa. But then instead of the Eucharist, we wanted to come up with something non-Eucharist-y to do there. So we came up with honoring the cosmos. It kind of feels to me like at the Mass, the Techno Cosmic Mass, the focus… a big part of the focus was on the Eucharist, since it's a Mass, right? So… But yet for us, we realized that the Transformativa might be a really good place for the wedding ceremony itself.

Torres: Yeah. I mean, that was what I thought was our sort of more… our focus in terms of the wedding itself was the transformation of being two people that weren't wedded to two people that were wedded.

Thomas: Correct. Exactly. 

Torres: And so… I mean, for me the Transformativa was kind of a no brainer, because it's like, yeah, it's a transformation. So we have to have the wedding in the Transformativa. And the dancing is interesting, because in a lot of weddings, the dancing is… comes like afterwards, and it’s like the reception, it's not part of the wedding. So, I liked it that we had it as part of the part of the wedding ceremony that people were dancing. 

Thomas: Yeah, me too. I loved that. 

Torres: Yeah. I think we really liked that about that. And then we… I think the Negativa was kind of… we sort of knew that that was kind of going to be like the most unusual thing to have in a wedding. 

Thomas: Yes. My mom was not happy, to say the least. 

Torres: What did she… Do you remember what she said? 

Thomas: Oh… No, I don’t. I remember talking to her more about the song that we had our really good friend Dara sing before… because she had that wonderful album, and we wanted to incorporate her music into the day and we listened to it and she had a song called “I am Not Afraid” that I think you were like “Oh, I think…” Of I forget which one of us was like, “We need this right before we get married!”

Torres: Yeah, I think it was me.

Thomas: Because it’s this song about, “I’m not afraid. I am so afraid. I am not afraid, but I am so afraid…” It was just.. it was such a beautiful song and I remember playing that for… or telling my mom about it. I think I didn't play it for her. And she was like, “Oh, no, no, no, no.” She was like trying not to put her foot down about anything I think throughout the, you know, year I was telling he plans for the wedding and then she had to with that. She was like, “That is a bad idea.”

Torres: For some reason I had the story flipped in my head that she was saying that about the Negativa, about having the Negativa. I think she was pretty much also against having the Negativa from what I remember. 

Thomas: Yeah. I mean, she's pretty traditional. And it sounds like a weird thing to have people crying at a wedding… on purpose.

A communal grieving ceremony in general might be something you’re not used to experiencing - but imagine it at a wedding. We actually had a mix of folks at the event, some of whom were more traditional and weren’t really sure what to do but kind of went with it, and others who actually had a lot of experience in holding space for deep emotions in a group setting. And a lot of this latter group were from Rodrigo’s work community at a non-profit called Challenge Day.

Torres: It's interesting because I think part of the… part of the reason that I felt more sort of comfortable with that was because I had gone through a lot of Challenge Day stuff, so, which is kind of an emotional workshop that I did and then I worked at for many years. And there was kind of a lot of that sort of going into your feelings and being okay with that and doing it in kind of like a group setting. So I felt a lot more comfortable with that then much more than I would have had I… had I not gone through that sort of experience. And kind of like seeing… not as not seeing it as a kind of a negative thing is a kind of a healing thing.

Thomas: Exactly. Yeah. And you'd been to the Masses to where that was also part of like, you know, really, really presencing the destruction of the planet or the destruction of the rain forests or whatever the focus was that night at the Mass. Like really, all the stuff that we know is happening in the world but we don't want to think about, becoming really focused on it and aware of it and allowing the pain of it to really become present and allowing ourselves to grieve. Grieve the things that we try to not look at - in community. I mean, that's not a… that's not a normal experience, a day-to-day experience in the US so like getting our… getting comfortable with that learning what that is and that it might be weird, it might feel weird. But yet going through it, especially in community can be very healing. 

Torres: Totally. Yeah. 

Thomas: It was a very NorCal wedding.

Torres: Absolutely. 

Thomas: California wedding. [LAUGHS]

[MUSIC]

Torres: Oh and the… also the altars were important. Creating the altars…

Thomas: You didn't really want the altars though. You didn't really care about the altars.

Torres: Yeah. I guess. I don’t remember.

Thomas: You were like, “That’s your thing.”

Torres: Was… really?

Thomas: Yeah, but that was okay because I was excited. Yeah, so at the Mass there… If you walked into the Techno Cosmic Mass, you would see two or maybe three really big projection screens and then four… at least four really big altars at the four directions. And sometimes they would be set up to honor the Four Directions, you know, earth, air, fire and water, the elements. And sometimes they were themed in some way, depending on the theme of the Mass. But we decided that we wanted to honor relationship in its various forms and so we decided to have  five altars. So we had a self altar like love of self, and then a friendship altar, love of friendship and romance altar for romantic love, and a family altar for family love, and then an earth altar for honoring the Earth. And we also had a moon lodge because that was my thing. And I was really excited about the altars because I wanted them to be very interactive. So they were kind of like little sets, almost like, like at a play. So we wanted the self altar to have a beautiful mirror where people could sit in front of the mirror and look at themselves. [LAUGHS] And the friendship altar was meant to look like a front porch where the checkers set and rocking chairs. And then the romance altar we set up at a fireplace which was in the… in the venue. Yeah, at the venue, there was a fireplace and so we set the romance altar up in front of the fireplace with chocolate boxes and..

Torres: Pillows. Like throw pillows.  

Thomas: Pillows. And the family altar was the richest, it was beautiful. It was all of these beautiful Ancestor items and your father's paintings were… ended up there. And we had some Day of the Dead coloring books. It was very… it was the most, I think, interactive one. People really liked it. They really gravitated toward it. And then the Earth altar was sort of just a very big houseplant with the globe or something. [LAUGHS]  It wasn't very impressive, but it was… They were all meant to be very interactive and very… and so that people could be at the event and they could also kind of wander by and interact with the altars.

Torres: Like at the Mass.

Thomas: Like at the Mass - but even more interactive than at the Mass. At the Mass it's kind of  like you look at them they’re really pretty and they’re interesting but you don't really do anything at them.

Torres: Yeah, you really wanted to sort of have it there as sort of something that people that came to the wedding sort of interacted with and participated in. 

Thomas: Yeah.

Torres: Yeah. I think I was thinking it was your thing because I… there was so much to organize and I just felt overwhelmed. I was like, I can’t do altars on top of everything else, I'm sorry. It’s like… if you want it, you’re welcome to do it. So, sorry about that, but I just didn’t have the bandwidth.

Thomas: That’s okay.

Torres: I mean, we had… along with all of the regular sort of wedding things, we also had kind of to put on this sort of multimedia presentation of like, big screens and provide our own sound system…

Yeah, so suffice to say, we were planning a big event. It was multimedia, it had trance dancing, it had interactive altars, and it was a wedding… So we took our time and were intentional about it. 

Thomas: What was your experience of the planning time which was a huge part of it.

Torres: Yeah. I think we went into wanting to be very comprehensive and very careful about every detail. And I think we were. So that was really nice. And very conscious and sort of wanting the wedding to be part of sort of creating community and the planning to be creating community. And it felt like very much like us doing something together. And, you know, we also had, like, our spreadsheet with like, 25 tabs or something like that.

Thomas: Totally. 

Torres: We were very organized.

Thomas: And then toward the end. I remember you found some way to draw the room. You created diagrams of exactly… because at the end of it at the end of the planning, we sort of reached the point of needing to turn it over to our… 

Torres: Our team. 

Thomas: To our team. And so there was this like process of like, making sure they really got it, and we really got all our thoughts and… We were really sure. And how do we convey this to them? And so that's where you were doing that diagrams of like, “Hey, this is how we want the chairs at this point, and then we're gonna change to this. And then then it's gonna be like this…” Because it was… it was an event. 

Torres: It was.

Thomas: It was a whole production.

Torres: And we had to like, move chairs in and move chairs out. And because it was just one big room, and we did everything in that room from just having it way open for all the dancing to having the ceremony with chairs in there and everything had to sort of be coordinated. And we were very clear from, I think, very near the beginning that we wanted to be just present for the wedding. And so we didn't want to be the person sort of like worried about directing things and moving things around and making sure things went right. So I think we sort of made it... I think it was a great decision to “Okay, we're gonna organize everything, we're gonna explain it to our team as clearly as possible and then we're gonna just let go.” And if it happens, it happens. And if it doesn't, and something goes totally different, then that's just the way it's gonna be because we just want to be present for it.

Thinking back now, I’m not even sure where we got that sage wisdom to let go of the details on the wedding day but it turned out to be great advice. Join us again next time to hear how the big day went. I really hope you can make it back because I’m excited to tell you how it all unfolded and, as I mentioned, the bumps that came up along the way. 

If you’d like to know more about Creation Spirituality, check out matthewfox.org. For a sneak peek into the Negativa section of our wedding, see Tria Wen’s Washington Post article. Find links in the show notes. 

Our music is by Terry Hughes. Find us on YouTube, IG and X at shamepinata. Reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. I’m Colleen Thomas. Thanks for listening.

P.S. You can get up to 2 months of free podcasting service with Libsyn. Check out the show notes for your promo code to get started podcasting today.

Introducing 10 Minutes for Your Heart

Episode Summary

"10 Minutes for Your Heart" is a trauma-sensitive meditation series specifically designed for Ukrainian listeners. The series, hosted by a Certified Meditation and Mindfulness teacher, offers 10-minute sessions to explore power, passion, and essential life-force. The meditations focus on connecting with breath, body, and personal power, providing flexibility for listeners to decide how they want to participate and what their body needs in the moment. Presented in English with transcripts available in both English and Ukrainian, the series aims to create a safe and supportive space for listeners to engage in healing and self-discovery. English level B2/C1 suggested.

Episode Resources

→ 10 Minutes for Your Heart on YouTube: https://www.youtube.com/playlist?list=PL16dvREXasBeNtZmWhifjNpmtuiquNzeE

→ 10 Minutes for Your Heart Website: https://ever-changing.net/10-minutes


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript:

Привіт, друзі! Мене звати Коллін. Please join me on a new adventure, a series of meditations created especially for my Ukrainian friends. Together we will shed our skin, wash away doubt, and remember that we can move mountains.

The series is called 10 Minutes for Your Heart. Find it on YouTube and at 10minutesforyourheart.com.

Welcome to the circle!

S4 E9 Embracing Shame (Sheila Rubin)

Episode Summary

What happens when shame stops us in our tracks? When we find ourselves in freeze mode and realize that it’s actually shame that’s holding us there? How do we break the spell and move through that paralysis - and what if there is a way to release that shame back to wherever it came from?

Episode Resources

→ Sheila Rubin: https://www.sheilarubin.com

→ New Book: Embracing Shame: How to Stop Resisting Shame and Turn It Into a Powerful Ally: https://www.goodreads.com/en/book/show/90202114-embracing-shame

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Rubin: In your family of origin, where are you to deal with the shame in this lifetime? And we have processes for giving it back, up the family tree, transforming it, taking the dignity, taking the creativity, taking the life-force back in processes.

What happens when shame stops us in our tracks? When we find ourselves in freeze mode and realize that it’s actually shame that’s holding us there? How do we break the spell and move through that paralysis and what if there is a way to release that shame back to wherever it came from?

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. Today we’re going to talk about the “s-word” as our guest calls it. We’re going to look at shame. We’re going to consider shame. We’re maybe going to consider what it might look like to embrace shame. But before we meet our guest, I want to tell you a story. I’m going to tell you the story of how a podcast about the healing power of ritual came to be called Shame Piñata. 

Several years ago, I was facing a big transition and dragging my feet about it. I had been at a job for 14 years and the Universe was telling me it was time to switch things up, but I didn’t want to go. Over time, I got kind of mired down in feeling ashamed that I wasn’t brave enough to make that change, and honestly kind of not able to make that change because I was kind of trying to find a new job but it wasn’t working. I began to feel worse and worse over time till I reached a pretty dark place. But then I reached out for help. I started gathering resources, and surrounding myself with people who could help me heal, and I was introduced to the concept of shame exposure - which basically means telling other people, safe people, about the shame I was feeling. I knew right away when I learned about shame exposure that I needed to do it and it needed to be a ceremony.

So I started planning, brainstorming, heart-storming, journaling, talking with a close friend, feeling into exactly what needed to move and how I wanted to invite my community to be there with me while it moved. So this is what happened. 

In preparation for the ceremony, I gathered up all of the swag t-shirts I had gotten at my former job and journaled out my shame on each one of them with a ballpoint pen. I wrote one shame topic on each shirt, long-form, journal style, confessing how awful that one part of the story was for me and how horrible I felt about it inside. I did that until it was all out on the shirts, out of my body and onto the fabric. That was extremely important. Then I made a list of all of the negative self-talk pinging around inside my head and I pasted those words all over a cute little piñata. Sorry, piñata! And thank you for holding it.

When my friends and I gathered, just a small group, just my inner circle, my safest place to share such hard feelings, I took each shirt out and read out loud what I had written on it. And then one by one, I put the shirts on. Each time I put on a shirt, I felt worse. I think I had 6 or 7 shirts total and at least one sweatshirt, so it was a lot by the time I had read everything out loud and put everything on - by the time I had symbolically donned all of that shame. My friends were compassionate. My friends stayed with me and witnessed my shame. 

Then I moved across the room and faced that shame piñata, almost mocking me with those harsh judgements pasted on every side and I picked up the stick. But I didn’t want to hit the piñata. I wanted to fall through the floor and let the earth swallow me up. I had no will or desire to fight back, to reclaim anything. I just wanted to give in. So I waited. And we waited. And after quite some time, I began to hear a small voice inside me saying, “No”. It was so quiet. But it began to grow louder. “No.” And it grew and grew until it filled me and flowed into my arms, and pretty soon that piñata was no more. I took a pair of scissors and cut a small notch into the top of each shirt so I could easily rip it off until the floor was covered in piñata, candy, and fabric covered in my words. And we danced and we celebrated. 

And then I went out on the porch and poured a huge bowl of marigold water over myself to release that old energy. And after drying off, we sat down together and we had an amazing brainstorm session of what kind of work did I really want to do in the world? What was my mission? What did I have to offer? And, this is going to sound cliché, but I got not one but two job offers in the coming weeks, which helped me actually skate out of that old situation and into my next chapter. And what was different between before and after the ritual? I was. I was finally ready to move on. 

And it was on a lunchtime walk with a colleague at that new job that the title Shame Piñata came into consideration for this new project, a show about the transformative power of ritual and how inviting the important people in our lives to witness our transformations can be extremely profound. And I’d like to take a moment now to thank you for witnessing this story and spending a few minutes considering how embracing shame might help us heal. 

We’re going to continue considering shame now but switch gears a bit and hear from a different voice. We’re going to meet Sheila Rubin, who has been teaching about shame for 30 years. Sheila is a Marriage and Family Therapist and a drama therapist. And she co-directs The Center for Healing Shame with her husband Bret Lyon. They have a new book coming out on October 17 called “Embracing Shame: How to Stop Resisting Shame and Turn It Into a Powerful Ally”. 

Sheila and I spoke recently about many aspects of her work. Our conversation began with her early experiences of shame and then moved into a discussion of the book. Here was was my first question:

Thomas: Sheila, how did you come to work with shame?

Rubin: It's my favorite question. [LAUGHS] I was a curious child and I was a very shy child. And I decided that it was my job, not just to save my family, but it was my job to kind of like, secretly keep a journal of all of the times when somebody was, you know, kind of had their esteem up and their eyes down. And I was just noticing all the variations of, you know, shyness and discomfort, and, you know, what it was like to be a shy child. And I started keeping track of that when I was probably five years old. So I didn't know that it was shame. I just… I knew that it was an exploration of, maybe there's something wrong with me and if I could just figure everything out, I'll figure out what it is.” And then I'll be right. In the meantime, I thought, “Well, somebody must be interested in this. And probably I'll keep these notes and maybe someday when I grow up, I’ll write a book about it, because this is not anything that anybody talked about. So that is how I started getting interested in shame.

Thomas: Wow, that's fascinating that you knew at a very young age that you wanted to write a book about this thing and now you're publishing that book.

Rubin: It's amazing. Go figure. [LAUGHS] 

Thomas: How does your inner child feel now that you are about to publish the book?

Rubin: She is so blown away. Because I have an inner child who's five who has been stomping her feet for a couple years, and going, “When’s it happening?” I did a couple performances, like about my mother and my family and you know, what it was like to survive kind of like an interesting family situation. And that was helpful for a while, but you know, she’s been stomping her feet, she started stomping her feet… it’s the inner teenager, that center, stomping her feet about two or three years ago, just like, they're both so excited, because of like, the book is not just for therapists, it's for everybody. And it's for people to kind of read and kind of understand that shame can actually be a friend. And shame can actually navigate things and shame can actually be helpful. And shame can actually be something that a person might want to embrace. And it's kind of amazing to say this, because my inner child was like, “You know, you don't say the S word. It's gonna embarrass people!” I know, there's all these words to say, but not one. But now I'm an adult and I can say the big s-word, which is shame. Because when you say shame, people go into shame. 

Thomas: Yeah, that's, that's good... Wow, I hadn't. I hadn't realized that, but you're totally right. It is that powerful that we hear it, and instantly…

Rubin: That’s why I'm putting my hand on my heart and I'm like… it really touches me that you have this shame podcast and your shame piñata. And it's like, you've figured out ways of working with your shame. And so it's like, my inner child… I mean, I'm a trauma therapist, and I'm a regular therapist, and my inner child navigates a lot of the time and she lets me know if it’s safe or if I need to come back another time or, you know, it's like, when can I bring up this question. When can I not bring up this question. And so it's like, there's, there's a tenderness that I hear in your questions and there’s a curiosity that I hear in your questions. It’s nice.

I asked Sheila a bit more about the new book and learned it actively works with the concept of counter-shaming. This is something I actually hadn’t heard of before. 

Rubin: We normalize shame. We say the book is a no mistake zone. You open the book and it's a no mistake zone. All the pages talk about all the theories of shame, all the different ways that we've learned to work with shame. All the ways of counter shaming are different because everybody's so different. Each chapter has exercises so people go through each chapter and they can answer the exercises that are there. They can write them down. There's meditation techniques. There's an origami bird technique. There's Tai Chi techniques, how to work with the energy in the hands to counter-shame while a person is reading the book. My inner child was with me as I was writing the book and Bret and I co-wrote that book. It is such a powerful book, because if it was just, if it was just my voice, or if it was just his voice, it would be missing something. 

As part of her own work, Sheila offers Embodied Life Story Workshops which explore personal narrative through improvisation, playfulness, and sacred witnessing. As part of their work through the Center for Healing Shame, Sheila and Bret together offer workshops focused specifically on healing shame. 

Rubin: You know, we teach people in the Life Stories, we do some tools and then we do witnessing and having a person's true self witness story and performance. And then it might be something that they never told anybody or it might be kind of like a realization that they're a creative person or realization that they're… whatever it is they discover about themselves in the group, it’s just kind of a beautiful process to be witnessed and kind of have that… Common in drama therapy, we have, like a self-revelatory performance that somebody does and drama therapy is their capstone project. And then the healing shame. You know, there's a curriculum. We do a different 10 week… every week… every month, there's a different workshop. There is one on shame and women, there's women on shame and men, there's a one on eating disorders, there's one, you know, empathy and how to show up for people but it's like, of all the different things means we're showing shows up, we have a different workshop each month. And each group that somebody takes, there's this deeper realization of, Ooh, not only was there nothing wrong with them, but they actually had some really good ideas in their family. And they actually had some really good things, ways that they weren't able to speak about, but in the group, were able to speak about it. And so that is life- transforming for people to go through that. 

Thomas: Wow. 

Thomas: Do you do specific work with your clients or in your workshops around healing, healing the ancestral line or ancestral trauma?

Rubin: Yeah, I love your questions. Yeah. In the Life Stories, it's all about healing ancestral line. But there's levels and levels of complexity. So we heal the ancestral line, and then it's like, not enough to one, sometimes people come back for another 10 weeks, and they do another line. And, you know, and then they go back to the grandparents on this side, and the parent is on that side and often there's been a war or, you know, genocide, or, you know, something happened along the family line, that sometimes people don't even know about, but there it is. And it shows up in the processes. And we you do process too, we do ritual at that point to honor the people what we can't even imagine they went through and then we give the shame back - not to them to whatever was oppressing them or darkening their light - and then we take the person's pride and we take the person's energy hands like okay, well now that you've done that ancestral healing now what you want to do in your life?

Thomas: Wow. 

[MUSIC] 

I asked Sheila if there was a specific practice she recommended for releasing shame and she shared a deceptively simple process with me of flicking a hair band across the room. 

Rubin: I work deeply, deeply, deeply. But if I want to have a quick healing shame it’s like… this is like a hair band. It's kind of a stretchy hair band. And I want to just kind of say… if I want to give that shame back to where it came from, I could just go, “ding!” and it just goes and it’s gone. I could bring it back again or 10 times but each time I could let it go. And each time, we are a little bit stronger, a little bit clearer, a little bit creativity…, a little bit more of our true voice comes out. And the ritual of that is what makes it work in the imaginal realm, work in the heart realm, and work in kind of this somatic imaginal you know what you is thinking… what is feeling? What is in that place between both? What is more powerful than both is the imaginal realm? Let it go. And then see what comes up and let that go again. And it can shift. Working with physical objects… it's like right there. We're in the imaginal realm. We're in, we're in the imaginal realm.  We're in the symbolic realm. We're in the dream world. You know, when I have people do the live stories workshop, we are using physical objects to help the client or the, you know, the person who takes the workshop, use a physical… a physical object to represent something that has not been able to be named, or has not been able to be talked about, or that has not been able to be grokked at this time, in this place. It gives it a power and it gives it a deep knowing. Iit allows our body and our mind all the different parts of us to wake up and go, “Wow, something's happening here!” And, you know, we're talking so much about shame, and I missed the most important thing. We have resilience. Brene Brown talks about getting people to resilience, and we have pride. In every moment, people are moving from pride or shame, or resilience or shame. It's wired in our nervous systems, I help people figure the way between pride and shame in the moment… To be able to know that there’s shame and to be able to say, “This is a no mistake zone” and to be countershaming. And many of the objects around me are counter-shaming objects. 

Toward the end of our interview, Sheila held up a beautiful greeting card with an image of two fish swimming in a circle. 

Rubin: This is one of my favorite, you know, these are the two fish. [LAUGHS] And it’s like, whenever Bret gets grumpy, or we have a little dynamic or something, you know, I look at these two fish. And it's like, it's two fish and they're so different. They look the same. They're both orange, but they're so different. And they're going round and round in this beautiful little card. And that just reminds me of the whole point of the life is not to pass, but to enjoy the moment and notice, where I might be stuck for my clients or students might be stuck and then say, “Okay, is there something artful I could do with that?” 

Thomas: Well, thank you so much. This has been a joy and an honor to speak with you today.

Rubin: I'm so happy and touched by your questions, really, really, really good.

To learn more about Sheila’s work and the work of The Center for Healing Shame, check the links in the show notes. If you would like to read a free excerpt of and pre-order Sheila and Bret’s new book you’ll find a link for that as well. As a reminder, it’s called “Embracing Shame: How to Stop Resisting Shame and Turn It Into a Powerful Ally”. 

I want to thank you so much for joining us for today’s topic. Shame is never an easy thing to talk about. But as Sheila and Bret note so aptly in the book, “Once we embrace shame, it loses much of its power over us.”

Sheila Rubin is a marriage and family therapist, a registered drama therapist, and Co-Director/ Co-Founder for the Center for Healing Shame. She has a 6-hour audio series called “Healing Shame” by Sounds True with Bret Lyon and their new book "Embracing Shame" will be out on October 17.

Our music is by Terry Hughes. Find us on IG, YouTube, and X at shamepinata. Reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. Also be sure to check out our second show, Daily Magic for Peace, supporting you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

TEMPLATE

Episode Summary

A significant loss can come in many shapes and sizes and has the power to change us at a fundamental level. That rebirthing we go through after a big loss is so important and can also be so painful. Two questions that can often come to mind are: “How long will this take?” and “Can I make it through?”

Episode Resources

→ Betty Ray: https://www.bettyray.net/

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Moon: I think death has always been a really great, so to speak force in my life, it has been the thing that has pushed me forward to do things that I might not have done. Or taught me that I can get through really hard things.

S4 E8 How Long Does Grief Take? (Irisanya Moon)

Episode Summary

A significant loss can come in many shapes and sizes and has the power to change us at a fundamental level. That rebirthing we go through after a big loss is so important and can also be so painful. Two questions that can often come to mind are: “How long will this take?” and “Can I make it through?”

Episode Resources

→ Irisanya Moon: https://www.irisanyamoon.com 

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on Apple Podcasts | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Moon: I think death has always been a really great, so to speak force in my life, it has been the thing that has pushed me forward to do things that I might not have done. Or taught me that I can get through really hard things.

A significant loss can come in many shapes and sizes and has the power to change us at a fundamental level. That rebirthing we go through after a big loss is so important and can also be so painful. Two questions that can often come to mind are: “How long will this take?” and “Can I make it through?” This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions.

The journey of losing someone or something important can have such a step-by-step quality, moment to moment, one foot in front of the other. Just keep going. Does this sound familiar? Does your body resonate with these feelings? [SIGHS] Yeah. Today we’re going to talk about grief and loss and explore what one woman’s journey has looked like. Our guest is Irisanya Moon, who, if you’re a regular listener to Shame Piñata, you will remember from last month, when she joined us for a conversation about discomfort as ally.

I think it’s worth saying before we begin that every loss can have two time aspects. A feeling of not being okay in this moment and a fear of never being okay again. I believe these are separate and yet both legitimate feelings to have. And it’s the latter that can, in my experience, be the real kicker. So please join us for this conversation today, where we look at the bigger picture of making sense of loss over time. Here’s my first question to Irisanya.

Thomas: Do you remember what's the first time you became aware of the concept of something being a rite of passage?

Moon: Yeah, I was in my last year of college and I was friends with this one man named Jim. And we had dated a while ago and all of that… we sort of fell out of contact, and I got a message from my best friend, because we were all still friends, that he was in the hospital. And he's 22. He had, like, a really bad sore throat and then suddenly within a week he died.

Thomas: Wow.

Moon: And to have someone that felt so young, and was so young at that point, to have them die so quickly without any warning, really altered me and I think the moment that I recognized that was a rite of passage was… When you go to funerals of 20 year olds, it is horrifying. It's shocking to the system. It is everybody that they went to high school with. It is everybody that was on, like, the football team with this one… this person. Particularly, it is football players crying. It is all of that. And for me, it was the recognition that this can happen at any time and that my life is important now, as much as it is, you know, looking back on it. And it actually thrust me into a couple of decisions that were very important for my life at that stage. If he hadn't died, I wouldn't have decided to go in a certain direction with some of my relationships, or to go in some of the directions that I did with writing. So it sort of thrust me into that. And I think that that was one of my many rites of passage, slash initiations, slash like really just altering events.

Thomas: So that moment landed for you as a rite of passage because of the ceremony, or because it was a surprise, or it was such a big change in his life journey…

Moon: I think it was all of those things. I don't think that there's ever just one thing. I think that firstly, the dramatic impact of that moment, and the… Throughout the week, there was a slow progression of like, “Everything's okay. No, it's not. It is. It’s not.” And that was back in the day of pagers. So we all used to get like, paged on this and there was also a moment at one point where, you know, like, “Do you want to go see him?” And I didn't. I could not. I… that I was, whatever I was 20 something maybe I was a couple years younger than him. I couldn't do it. The idea of seeing somebody was just too much for me at that moment. So it was the process, and then also that ceremony and that being at the wake. Because I don't… I know that we went to church, but I can't remember that as well. But the wake it was just, you know, people everywhere and watching people figure out how to deal with this in this moment was instrumental and then everything that happened after that was part of it too. And to this day, it still, it still impacts me in some ways. His… the anniversary of that was actually about a week ago when we're recording this, and it's been like 24 years since then.

Thomas: So that was your first experience of death?

Moon: Now it's not the first experience of death. That was the first one that was really the most impactful. I… My grandparents died when I was younger, but I didn't have a close relationship with them. And while it was definitely something I can still remember, I can still remember seeing, you know, because they had open caskets and everything. And that was, you know, as a child that is strange and, but not upsetting. It just felt like, “Okay, that's grandma or whoever”. It just didn't upset me. But somebody that I knew and I knew really well, I had dated, you know, my first kiss… You know, all of the things… was just more real than it has been than my family had been. I never saw them, I hung out with this guy, and, you know, back in the day, smoked cigarettes and drove around the Midwest and played pool halls and all that stuff. And so, like, it was a little different and it was, it was the idea that somebody my age, I could go through that too. And, you know, people who are “old” when I was younger. (Now I feel really bad ever saying that!) You know, like, that was different. That's so far away. So that's not really a thing. That's what happens to people, you know, who have gray hair like me now. So yeah, I think that it's… I mean, there's plenty of deaths that I've been through that have been really instrumental. But that was the first one and I was.. it impacted me so much. I actually got pulled over because I was driving I guess radically after… I got pulled over and like, late at night after all of the food and everything. And had to tell and I was telling the police officer what happened and then he was like, “Okay, you can go.”

Thomas: Wow.

That was a huge rite of passage for Irisanya. Her first experience of someone her age passing away. Someone young. Someone who was not supposed to die. Death can be difficult to make sense of at any age, but especially when the person we lose was someone so dear to us, and someone so young.

After growing up and experiencing more loss and particularly speaking with a friend who had also gone through a lot of loss, Irisanya got to a point where she felt like she had a kind of formula of how loss worked for her. She said it’s not a perfect recipe but it’s been consistent for her. Now, keep in mind that there’s no universal formula for how to grieve and there’s absolutely no way to grieve incorrectly, but that said, it’s interesting to hear what other people notice about how grief shows up in their life.

Thomas: Cool. So if I came to you, and I said that, I don't know what to do. What would you… what might you tell me?

Moon: I would say… the first thing I would say is like how long has it been since this has all happened? Because what I think I know is that it takes years. The first year is the year of shock. Absolute shock, nothing makes sense anymore. To a certain extent, if you're not feeling all the things and you're not sort of grieving actively, that makes sense. Because it's just a shock. You're just going through the motions. Going through the day by day. Figuring out what life looks like without a person or a situation or whatever. And this goes not just death. And then the second year is when it hits. And at least again, not a perfect formula, but I know for me the second year was always like I felt everything because now I knew what was going to come. I knew about the anniversaries. I knew about people saying things that were ill-timed and I knew that I was gonna have another year of remembering how bad our culture is at grief and handling that and holding that. And then the third year, it just gets easier. It starts to make sense, it starts to get integrated. It's not that the pain goes away, but you kind of understand that it's there. And that it's… why it's there, and how it might show up. And for some reason, that third year for me usually is like, “Oh, okay.” And, “Alright, I have to figure out how to build a life around this,” if I haven't already. But that's kind of the formula and it really has worked with most of my things. So I'm curious if other folks decide to look back and go, “Is that true? Did that actually happen?” It also was really helpful for me, because it defined time. I could go like, okay, because some of the one of the things I hate as a Sagittarius or just as me, is that I don't mind going through stuff. Can you tell me how long? Because that would be great. You know, is this going to hurt forever? So by having sort of a container, it does also go like, “Okay, I can get through this next month. Year.” Yeah, I mean, it's worked with deaths, and my divorce and all of that it’s been really consistent with. So hopefully, that helps somebody. It helped me tremendously.

Thomas: But I have to say, that's not super comforting for me in this moment, because I'm about to enter the second year of my mom being gone in a couple weeks. And I feel like the first year there were moments where I was just like, “I'm not feeling anything, and I think that's normal. But I feel like I should be doing something right now besides not feeling anything.” And it's making me think about some teachings I've been getting lately about digesting, you know, having time to digest transition, because it sounds like that's what the formula is. It's like, “Oh, my God, something happened”. And then, “Owe!” once I can feel it, right? And then it's like, “Okay, yeah, I've somehow, in the background, started to make a little sense of this. And it's not so weird now.” if that's even possible, right?

Moon: Right. I know. Right? I think that… yeah. I mean, blessings on the second year. I will not, I won't say that it was horrible the whole time. I would say that… I would say that… you know, it's… I think I was… I think I was ready to feel more. I think that that's probably what's true, for me at least, is that by the second year, I had worn down my defenses and my sort of like, “I can hold this together, and I can make it through the first anniversary of blah, blah, blah.” And by the second year, like, “I have to do this again”. And it's the realization of, “I'm gonna have to do this every year.” And it's a lot.


Thomas: Yeah.


Moon: But the third, I mean, it does happen eventually. And I think, you know, I think many of us if not all of us understand that on some level that it will eventually, sort of lessen. And just as like, the seasons change, the moon changes, all of that, everything changes and moves. So. Care for yourself wildly. Care for yourself in all the ways I developed quite a cupcake addiction for a minute, and I think that that was helpful for a minute. It was good. And then, mmm… Maybe we need to find something else. I thought my mom would be proud. She probably was. “Good job.”

Thomas: Proud that you're eating cupcakes are proud that you decided to stop?

Moon: Proud that I… probably both. She was a big fan of you know, indulge yourself. You work too hard. And also like, okay, reel it in! I think she would have said, I want you to grieve for an appropriate amount of time. But not forever.

Thomas: Yeah, totally.

[MUSIC]

Thomas: Well, to change gears slightly, I was curious. A question I sit with a lot. And I was wondering what you would think is, what do you think of the role of the witness? What's the role of the witness?

Moon: I think, first of all, it's a very important role that I want to say that first and foremost, I think that it is powerful to have someone else sit with you and not flinch. To have someone that can sit with you and not try to talk you through it, or try to say it's going to be okay. I think it's important to have someone just be there. Because that offers safety and it offers not comfort, necessarily, it does offer safety. And it offers the opportunity to know that you're not alone in this. And for me, that is the most important thing of any of this grief work and any actually any work, that you're not alone in the things you face. It's going to feel like it. But calling it a witness… it's also not something you necessarily need another person for like a human, like you can call in a whole bunch of different witnesses. And you can also be your own witness. But it's also like it is like sort of hopeful that you find someone that's outside of you. But it can also be a deity. It could be a tree, it could be whatever you want, right? Tell the tree what's going on and just be there. And allow yourself to be held in that. And I want to, like something that's just really bringing me in this moment is that… get the right witness. Because it really is important to have somebody who doesn't tell you what to do, doesn’t make a judgment, doesn't even I would hope not say anything, but just like just be there and sit with it until until. Because it might not feel better. But at least it won't feel invisible anymore.

Thomas: And that I think is where people who are witnessing or even just with us in our lives can have a hard time as if it doesn't feel better. If they feel like their role is to help us get through a hard whatever. And then that will mean that at the end of our five minutes or half an hour together, that we're smiling and we're ready to move on. And, and that's, you know, so not always… And sometimes I've found in situations I had to sort of pretend that everything was good to like, get somebody to feel like it. So that's not the ideal.

Moon: Not ideal. No, I mean, again, it's that discomfort, right? Yeah, like I… There's this one poem, the, the invitation by Oriah mountain dreamer and one of the lines goes something to the effect of like, “I want to know if you can sit with my pain and yours without trying to rush into fix it or save me save it…”, something like that. And yeah, I want to know if you could just sit with mine and sit with yours and just be here. There's nothing actually to fix. This is just something that's happened. I mean, I've never been sad forever. I haven’t, at least so far. And I've never been happy forever. It'll move.

It was at this point in our conversation that I realized that sitting with discomfort is profoundly anti-capitalist. Because at least American society is based on: Buy this, feel better. Buy that, feel better. Get this treatment, look better. Find a partner, feel better. It's all about happiness.

Moon: It’s all about seeking comfort… seeking… Comfort that it is temporary. And easy to be bought again.

Thomas: Right. Good point. Yes.

Moon: Here's the next thing. And here's the next thing because it does feel like it helps. And I'm not gonna say that I haven’t indulged in a little, you know, retail therapy to feel better sometimes. Sure. Refer to my cupcake therapy.

Thomas: I love that. Well Happy Mother's Day to you.

Moon: Yeah. Happy Mother's Day to you, too. What a day, right? Yeah, I spent… I went to the beach this morning because they usually do that on Mother's Day. And, you know, kind of talked with her for a little bit. And then… this is this is a funny story. So I got back to my car and my car wouldn’t start.

Thomas: Oh, wow.

Moon: And I was like, “Oh, no!. And of course, it's Mother's Day. So it took like a good hour and a half for somebody to get to me, to like, help me with my car. And after I hung up with them, I was texting a friend. I was like, “Gosh, I can't believe this is happening.” And I was like, “Oh no, I didn't invoke my dead mother in that phone call!” Because usually I would say something like, “Well, you know, my mom died. Can't you just… I'm really upset, can’t you like bring somebody?” She would have been great with that. She would have been fantastic with that. She's… I mean, you know, for everything that parents may put us through. I'm like, that is the least they can do. And that's what I texted my friend and said, and they were like, “Oh, totally!” because they lost their mom a few years ago too. And then I realized, I sort of took a breath and was like, “Oh, I'm in a different stage of grief.” Because it's not the first thing I thought of.

Thomas: I thought you were gonna say you invoked your mom and your car started.

Moon: I mean, that would have been a cooler story. But if… that would have been a real witchy story. But alas. Alas, I did not. I would have been sweet.

Thomas: Standing there with the red and the black cables. “Okay mom - ready! Do your thing!”

Moon: If my mom was there, she would be like, “Why don't you know how to use these?” “That's why we have AAA, mom!” Right now… So it was a fun moment… I was like I'm definitely going to bring that to this.

Thomas: Thank you, yeah.

I hope that, wherever you are on your journey after a significant loss, that you are finding ways to take care of yourself. Whether that is cupcakes or anything else that really makes you feel loved. It’s important that you know you’re not alone on your journey. So many people are making their way through loss today. And also, your loss and your experience of this particular loss is as unique as you are. So find your people, reach out if you need help, and, in the words of Irisanya, care for yourself wildly!

Irisanya Moon is an author, Witch, priestess, teacher, and initiate in the Reclaiming tradition. She is passionate about the idea that life is and we are a love spell, a dance of desire and connection, a moving in and out of the heart, always returning to love. Irisanya cultivates spaces of radical acceptance to foster trust and liberation to remind people they are not alone.

Our music is by Terry Hughes. Find us on IG and Twitter at shamepinata. Reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. Also be sure to check out our second show, Daily Magic for Peace, supporting you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

S4 E7 Discomfort As Ally (Irisanya Moon)

Episode Summary

We love to be in control. We love to know what’s going to happen, how long it will last, and what effects it will have on us. But what if, like a tree in the wind, flexibility and surrender are our greatest tools? What if discomfort can be our friend?

 

Episode Resources

→ Irisanya Moon: https://www.irisanyamoon.com 

 

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on
iTunes | Follow on Spotify
Follow on
Instagram | Connect on Facebook
Join us for a
Ceremony | Follow on Podchaser


 
 

Full Transcript

Moon: You will need to surrender at some point, because there’s… You can go kicking and screaming but I really encourage not doing that as much as possible. It’s painful enough.

We love to be in control. We love to know what’s going to happen, how long it will last, and what effects it will have on us. But what if, like a tree in the wind, flexibility and surrender are our greatest tools? What if discomfort can be our friend? This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. 

So take a deep breath. No really. Breathe with me for a sec. [TAKES DEEP BREATH] Today we are joined by my friend and teacher Irisanya Moon and we’re going to delve into the less-controllable parts of life. So if you didn’t breathe, breathe with me now [TAKES DEEP BREATH]. We’re going to talk about how ritual can create a container for big feelings and big experiences and also how there is a huge aspect of surrender in ritual (as there is in life). When we do a ceremony, we’re inviting a connection, perhaps with other people, perhaps with certain deities, or with All-That-Is. We are opening our hearts to Mystery. And that can lead us on a journey that might not be what we expected. Things might not be known, or uncomfortable, or clear from moment to moment. But we’re not alone. There are guides, myths, books, and teachers. And Irisanya is the perfect voice to hold space for this discussion. We begin with a question I asked her about rites of passage and how they’ve changed for her over time. 

Thomas: How has the concept of Rites of Passage deepened over your lifetime?

Moon: Hmm, yeah, I think that's that come… that can be answered in a couple of different ways. First of all, I never really thought about it. You know, I grew up in the Midwest and I was Catholic for a very long time. And I think technically, I still am, on a technicality. I still am. And so I've been through those rites of passage. But I looked at those as sort of like, I have to do them and so they never really felt like things that I was in charge of. They felt like: When I'm in second grade, you do communion. When I'm in fifth grade, I think, you do reconciliation. In eighth grade, you do confirmation. And then you get married, and then you do all this stuff. So those felt more like obligations, maybe duty. As I stepped away from the church and moved into witchcraft, I… Rites of Passage was a class that I took…

Thomas: I took that too. 

Moon: Right, exactly. It was one of the classes that I took. And so I was like, okay, this is interesting. I think it was the second class in Reclaiming that I took. At that point, I hadn't really met a lot of big situations that I felt were worthy of a rite of passage, I think. I didn't understand the value of that. That's a better way to say it. I didn't understand the idea of ritualizing things. And I think maybe that was a remnant of Catholicism. I was like, I don't want to ritualize like that. 

Thomas: Sure, sure. 

Moon: So I think that the next stage was realizing that that was really vital for my healing and realizing that a rite of passage is a way to have something witnessed, celebrated often, and a place to create a container for that and to have it be held well and softly, and like something precious. Because it is. And I think from there, I think through like my own initiatory process and through other things that I've been through, I recognized that the more I delineate who I was, and from who I'm becoming, or what's happening next, the more empowered I felt the more like… I don’t want to say in control, because I think a lot of this is surrender. But I think, you know, more empowered in the situation to claim that as something that is, that's important.

Thomas: That's well said. And I think it's true as we age and as we experience life. You know, there are deeper wells we fall into, and “Oh, my goodness, what is this experience? And how do I make sense of this?” And that's what ritual can do is, when it's done well, and it's a safe space, it can really hold space for this thing that's… just can be overwhelming.

Moon: Absolutely. I mean, how do you… Like ritual is, and can be structured, but it's also a really great place for things that are messy. And also holds them in a way that you can't always explain, at least that's been my experience. You know, having done a lot of rituals and things like that. Like, sometimes I don't know why it's working, but it is because there's some sort of like, “Oh, this is, this is what we do now…” and you sort of have to surrender into it, but that's a rite of passage too. This is what's going on and we’re going to have to go with it and we'll see what happens. Often.

Thomas: Trusting the mystery….

Moon: Absolutely. Yeah. I think, you know, I think of Inanna and I think of that story, of Inanna and all the gates, right? Like, at each gate, you gotta let something go, because that's the way it goes. And you can fight and be stubborn like me, and you can argue it every day. But the ways of the underworld are perfect and may not be questioned. And that's the way it goes, so like it or not, you can either struggle, you know, struggle all the way through, maybe just meet it and go, “This is awful. And that's just the way it is right now.”

Thomas: Yeah, and when things are so big and so overwhelming, it's kind of like there's… surrendering can be a way through.

Moon: It's necessary. It's absolutely necessary. It is also the worst. [LAUGHS] I mean it can be the worst, right? I think that I was teaching something the other day and someone… I was actually talking about initiation, so it's fresh in my head. And there was a question at the end that said, “But what if I… how do I surrender when I don't want to?” And I was like, “Good question.” And I said something to the effect of like, you know, surrender is sometimes about… or like not wanting to surrender is sometimes about not feeling safe to do it. Which, obviously. It's scary. You don't know what's going to happen. Our bodies are wired to, like, protect us and to not do things that they don't know how to do or that they haven't seen before. And I was like, I really think that part of surrender is taking care of that animal body and making sure that it knows it's safe. And that, you know, it's very simple stuff, you know, water, food, rest, movement, meditation or whatever practice like some spiritual practice that makes you feel safe. Being with people that make you feel safe, because then you know, even in the crumbling, I can fall apart. 

Mmm. And falling apart is that moment that makes us so vulnerable. And, I would argue, it’s where some of the deepest healing can begin. But our animal bodies do need a safe place for that. Our nervous systems need a safe place for that. Safe, warm, centered, caring. A trusted inner circle of friends, a compassionate partner, or an intentional space and time on our own. 

Moon: One of my phrases that I like to use is, I like to call in the idea of discomfort as ally. Discomfort teaches us something and tells us that it's something new. So if we can look at it as an ally, maybe it becomes a collaboration versus a fight.

Thomas: I like that. 

Moon: That applies to a whole bunch of things discomfort as ally. So we're… how you deal with your various internalized oppressive thinking, whether you're dealing with… dealing with and working towards becoming more anti-racist, like “How do I, how do I sit with discomfort as an ally, not as something I did wrong? But something I could learn from?” Ideally.

Thomas: Right… and that's, I don’t know if that’s a muscle, but it's… I've had to dramatically increase my ability to be with discomfort around race, and thought for a while I couldn't, and then realized I could, once I kind of started figuring it out and trying it and… Yeah, and how incredibly essential it is, like a hack, a huge hack.

Moon: Absolutely, right? It is. Like once you're like, “Oh, wait… wait, okay.” Well, I think it's… challenging for so many reasons, but also for… I don't I don't think like a lot of society is conditioned to, like, be okay with being uncomfortable. Like we're always seeking comfort. Like from… And that makes sense. I do, of course, because, of course, I want to be comfortable. But because I think it's so easy to be so removed from it, then when it does come it feels so much bigger. And sometimes it's not. It's like it's uncomfortable and doesn't feel good. But it's not actually dangerous.

And discomfort isn’t usually going to hurt us. We just have a knee-jerk reaction to avoiding it. I’m not sure we can control that. But something we can control is to develop our capacity to notice when we’ve instinctively turned away from something that feels uncomfortable and to stop and consider. Is this something that can actually help me learn something about myself, or be someone better? Consider this an invitation. We’ll both try this. The next time you notice that you’re feel uncomfortable, maybe you find yourself walking away from a conversation, or your get a text you don’t want to respond to, or you’re confronted with something you don’t want to do and find yourself suddenly scrolling social media, take a breath and set a time for 1 minute. And just practice sitting with whatever feelings you’re wanting to get away from. Just allow yourself to be there for 1 minute. Allow yourself to develop a capacity to be with discomfort. And when you’re done, do a little dance. Because you’re a rock star!

[MUSIC]

If you follow Irisanya’s work, you know that she is a prolific author and teacher. In fact, she will be launching a year-long Aphrodite immersion in 2024, as well as the Heart Magick Mystery School. And one of the reasons I am so happy to have her with us today is to hear about her latest book: Pagan Portals: Norns: Weavers of Fate & Magick.

Moon: The Norns are the Wyrd Sisters. And so it is Urd, Verdandi, and Skuld and they are not quite, but we're gonna use this because it's simpler, you know, is, was, and shall-be. They are the ones that spin the threads, and then weave the string, and then also cut it when it's the end of the life. They are the ones who are in charge of that whole thing. In Norse mythology, there are thoughts about, you know, all of our lives are predetermined. So… and that is not a fun thing to say in this culture. Like, “I want to know that I am in charge of this life that I have in front of me.” And it’s not like everybody thinks the same way, but if we were to carry that it is, yes, everything's determined, and how can I meet what my life brings to me? Yes, everything might be predetermined and all of us have a piece of this web and how we interact does actually shift things. So I love to write… I love to do magic with the Norns because it reminds me not only of this interconnectedness and this again, this idea of not being alone in this and that we are all connected in some way, but it also reminds me that since time is not really linear, it's sort of happening all at the same time. That also means healing happens all at the same time. And it can travel back and forth, and up and down, and all the different directions. At least that's what I think. I don't, I don't think of time only going forward. I think that what's happening, what's already happened to me is still impacting me, so it is still a part of this. And that's why I think that's important. I think this idea of like time and sort of realizing that we we live in a society that has very, you know, specific ideas about what that looks like, you're and “You're running out of time”, or “You have taken too much time”, or “You have so much time ahead of you.” Why stress about this? To challenge that, I think is important. To challenge that and to bring that into rituals that… maybe it's not that you've missed an opportunity, maybe it's that you have a different opportunity to take. A different healing to send back to generations that might want it, need it, to send it forward to the future descendants that might want it and need it. 

One of the things I bring up in the book that I think is vital to this grief conversation or rites of passage and things like that is… there's… I don't have a favorite Norn, I always say but this one's my favorite is Verdandi and she is most often related with the present moment. Which is something I find I've always had a challenge with. Like, how do I stay present? How do I, you know… worked real hard on that. The thing that I recognized as I was writing this and in other work with her, the present moment is so fleeting [SNAPS]. Like how do you define that? You can't. Like the present moment? Oh, there it goes, you know? And because of that, you know, every like this moment right now has become the past so quickly. So, she's such a great reminder of that and in this moment of like either encountering grief for anticipating grief, present moment how can I meet this present moment right now because it is building every… all of my past and it is also launching me to whatever comes next. So being present is a big part of all this when we talk about witnessing and all the different things. Present. How can I really know this moment because it's already gone? 

Thomas: I'm curious if you've developed different strategies for staying in the present moment, after working with the Norns.

Moon: Yeah, I would love to say that I do that all the time. I think that… I think the best thing that I've learned is actually the things that I learned from her Verdandi is that… There's this one practice, I don't remember if I put it in the book or not, because sometimes you write books and it was a while ago… Like looking into a mirror is a really good present moment practice. Where are you at right now? Without looking away without maybe examining how things could be different. I think that is a practice I turned to and actually often turn away from because someone's gonna listen to this and go, “I've heard you spout off about mirror work.” I have, it is confronting. It's confronting to be in the moment, because it is not only like looking at yourself in the mirror, but it's also like, I'm in a moment where I could do something. Why am I not? Or why am I choosing this particular thing? For me, my cultivation of staying more present is often showing up and unprepared. I just do it more often now. I just show up for what is present. I think Adrienne Maree Brown talks about that in “Emergent Strategy”, like to be… it's be more present, like presence over preparation. And that is actually really helpful. Because instead of walking into something going like, “Oh, this is what I'm going to say, or this is what's going to happen” or anything like that. I just show up and go, “What's already here? How do I engage with that?” And it has become a muscle, I show up more and meet what's present. I mean, I taught at a camp in Australia recently and we did…the whole camp was about Aphrodite, but we had one day of grief. And my co-teacher and I realized the thing we had planned was definitely not the thing that we needed to do that day and so we had to surrender and come up with something else and just follow where people were at. And that is… it's a it takes time to sort of trust that that's going to be okay, but we did we trusted we trusted the people in the group we trusted the things that we did think we're going to be the things and it ended up being, from what I've heard and felt for myself because I'm in that too, we got to be present with what was actually real. Not worrying about where we would have been or where we wanted to go. Yeah. So just showing up and being like, “What I have to offer doesn't have to be perfect, but I want to be here, and I want to hear you. I want to hear me.” It just takes a lot of risk and a lot of doing it over and over until it feels like, “Oh, okay. I can trust myself in that moment.”

Thomas: Yeah, I feel like that's a marker of somebody who is more confident. When I think about, like, in the business world, people who show up, like, really prepared, you know, or it's kind of like, it's good to be prepared but then also there are people who show up, and they're just like, “Okay, I'm here, what's going on today?” You know, and that sort of happens, like the higher level. It's the underlings that have done all the homework, because, you know, the way the work is structured and everything like in a business setting… Yeah, it's, it's like, I love to see a woman who just walks in, and she's just like, “Okay, you know, I got a sense of it, and now, where are we?” And like, let's go with this. And, together, we're going to work with this thing, you know, and, yeah, there's a confidence there.

Moon: That's also trusting, like, where it's not just trusting yourself, it's trusting everyone around you and I think that trusting that everyone will show up in the way that they can, you just can't expect anything, you know, perfect to be perfect or the way that you want necessarily, I have many stories about that. But it is about trusting that you are in the space where something is going to happen, that something will emerge. And the other thing that Adrienne Maree Brown says, moving at the speed of trust is a way to… Yeah, it also helps people come together more easily and to meet these moments where it is possibly confusing and something needs to change because… some death, destruction, whatever. You know, this is a moment where what you've planned doesn't make sense and to do what you did plan would not be the thing. There is no perfection in any of this. 

Thomas: No.

Moon: …there’s only arriving. 

Thomas: Exactly. 
So how are you in terms of preparing vs just showing up and being in the flow? I’m guessing you’re probably, like most people, a balance between the two. And how is surrender your friend? And how is discomfort your ally? [TAKES DEEP BREATH] I remind you of Irisanya’s thoughts on making it safe for the body. New things can be scary. Discomfort can feel awful, but there are ways to calm our bodies and our hearts and hopefully friends to have by our side on the journey. 

Irisanya will be back next time to speak with us on the discomfort of grief and how to keep moving forward year after year after a particularly meaningful loss. 

Irisanya Moon is an author, Witch, priestess, teacher, and initiate in the Reclaiming tradition. She is passionate about the idea that life is and we are a love spell, a dance of desire and connection, a moving in and out of the heart, always returning to love. Irisanya cultivates spaces of radical acceptance to foster trust and liberation to remind people they are not alone. 

Our music is by Terry Hughes. Find us on IG and Twitter at shamepinata, reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. Also be sure to check out our second show, Daily Magic for Peace, supporting you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

S4 E6 Surviving the First Year

Episode Summary

The first year after a significant loss can be so hard. As the wheel turns and the light changes, visceral memories can arise of this time last year when things were different. How do we create space for our hearts as we go through a year of firsts?

If you or someone you know is in an emotional crisis, reach out to the National Suicide & Crisis Lifeline by dialing or texting 988.

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on
iTunes | Follow on Spotify
Follow on
Instagram | Connect on Facebook
Join us for a
Ceremony | Follow on Podchaser


 
 

Full Transcript

The first year after a significant loss can be so hard. As the wheel turns and the light changes, visceral memories can arise of this time last year when things were different. How do we create space for our hearts as we go through a year of firsts?

This is Shame Piñata. I’m Colleen Thomas. Just a quick note before we begin that I talk in this episode about how I felt right after my loved one passed away. If you are in a tender place, take care.

Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. So this is a follow-up to an episode from last season called "Surviving a Recent Loss". If you heard that episode, you know that my mom passed away last year. At the time that episode was recorded, we were just back from the funeral, the burial, the immediate time of saying good-bye. Those moments when the visceral memory of my mother's hand in mine was only a week old.

I mentioned in that episode that I needed more time sitting on the porch looking at the clouds - and I took that time. I intentionally stepped back from several beloved projects and made time in my schedule for me. For my heart. For my broken heart. Not in a dramatic way, but in a realistic, attentive, and responsive way.

I discovered that what I most needed was space. Space to feel. Space to remember. Space to breathe. Space to cry. Space to just be. I needed to find and trust my flow. To let myself drift toward whatever felt right. Some days it was sitting on the porch watching the birds. Some evenings it was photographing the changing light as the sun set. Some nights it was getting lost in my new favorite hobby, learning Ukrainian on Duolingo. In those moments when I had lost my flow, I asked myself, “What defies the call to get things done? What creates space for my heart? What feels right?”

There's something very special in carving out time when the heart needs it. Something that's actually counter-cultural because, at least in The United States, we're asked to be little capitalist robots who keep working no matter what. And as I really made a concerted effort to carve out space and time and my whole system was like, "Yes!" My heart, my head, and my whole body just kept giving me feedback that they so needed extra space and time. It's truly amazing how much bandwidth grieving takes up! It's called grief work for a reason!

A good friend of mine inspired me some years back by taking a trip to Brazil right after her mom died. And I don't mean like a week. I mean months. She kind of just went to Brazil to heal. I thought, wow, what an amazing way to create a container for the start of that new journey of life-on-earth-without-Mom. What a great way to disconnect from the day-to-day, and replace it with daily adventures and new experiences. Going someplace new, being a fish out of water, almost becoming a new person - because that's what's really happening when we lose someone, right? That essential connection being broken makes us a different person. There’s a necessary rebalancing, rebuilding, a recreating of self. And wow, what a great way to mirror that newness than to go live in a new place or switch it up somehow.

The first year after someone passes can be the most intense. I know it doesn't always magically get better after year one, but something about that first year can be like trial by fire. Especially because the wheel keeps turning and before you know it, there's a holiday, or an anniversary, or a birthday - another one of those poignant moments when the pain of that loved one being gone can be so awful. A year of firsts.

I hit my first first two days after my mom died. My first birthday w/out her. I just kept telling people, “Not this year. No. Later. Not now.” I even replayed a video of my mom singing happy birthday to me and felt nothing. It was a horrible day.

The next one was Thanksgiving. No thank you. I felt no desire to be around people and put on a happy face. My husband went to join the family and I stayed home alone. While that might sound sad, it actually turned out to be a beautiful day. Being on my own gave me space and time to do what I really needed to do which was to be with Mom. I spent the day chatting with her as if she was around, just kind of telling her what was going on, what I was seeing out the window, what I was making to eat, things I wanted to catch her up on. It was kind of like an all-day phone call with a quietly attentive companion and it turned out that it was exactly what I needed: a full day with mom.

Then came Christmas. I thought about Christmas a lot and especially how my mom handled Christmas when she became a widow. We’d always celebrated Christmas at her house, but the first two years after dad died, she didn't want to be in the house at Christmas. No way. No how. Did not want to be there. So so came out to be with me instead. The third year, she was ready to be at home again (granted it was a new house, but she was ready) but she wanted a man around. She was very clear about that. So she asked me to come home and bring my husband. After that, she was able to have Christmas at home again, but that was three years of strategic holiday planning and asking for exactly what she needed. Three years. That was something she modeled for me. Taking her time. Asking for what she needed.

So this Christmas I reached for a new thing, something to consciously step away from the traditions that had been taken from me. No tree. No ornaments. No family. Instead, my husband and I went on retreat and had a very quiet and simple day together sleeping in late and opening a couple presents in the sun. Just the two of us. I think there might have been a wreath somewhere, but that was it. It was really good.

The wheel has turned full circle now and the light is falling just the way it did when she left us. My heart is still broken and will never fully heal. But I can smile again and even mean it. And mostly, I’m so grateful to have survived the first hellish year. In hindsight, the worst part was my anticipation of the many special days. The actual days were tender but bearable - it was mainly the concept that I would be facing them without her that was the hardest on my heart.

MUSIC

So how has ritual been a part of my journey in this first year on my own? Well, I mentioned in the “Surviving a Recent Loss” episode about the "I Know What To Do" ring that helped me make decisions during the process of dealing with lawyers and insurance companies. I also mentioned my daily meditation practice at the workspace altar. I suppose that, like those, most of my rituals have developed out of necessity, a kind of follow-the-heart approach. Feeling into what needs to be felt, and who I would like to have there alongside me while I feel it.

Here's a look into three rituals that came about in this way.

Ritual #1: Mom Joins Us on Zoom. Around the 6-month mark, I hosted a Zoom call for Mom's friends. This was a loosely facilitated gathering which allowed me to surround myself with her inner circle to share some memories. At the end of the gathering, I played a short recording I’d made of Mom and me on a different Zoom call, one in which mom sang me a bit of a song she loved from a 1950’s musical. I shared it that day with her friends so we could all hear her voice again and see her in a happy moment sharing something she loved. What I didn’t anticipate was that on the video, the one with Mom, after she sang the song, Mom and I had said good-bye. And since I shared this video clip at the end of the group call, it had the unintended effect of Mom saying goodbye to the group. “Bye, love you! Talk to you Tuesday." It was unexpected and just lovely. There were many tears.

Ritual #2: The Magic Mom Ball. When mom entered Hospice care, I began collecting the little random things she said during the day, so I wouldn't forget them. Just simple things, like "I love you" or "You're good at that." Once she had passed away, I sat down, looked through them, and picked my favorite ones. I then ordered a custom Magic 8 Ball on Esty. I call it The Magic Mom Ball and it sits near her photo in its little box. To be honest, I haven't actually used it yet. I'm still in the phase where all I want to do is hurl it out the window as soon as I pick it up, so I can safely say I'm not ready. But I imagine that someday it will be a nice way to hear her voice again, so to speak, randomly telling me things in 32 characters or less.

I'll close with Ritual 3: Shouting from the Rooftop. It's actually a bit personal of a story but feels significant, so here is my telling of it, partially through speaking with you now and partially through playing a voice note I recorded to document at the time. This was a spontaneous ritual early on that helped me give voice to that immediate grief I was swimming in right after the funeral. It allowed me to shout out my pain and be heard in a way that I’ll never forget.

Shortly after we returned home from the funeral, I pulled out the video game "Legend of Zelda Breath of the Wild". Breath of the Wild is an open-world game where the main character, who's called Link, wanders around the land of Hyrule doing questy-things and avoiding monsters. Link is pretty much on his own all the time, but he lives within a community of non-player characters, townspeople, monsters, and his trusty horse, which he can call to his side by whistling. That day, just back from the funeral, when I switched on the when I switched on the console, Link was hanging out in the last place we'd been, a little seaside community called Lurelin Village, a place with a cheerful little Caribbean theme song. While I normally find that song soothing, that day I didn't want to be in Lurelin Village didn't want to hear that theme song. It seems too happy. Here's the voice note.

So I left and I went up out of the village and then up a hill and kind of turned around and looked back over the ocean, the cliffs and the town. And I was far enough away that the theme song had stopped. And I realized that I just wanted him to shout out to the whole land of Hyrule that mom is dead, that my mom is dead. So then I just kind of shouted out in my mind and my heart, "Hey everybody in Hyrule: My mom is dead. I need you to know that my mom is dead." Because it feels like that's all I want to do in my life is just stand on that roof of my house and just yell that and have the whole world stop because the whole world has stopped in my heart, even as it goes on. And so what I did was I had Link whistle three times and that was him telling, me telling, the world that my mom is dead. And I know that gameplay will continue and it will be the same. That Bobokins will be the same. You know, everything will be the same, but they will all know. To look at it, there won't be a change but they will all know. Zelda and the old king and the random people doing their random routines. The family of three that lives in the big house in the village. They will all know. And we'll never talk about it but we won't have to.

I closed the game that day and somehow I felt different. I didn't feel so alone. The Hyrule community had somehow been able to honor this incredible loss with me. These three rituals are just snippets in time, moments of taking intentional action that helped me make sense of some very strong feelings. Ritual doesn't have to be a big deal. Ritual can be very simple. And ritual can be very profound.

If you are in transition right now, grieving a loss, letting go of something or someone you care deeply about, I encourage you to carve out time for yourself and for your precious heart. Grieving takes time and it takes space. It is work. It is actually a lot of work! And as you walk down the path of anniversaries, may you go gently and always surrounded by love, time, and care.

MUSIC

Our music is by Terry Hughes. Find us on IG and Twitter at shamepinata, reach us through our website, shamepinata.com and subscribe to the show on your favorite player. Also be sure to check out our second show, Daily Magic for Peace, supporting you as you support Ukraine. I’m Colleen Thomas. Thanks for listening.

S4 E5 Entrepreneurship as a Rite of Passage (Molly Mandelberg)

Episode Summary

Finding our right work can be a journey. In our life, we may have had many jobs, explored many paths. What might it feel like to live your passion, to bring your full self to your work? If you listen very carefully, is your heart actually telling you which way to go?

Episode Resources

 → Wild Hearts Rise Up: https://www.wildheartsriseup.com/

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on iTunes | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Mandelberg: There's nothing about you that you've decided is true that you can't choose differently. If you're willing to get curious about all those decisions and conclusions you have about who you are or what you're capable of… curiosity is like the key to life.

Finding our right work can be a journey. In our life, we may have had many jobs, explored many paths. What might it feel like to live your passion, to bring your full self to your work? If you listen very carefully, is your heart actually telling you which way to go? 

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. There are so many rites of passage in our complex, multi-faceted lives. Birthdays, weddings, new jobs, relationships starting and ending. One rite of passage we haven’t spent much time on yet is finding our right work, starting a business venture that comes from the heart. 

You might already have such a business venture,or perhaps it’s something that sounds good but it’s miles away. If the latter is you, then you’re in luck. Today’s guest Molly Mandelberg is going to walk us through her story of becoming a coach and ritualist practitioner. I have to warn you that Molly’s enthusiasm is infectious. She is a very talented coach by nature and she will open up your mind and your heart to possibilities you didn’t even know existed. 

Thomas: I guess what I would ask you is…  would you take me into your story?

Mandelberg: Yeah, so one of the biggest transformations that I've gone through in my life was actually starting my business and stepping into more of a leadership role, I think, in my life. And while that was directly related to my clients, it also has spilled over into my relationships with my friends, my family, my communities that I've decided to partake in or involve myself with. And yeah… I wrote a whole book about this story of, kind of what I had to go through are the big turning points and lessons that I've learned, but who I was 10 years ago before ever starting my business was sheltered, and hiding… somebody actually used the term “hunted” about my energy once and I was kind of a prickly person, I was easily triggerable, I was very unconvinced of my self worth. I was kind of angry and hurt and had lots of trauma that was still unprocessed. 

And I think that we as humans often go through a transformational period around 29 to 32, during our Saturn Return anyway, but it happened that I started my business right before that Saturn Return. So there is this real big wave of personal development and personal growth and I've always been someone who is interested in the bigger picture of who I am in this body on this earth and what that really means. But it wasn't until my late 20’s when I started looking at, “Can I help people?”, and “Am I capable of doing that, of being a contribution in other people's lives? And do I want to make my life kinda about that by becoming a coach or holistic practitioner?” And there was a lot of stuff that came up to stop me. A lot of places where I thought, “I shouldn't. I can't. No one's gonna pay me for that,” or “I should just go back and get a j.o.b.” 

And through investing in mentorship and through taking the journey of really looking at what is that limiting belief and do I want to allow that to continue stopping me or do I want to choose something different now? Studying a bunch of different modalities of healing practices and techniques, and also really kind of for the first time in my life immersing myself in larger community and actually surrounding myself with people who are doing work similar to that of looking at the shadow and looking at what we desire and what we think is limiting us from getting there, from reaching for it, from actualizing that in our lives. Yeah, I've had some close friends who are on similar sort of parallel paths to mine, that believed in me before I believed in myself. They saw who I was becoming before I had an awareness of what that was. And choosing to trust them and what they saw in me when I didn't have that yet, was like really the one of the things that kept me from giving up or quitting or going back to some other life. 

And now I get to run a beautiful business that lights me up from the inside out, while traveling the world and knowing that, at least in some people's lives, I'm making a really big difference. And I can acknowledge that like, plainly and honestly, that there's no doubt in my mind that I'm doing something of value now. Because I was willing to go and look at that stuff and keep moving forward through it, I think.

Thomas: Can you take us into, like, a moment when you were facing something difficult? Like a specific moment or time that you remember when you were still working through that process? What did that look like?

Mandelberg: Yeah, absolutely. So I had a moment where I was ready to quit, I was ready to quit my business, I was ready to go back to… I… before my business, I was nomadic Vagabond hippie aimless and working kind of jobs that I hated so that I could just get enough money just to get back on the road and go on another adventure. And I was looking at, “Okay, I, I'm not making enough money in my business to support myself…” I was about a year and a year and a half in… and “I'm tired of trying, I'm tired of it not working. I'm tired of not having the magic recipe that makes this successful or makes my efforts worthwhile.” And I kind of had this beautiful sisterhood of a couple of friends who were in a business training program that I was in, and I told them, “Hey, like, I'm gonna get a job like, I can't do this anymore.” And they said, you know, “We get it. We've been there. We see you.” And their advice to me or their recommendation, their hope for me was to just wait a week, because a lot of times when we're in the emotional throes of something that we feel like we can't face, that's not the time to make big life changes are big choices that are going to change your path. 

Sometimes those are the times to just sit with it and feel the feelings and notice the emotions and maybe write down all the stories that are buzzing through your your head. But that's not the time to upend your whole life when you're in the midst of it. And so I did. I waited a week. And again, those were the people who saw something in me that I couldn't see yet. And so I was sort of looking at: What do they see? What is that that they're aware of that I haven't been willing to claim, own, or acknowledged yet? And it happens that in that week, a couple of people signed up for a session. A couple of those sessions turned into packages. My financial reality dramatically shifted in the span of a week or a week and a half. And I was doubling down on my business, I was like, “Okay, that's evidence to me that I'm moving in the right direction and I'm going to do with whatever the heck it takes to step into that, to step into whatever they're aware of, to step into my own discovery of what that is and what I can be.” But yeah, it was… it's emotionally challenging to run a business where you're basically selling yourself. You have to look at, “Do I believe in what I'm doing?” which is “Do I believe in me?” and we're not… most of us are not raised or programmed by the society to believe that we're worthwhile, or at least I wasn't. And so it took a lot of courage to start saying, “You know what I can, and I'm going to try and I'm going to unpack whatever story that is that says I shouldn't or I can't.”

Thomas: That's wonderful. I love that waiting a week. That's… I'm going to use that. That’s a huge bit of wisdom there. That's amazing.

Mandelberg: Yea, it sounds simple. But it does make a difference. 

Thomas: Well, my second question is then, now that you're on the other side of the rite of passage, what is your life like? And what is your work like? And how do you show up in your work? 

Mandelberg: Yeah, so I run a six figure business out of a sprinter van. I haven't given up the hippie Vagabond side of me, I just gave up the starving artists part of that. I make art. I write books. I have two podcasts. I have, I think, nine or ten different programs that I run. Usually, I'm only running about five or six in a year but I have a bunch of online courses and creations. I am on all different kinds of platforms and people  thank me for my work. People show up to classes or workshops that I teach from all over the world. And I literally thrive on getting to do the work that I'm doing. I feel like I get paid to be myself more so than I get paid to do some service that I've come up with. And my brain works in kind of an interesting way. Because I have that heart-centered, spiritual emotional awareness of what I think how the universe works in my interesting point of view. And then I also have this kind of engineering brain of like tactics and strategy and pieces of the puzzle coming together and using automation and stuff like that. So I get to use both of those expertises, kind of, in my business where I'm helping people bridge that world of, you know, we're doing really deep, powerful work, but we have to use these really technological strategies to get the word out about them. And how do we do that without falling out of alignment with who we really are? So yeah, I get to live my passion which is creative. It's location independent. It's getting to see and be with the people that I love, no matter where they are in the world. Like, my mom was just going through a health kind of crisis issue the last few months and I got to just drive up to Oregon and spend that time with her and have her back while she was going through that, with absolutely no question in my mind that that's where I was going next. There was nothing else I had to move around to make that possible. And to get to live a life where that is something I can do with ease is, like, really extraordinary to me.

Thomas: Definitely. I'm curious how ritual played a part in your rite of passage. Was there a moment when you did a certain kind of ceremony or small ceremonies, or…

Mandelberg: Oh yeah. There's been lots of ways I've participated in… I mean, I've run my own women's circles and had… attended medicine ceremonies, and many gatherings that were deeply powerful for me. And also a big one for me is daily ritual and having sort of ceremony in my regular life. Every single day, I write before I get out of bed in the morning. I write before I go to bed at night and that is like, that's my spiritual practice, that's my mental health practice. That's where I connect to, you know, mantras and affirmations and gratitude and I'd say a gratitude practice is like the biggest tool that I've used over the years to keep my vibe where it needs to be, to keep… to pull me out of depression if that comes up. To raise, just raise me to the frequency I want to be living on. And then meditation has been a really like ongoing practice that sometimes I fall out of and then go back to and my goodness when I'm back on the wagon of meditating every day… And it is such a huge life hack, like the downloads and the insights and the information and the like peace and calm that's available with a meditation practice. I know I'm, like strumming a very old harp here, but it is so valuable and so life changing, in my opinion. So I think it's a combination of the daily rituals and practices that I have and then absolutely, I've had some, the, like, deep child stories of… I had sort of a evil stepfather when I was growing up and a lot of the work around that has been done in ceremony too and looking at my relationship patterns and who I be and in relation to other people and how I interact and how I'd like to be in those places. And sort of discovering what's the first step in changing that pattern? And finding that sort of throughline through ceremony and through sitting with healers. And I mean, shamanic journeying without medicine, and also with medicine, has been, yeah, a big catalyst in my growth. Absolutely.

Thomas: And is ritual something that you use with your clients at all?

Mandelberg: Definitely. Yeah. I mean, when I started my business, I was doing hypnotherapy. So I was using that as sort of a ritual and practice, also, but I bring in guided meditation and visualization. And we talk about the kinds of habits we're building and the ways that we're tending to our energy. A lot in my group programs, while we're talking about really strategic stuff, like hiring an assistant or, you know, using your email list well, or, you know, building out your next course or program, that is also happening simultaneously with the conversation about the energetics of who we're being and how that's magnetizing people to our businesses. So, yeah.

Thomas:  As you're speaking, I'm getting a sense of so much intention, like intention with yourself in your heart, in your own practice in building your own life, your own work life and your life the way you want it to be, and then providing that to the people that you mentor and coach. It's really…. it's really inspiring.

Mandelberg: Yeah, I think intention is everything. Yeah, I think our reality is so much about the being and not as much as we think about the doing. And it's super important to pay attention to that I think…and and that, to recognize that we get to choose, we get to choose what we desire and focus our energy on that and that intentionality can change our entire life.

[MUSIC]

If you enjoy Shame Piñata, consider checking out our second show. It’s called Daily Magic for Peace and it’s a totally different kind of show. Each episode invites you to grab an item and do a simple ritual for peace in Ukraine. Episodes are less than 10 minutes long with a focus on calming the nervous system and keeping your heart open. You can find Daily Magic for Peace wherever you're listening to this podcast.

Thomas: One thing I wanted to ask you is that you spoke about broadening into community and trusting community more as you were growing. And I'm curious how your experience of community may be different now than it was before.

Mandelberg: Oh, yeah, totally. I had the story that I have to do it all myself, that no one is safe, and that I'm alone. And so I had this, I still have kind of this fierce independence to me. But it was a chip on my shoulder before and now it's a quality that I have access to more than anything. And, yeah, it took some trying, and it took some experimentation to find communities that I did feel safe and held in, to find a sense of belonging in those places. And that alone is a huge growth experience to go from. I know so many of us sort of far-out healers and holistic practitioners and like, just tuned-in people feel like we're alone in the world. And that, you know, if we get too visible, or get too loud about who we truly are, that we have that witch-wound that says, “Oh, no, you're going to be, you know, ostracized for this.” And finding places where you do feel safe to be all of you, where you feel safe to be in your bigness and your most magical and weird self and be accepted and adored and like high-fived and celebrated for that. That's a game changer, to not just be witnessed, but to be surrounded by people who get that side of you and maybe resonate to the same frequency is eye-opening, especially for me first as someone who… 

I was raised in kind of a Christian community, not community, but the town I was in had a lot of Christian people growing up. And my mom raised us believing in like the Law of Attraction and the Akashic Record, and she used to channel and all this stuff. And so she kind of told me as a kid, you know, “We talked about this stuff at home, but we, it would probably be better if you don't talk about it with your friends.” And I carried that probably too far out into my adulthood of, “I have this weird, magical view on reality, but it's better if I just don't tell anyone about it, because people who disagree might, you know, shame me for it or make it wrong or not want to be around me because I have these weird views.” And so it took some time to deprogram that, but finally being in places where I feel that sense of belonging - and I know that that's possible for literally anyone out there. There is no kind of weird that's so weird, that it’s not shared by at least a few other people. Which is why things like Comic Con are so cool. It's like, in school you were  probably a nerd and now you have all these people who think you're awesome for that thing. That's worth finding! There's websites like meetup dot com. There's all kinds of gatherings that exist in you know, the online space but also in person in different cities and communities that it's worth doing some research and going to show up to things like that, that maybe seem uncomfortable at first to see if you can find your your village, your sort of like-minded friends. Because it's easy to convince ourselves if those people haven't come across us in our lives, that we're the weirdo, that we're the odd man out. And the truth is, yeah, there's a lot of community available for any kind of person I think. And it takes courage to go and dig into that but it's so worth it. It's so worth it to not feel alone. We're not a kind of animal that's meant to be alone.

Thomas: No, it's like a matter of health and survival for us to actually…

Mandelberg: Hugely. Connection is vital to life.

Before we ended our conversation, I asked Molly if there was any last bit of wisdom she wanted to share with us. 

Mandelberg: Question everything. “Is this true about me? You know, what would be the opposite of this? Is there evidence to show that that's also true?” You know, “What do I want to be right now? How would I like to be feeling? What would excite me? What can I add into my life right now that would just feel better or change to the game?” And then one of the things I say at the end of my podcast every time is, “Ask big questions!” …so that's a curiosity piece. And “Take bold actions!” So like show up. Try something new. Go exploring. Become the like, explore discovering your life every single day. And yeah… “You're here for a reason” is the last thing I say in my sort of sign off. Because I think it's true. I don't think people come into these bodies by accident. And it could be to change one life, and it could be to change a lot of lives, but it could just be to change your own life and learn, you know, what more you're capable of being and perceiving and actualizing for yourself. But that stuff is worth showing up for.

Molly’s story, Molly’s journey, and the passion she shows for her work are inspiring. I’m going to leave you with her wonderful list of questions. I encourage you, if you have a moment, now or later on today, maybe sit with them for a bit and see what downloads you get:

What do I want to be right now? 

How would I like to be feeling? 

What would excite me? 

What more am I capable of? 

Molly Mandelberg is the Founder of Wild Hearts Rise Up, Creator of “Magnetic Influencer Collective” and also the writer and illustrator of "The Wild Hearts Rise Up Oracle Deck". Molly works with coaches, healers, and conscious leaders to broadcast their messages with ease, so they can reach more people, and make more money with less time spent.

Our music is by Terry Hughes. Find us on IG and Twitter at shamepinata, reach us through our website, shamepinata.com and subscribe to the show on your favorite player. I’m Colleen Thomas. Thanks for listening.

S4 E4 The Power of Tears (Ryan Kluttz)

Episode Summary

When someone passes away, the loss can bring us to our knees metaphorically - and sometimes literally. When it’s literal, that’s the body talking, echoing the heart. Crying can be like that too. Today we look at intention, death, and tears.

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on iTunes | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Kluttz: I just feel so at peace with what happened now and I just think that some of my family members are not there yet, and so I try to be careful about what I say because I don't want to dishonor their grief if it's taking them, you know, longer than it took me because everybody has their own journey in it.

When someone passes away, the loss can bring us to our knees - metaphorically  and sometimes literally. When it’s literal, that’s the body talking, echoing the heart. Crying can be like that too. Today we look at intention, death, and tears.

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. Today I would like to introduce you to Ryan Klutz, a Women’s Marriage Coach based in Southern California. Ryan’s work was recommended to me by a friend who really admires how intentional she is. 

Kluttz: I get up at about 5:15 so that I can have a solid hour, hour and a half to myself because I don't like to talk when I wake up and I don't want anyone talking to me either. So instead of forcing my family to be silent when they wake up, I get up early so that I can have that time and space to myself. And then I get to journal and meditate and drink my tea and then I take our puppy for a walk. And by then I'm ready to function on some level and, you know, if we run into someone who wants to interact with her or has a dog, you know, I'm fully ready to have a conversation with another human being. And then I come inside and everybody is starting to get up. And that's definitely the most important piece for me. So yeah, starting off the morning, doing journaling and meditating and then making sure that I have little bits of mindfulness throughout the day to keep it going.

Thomas: Do you have lists or things put around the house to remind you to drop into that place?

Kluttz: I put it in my list of things to do for my daily tasks for work because I've… Yeah, someone pointed out to me that because if I do struggle with that, then the place where I don't struggle is my to do list. And so if it's on my list, I'll do it. And that's what's been happening. [LAUGHS]

Thomas: Nice, nice. I just had this random memory pop in my mind of when I was working at a new job and I had a big list of things to do to remember how to do everything as I was being trained and I was very nervous. I stepped away from the desk, and I came back and somebody had written… somebody had seen my list, which I felt a little bit embarrassed about that somebody had seen that I had this list, and they wrote, “Do a little dance” at the end of it. [LAUGHS] So I did a dance and I checked it off. And I yelled, “I did a little dance!”

Kluttz: That's great. Yeah, that's, that's kind of the types of pushes that I need. You know, my husband will sometimes come out of the bedroom and see me hunched over my desk, and he'll try to gently say, “Maybe you should take a break. Maybe you should go meditate or something.” And normally what I was doing before was brushing it off and, you know, kind of feeling like “Don't boss me around.” Even though he wasn't, you know, he wasn't bossing me around. He was making a suggestion and trying… because he could see that that could be something that would be helpful for me in the moment. But I get… I would get tunnel vision on what I was doing. And so now, and this is just really within the last couple of weeks, because my grandpa passed away at the end of February. And it really… as difficult as it was to deal with at first. I mean, he was 96, so it wasn't like we were completely shocked about it, you know, we were just sort of enjoying the time that we had with him while he was still here. But when he actually passed away, it allowed me to see things differently. And to start recognizing that as much as I love to check off boxes and complete tasks, is that what I want to be able to be to say that I did when I potentially reach 96 years old? Or do I want to have, you know, I really enjoyed myself. And that was one of those things that I've read and seen… that list of the Top Five Regrets of the Dying. I'm fully aware of the idea of enjoying your life and I do implement a lot of pieces of those ideas but it just sunk in on a deeper level.

So when Ryan and I first met to chat and get to know each other before the interview, we thought it would be wonderful to have her come on Shame Piñata and speak about rite of passage she had been through with her husband and offer some perspective in the realm of conscious marriage. However, during the interview when she shared about the loss of her grandpa, the energy just kind of changed and I think we both knew that that was what needed to be spoken about that day. So you’re going to hear more about Ryan’s Ryan’s grandpa Jack. And I want to give you a heads up that her grandpa passed in kind of a sudden and kind of a sad way. 

Kluttz: He was still skiing at 93. My dad actually had to go visit him in Maine where he lived by himself in the middle of the woods with just his dog and say, you know, “Hey, I think it might be time for you to not ski anymore given your age and, you know, the fragility of your bones possibly …” And I thought that was funny. And I know at 94, he learned to ride a snowmobile… And he was just constantly doing things. And one of the things… my husband and I asked him what the secret to life was, and he said, “Never sit down.” And, you know, we took that to mean exactly how he was - he was always doing activities and enjoying himself, you know, because he talks about how other people who were also WWII vets, they passed away sooner because once they retired, they just stopped doing anything, because they felt for some reason that, you know, retirement meant doing nothing. And he was still driving, still plowing other people's driveways for them when it would snow because he lived in Maine and snows a lot. Winter is very long in Maine. So yeah, he was just a really incredible human being and for me to have... As sad as I can get that he's gone, the ability to use that grief to change my own behavioral patterns has been really, really powerful. And so I'm grateful for that. And I'm also grateful that he gets to be with my grandma now, because she passed away almost 12 years ago, and he really, really missed her still. So it's just sort of like a completion and I've become accustomed to grief and so I just wanted to start to sort of use it instead of fight it.

Thomas: Hmm. Can you say more about that, about using it?

Kluttz: Yeah, I mean, I definitely, you know, when I found out… it wasn't… It was an accident, actually. He had been plowing people's driveways and he pulled his truck into the garage, shut the garage door, went in the house, and went about his evening, had dinner and everything and then went to bed. He never turned his truck off. 

Thomas: Oh, wow. 

Kluttz: And so his… his bedroom was right beside the garage, basically just down a little hallway. And so carbon monoxide got into the house. And so he did go peacefully in his sleep. He blocked… the dog past as well. She was a very sweet dog. And so I allowed myself to have that time of just feeling the grief, just allowing the sadness to come out however it wanted to come out. I took off a few days and let myself just do whatever I felt like doing which ended up being part of the way that I saw I could be allowing myself to be doing way more of what I want to do on top of building the career that I'm working on. And so once I was able to let that part pass, it became, you know, the sort of the things I mentioned earlier of how do I want to feel about my life if I reach 96? Or, you know, whenever it's the end for me, how do I want to feel? And I don't think that I would be proud of myself to say, “Well, I checked off all my boxes”, you know… So I just started to sort of pivot and and be inspired by his life instead of being… instead of continuing to be sad, you know. I'll always miss him. But I felt like, for the first time, in losing someone, I really felt like I could ask myself the question, “How can this serve me?” Because going forward, you know, we all lose people in our lives and I can fully sit with the idea that you have to let the emotions pass, but I also want to learn from it. So that was a way for me to learn from the grief itself, what can I pull into my life that I loved about him? And that way, he, you know, continues to live on.

Thomas: Definitely. That's so beautiful. 

[MUSIC]

If you enjoy Shame Piñata, consider checking out Daily Magic for Peace. Daily Magic for Peace is a totally different kind of show that invites you to grab an item and do a simple ritual for peace in Ukraine. Episodes are less than 10 minutes long with a focus on calming the nervous system and keeping your heart open. You can find Daily Magic for Peace wherever you're listening to this podcast.

Thomas: It's so rare for people to give themselves permission to feel the grief when they lose somebody and especially what we've been experiencing with COVID, I think we've all become sort of extra numb to… It's been so overwhelming and it's been difficult. And then there's the personal and there's the collective and there's the global and there's so many layers to it. So I think even now, it's even more amazing when people can give themselves the time to really feel. So healthy.

Kluttz: Yeah. I mean, within the last year, I think people either were forced to feel, or, you know, just tried even harder to push it down, which is super difficult when you're stuck at home and you don't get to see anybody. But yeah, that's part of what I teach is letting your emotions out. Because someone once said to me, “What comes up must come out.” And if we don't address it… and I think people get scared when they think of, “Oh, I'm going to address my emotions.” And I learned several years ago that our emotions are really just feedback about how we're feeling. And it's not, I think we tend to feel like, the way I feel right now is I'm going to feel for the rest of my life, if I let it out. I'm scared of letting it out. And if we do let it out, it passes so much more quickly. It's been a week and a half and I really miss him, but I don't get choked up when I talk about him anymore. And you know, a few days ago, I still was, so I just give myself the time and space to let it out. And now I can feel the acceptance and the peace and the joy of who he was and the connection that we had. And I'm also really happy with the relationship that we had. Because, you know, sometimes when someone passes away, you immediately think of all the things that you should have done or that you wish you had more time for. And I felt completely at peace with the fact that we visited him, I called him, we emailed, and I texted him pictures of our daughters and our dog because he really loved dogs. And so I didn't have that feeling of, “Oh, I wish we would have, you know, seen him more.” You know, we did a lot and we actually were planning on seeing him this summer. So there was a part of me that was missing that and was, you know, because… even though he was 96, I really hadn't even thought about the possibility of not seeing him this summer. And so that was actually probably one of the hardest parts of the grief for me was accepting that. But yeah, I agree that a lot of people don't allow them to sit…   don't allow themselves to sit with their emotions and I think it's just kind of a societal norm that you need to just suck it up. Keep on going.

As the interview went on, our conversation turned to the power of tears, how they help us, cleanse us, rebirth us. How they are a physical process highlighting our body’s innate ability to heal and self-regulate. And we both acknowledged times when we didn’t want to cry out of a desire to protect someone else. 

Kluttz: Actually just… four days after I found out, I was listening to soothing music laying on the couch and like going in and out of crying as my, my girls were sitting on the couch watching a movie. And I wanted to be able to let it out but I didn't want to…. I didn't really want to talk to them about it in the moment. So I was, you know, sort of in this in-between place where I know, it's okay for me to cry in front of them, but I just kind of want to lay here and let it out. And as you know, the tears were coming out, it felt like, I had this thought of, “This as a physical manifestation of just my body needing to release these emotions.” And it's really powerful.

Thomas: And then if we follow it and let it happen, you know, if it's a safe enough place, or we're just able to go there, let ourselves just drop into that, it can really just do what it needs to do. 

Kluttz: Yeah, it's just it feels counterintuitive to do that.

Thomas: Yeah. Have you noticed your tears being different for different kinds of crying ever?

Kluttz: Actually, no. I have not noticed that. But I feel like the next time I cry about something, I will start to pay attention. Like, you know, how it feels when they're when they're coming out. That's very interesting.

Thomas: When I'm really emotionally attached to something, and I'm really like, “This is unfair!” … and I'm creating, like a lot of content, that my tears are sort of small and hot. But then I had this other experience where it's some… I don't remember what even what it was, but a couple of times something was just breaking my heart that was just… it sort of had a beautiful quality to it. It wasn't like tears of joy, but it was just… there was a lot of selfless feeling to it…. an innocence. I don't know how to explain it, but the tears were, like, cool and large. And they just had such a different feeling to them. And I was like, “Wow, this is crazy! My body creates…. I cry different apparently depending on, like, what I'm processing.”

Kluttz: I've never noticed the difference in temperature. But I guess the amount that comes out sometimes can differ. I actually… when I watched a live stream of the funeral and you know, I have… I had already allowed so much of my grief to come out that when other people were speaking and crying… especially my dad when he was speaking, because he was the second oldest but my uncle that was the oldest died in a plane crash, gosh, almost 20 years ago now. So he's been the oldest for a while and so he spoke and it was a good mix of sad and then light things that made people chuckle. And I had my husband makes fun of it when they show it in movies, but I'd had one single tear went down! And then other times, it's like across your whole bottom of your eye and it feels like it's just like gushing, but I don't know what the difference is as far as how I'm feeling when those things happen or when other things happen. So I'm gonna definitely watch out for that.

I’m glad that you got to spend this time with us and that you got to meet Ryan and hear a bit of her story. And I hope that your relationship with your own tears is a connected and loving one. The people we love are such a gift and losing them can be so very hard, like a hole ripped into the tapestry that is us. I encourage you to be as gentle as you can with yourself today if you are going through a recent loss and know you’re not alone. 

Ryan Kluttz is a marriage advocate teaching women to empower themselves in their own marriages. She has been married herself for 16 years and knows what it takes to make it amazing. Ryan currently lives in Southern California with her husband, two daughters, and their puppy. Find her work at married and manifesting dot com.

Our music is by Terry Hughes. Find us on IG and Twitter at shamepinata, reach us through our website, shamepinata.com. And subscribe to the show on your favorite player. I’m Colleen Thomas. Thanks for listening.

S4 E3 There Must Be Something Wrong (Sheryl Paul) [Remastered]

Episode Summary

Today we revisit one of our most popular episodes, an early interview with Sheryl Paul, author of "The Conscious Bride". Sheryl's work allows us to reflect on how the pain, grief, discomfort, and vulnerability that can arise throughout the wedding process can actually be doorways into joy if we are willing to let them in.

Episode Resources

→ Sheryl Paul: https://conscious-transitions.com/

→ The Conscious Bride: https://conscious-transitions.com/books/

→ Shelter in Place Podcast: https://shelterinplacepodcast.org/

Episodes by Topic

→ Episodes on Rites of Passage: https://ever-changing.net/rites-of-passage 

→ Episodes on Authentic Weddings: https://ever-changing.net/authentic-weddings 

→ Episodes on Grief & Loss: https://ever-changing.net/grief-loss 

→ Episodes on Challenging Times: https://ever-changing.net/challenging-times 

 

Support the Show

→ Subscribe In Your Favorite Player: https://kite.link/shamepinata 

→ Rate & Review: https://ever-changing.net/rate-sp 

 

About the Show

Shame Piñata is hosted by Ritual Artist Colleen Thomas, a Certified Meditation and Mindfulness teacher who helps people make sense of life through ceremony. Music by Terry Hughes.

 

Listen If

→ You’re feeling stuck

→ You’re going through a tough time

→ Something significant has happened and no one gets it


Love Shame Piñata?
Subscribe on iTunes | Follow on Spotify
Follow on Instagram | Connect on Facebook
Join us for a Ceremony | Follow on Podchaser


 
 

Full Transcript

Paul: I'm always interested in what's not being talked about what people are experiencing, but are trying to stuff away, trying to sequester, trying to sweep into the corner under the rug... when all that does is create shame and all that does is create anxiety.

Sheryl Paul has a unique ability to see the invisible, to see what has been silenced. Her book "The Conscious Bride" has been helping couples prepare for marriage for 20 years - and prepare in a very specific way. Her work helps couples create room for all of the emotions that come with transition, not just the picture perfect ones. Funny thing is, that allows for even more joy. Join me for a conversation with Sheryl Paul.

This is Shame Piñata. I’m Colleen Thomas. Welcome to Shame Piñata, where we talk about creating rites of passage for real-life transitions. When I got engaged six years ago, a good friend of mine gave me a book called "The Conscious Bride". Now, I'm not a reader, as my husband will tell you, but I devoured this book. I loved it because it touched on the shadow, the stuff we don't talk about, the stuff that gets in our way when we want to feel one way but actually feel a myriad of other ways all at the same time. It named the shadow that hovers over the wedding: the attachment, the fear, the uncertainty, the hidden power-struggles and the grief that lies beneath them, and that a big part of stepping into a new life is letting go of the old one - and not just for the couple. The Conscious Bride gave me permission to feel all the ways, and it helped me create room for everyone else to feel all the ways too, so ultimately, we could all process the transition without getting into weird fights about random things. I was so happy to have a chance to speak with Sheryl Paul. 

Thomas: So what led you to write this book?

Paul: So, I was in a master's program around that time. I was at Pacifica Graduate Institute in Santa Barbara, which I don't know if you're familiar with, but it has a very strong Jungian focus. And I had always been interested in rites of passages and I had a deep sense that there was a lot that was not being talked about around the wedding. And I started to interview women and I did a lot of interviews, especially when it came time to write the book, which came from my master's thesis. So it started out as as a thesis and then evolve into a book. And I started to see that there was a big gap in the cultural conversation around around transitions in general. All transitions are bypassed and overlooked, but particularly the wedding and then in particular, how much focus there is on the joy and the perfection and everything has to be blissful and ecstatic from the moment of the proposal into the first year of the wedding, and there was just no conversation happening about the shadow, about the death experience, about what women (and men) are actually experiencing quite a bit of a time. And, you know, the more I researched and the more I looked and the more I spoke, the more it became quite clear to me that just that again, that there was a real gap in the conversation around this pivotal rite of passage, one of our few ceremonies that we still invoke in the culture. And yet it's done in such a way where we really gloss over the element of a transition, of the reality that when you are in transition, you are in a death experience, you are in a liminal zone, you are between identities, you are letting go, you are grieving. And we only expect people to feel joyful. It creates a lot of anxiety and it creates even more chaos than there naturally would be around an event like this. Because I'm feeling sad, because I have a sense of loss, because I feel like a part of me is dying, because I'm not over-the-moon ecstatic... something must be wrong with me, or with my partner, or with the decision to get married - something's wrong. And it's an incredibly deep sigh of relief to the soul to know that nothing is wrong. In fact, the more you let those difficult feelings in, the more you will open to the joy; that the pain and the grief and the discomfort and vulnerability are the doorways into the joy, into what we are expected to see all and into what we hope to feel. And what I started to say earlier was that that the wedding more than any other transition, I think, has (probably being pregnant becoming a mother comes close) carries a very strong cultural expectation of unilateral joy and it is supported in a big way by the wedding industry that sells perfection and sells joy. So it's a it's very big money behind selling us the bill of goods by selling us this message that you are supposed to be joyful and the way to do that is to create a perfect event.

Thomas: How do you work with someone if they're just starting to realize that they don't have to only feel joyful?

Paul: So, I tell them to read my book. And, you know, it's really the first part it's about re educating people to understand all of the normal and necessary feelings that accompany this transition. And once they understand that everything they're feeling is normal and necessary, they can start to let it in and and feel it, feel the grief, feel the loss, feel the vulnerability, feel the loneliness. These are all normal feelings that accompany transitions. So once we give ourselves permission to feel without that overlay of "because I'm feeling this it means there's something wrong" everything changes from there. We don't then have to misassign meaning to the feelings and to think, "Because I'm feeling sad, it means I'm making mistake." No, it has nothing to do with that. You're feeling sad because you are in a rite of passage. You're feeling sad because you are in the death experience, letting go of this identity, this primary identity as single person, as daughter, and shifting into an entirely new stage of life, a new identity. And there is no way to go through that without feeling grief.

Thomas: You spend a good portion of the book talking about how the bride is separating from the father/father figure and the mother/mother figure and the friends. Can you say more about that process?

Paul: Yes, so it can go a few different ways. If the bride is very close to her father, that's one set of emotions and experiences where there is tends to be a lot of grief, a lot of crying, really good, medicinal, necessary crying to make that separation process... and to make it more effective to make it more complete to make it more conscious. Again, in the naming, to say, I am separating from my dad, I am no longer going to be... Yes, I'm his daughter, but not in the same way, not as my primary identity. That my new partner is going to be number one and I'm transferring allegiance. So, that's one example of one way that it can go if if someone's very close to their father. If somebody doesn't have a close relationship with their father or there is no father figure in their life, that's a different kind of grief of the loss of not having had that or never having had that. The same as somebody has passed away. If somebody who's getting married and their mother's no longer alive. You know, that's, that's one way that grief can come through, as opposed to a mother who is very much alive and very much involved. And then there's a separation. There's… there's a loosening of cords that is required. 

Thomas: I'm curious as you're speaking how this applies, I'm sure it's very different, but how it applies to folks who were older when they get married, or maybe a second marriage.

Paul: It can be different, it can be similar. It depends. It depends on a lot of factors. But regardless of the age, especially if it's a first marriage and you're getting married at 40, you're still letting go of a massive identity. And in some ways, it's even more of a letting go because of all of those years that you spent as a non-married person. And so there's a lot of grieving, a lot of shedding of the independence, the separateness, all of the control that you have when you are a non-married person, that every inch of your life is your own: your home, your space, how you spend your time, how you organize your weekend, it's all yours. And so that is its own massive death experience for somebody who marries later, you know, and who has had that many more years than someone who's 22 if you're 42, that's a lot of years of being the sole architect of your life.

Thomas: So you work with people around transitions, all kinds of transitions now, and I'm curious if ceremony plays a part in that with them.

Paul: I'm a big fan of ceremony. Because my work is largely over the internet. I'm not the one doing the ceremony with them. I would love to be that person, but I'm not. But I always encourage people to create ceremony and create rituals. And so, you know, if it's somebody getting married... and I've had a lot more men come my way, by the way, since I wrote The Conscious Bride. And I'm thinking of some right now who are in one of my small coaching groups. And he's getting married on Saturday, and I won't, I won't share the specifics, but it's... because it's his story. But it's really beautiful to witness men in their transitional process and the rituals that they come up with because I encourage people to find their own rituals that are meaningful to them. Ways to acknowledge the end of you know, in his sake, his bachelorhood that that time in his life is over. And so he has been sharing these incredibly potent rituals that have come to him for ways of recognizing that that time in his life is over. And what ritual does is, as you know, is it, it concretizes, it makes it and embodies what's happening, so that it brings it out of just that realm of talking about it and it sends it into a realm that we can't see with our five senses, but very much exists and yet calls on the five senses to help transmute the experience into another form. And so rituals help us cross over that sometimes very scary divide that just looks like a big, cavernous, empty space, crossing from one identity to a new identity, from one stage of life to the next. And without the rituals we are... we're pretty lost and so, you know, again, as I, as I said earlier, the wedding is one of the few ceremonies that we have, which comes with ritual. A lot of people tend to minimize or diminish the ceremonial aspect because they're so focused on the party and the reception, you know, that's where all of the energy goes. When really, it's the ceremony that has so much power to carry us over the divide between one stage and the next.

Thomas: And that's something I'm trying to encourage and put seeds out in the world for as well, that people take that the ritual, the ceremony of the marriage, the wedding and they, they feel free to do it their way so that it's powerful and is as powerful and meaningful for the couple as possible.

Paul: Yes, yes! And I think we are at this extraordinary time in our world where we have freedom to do that, where we are breaking out of the traditions that have gone stale and revitalizing them with personal meaning of what is meaningful for you. And there may be long-standing time-honored traditions that are still meaningful. And I'm by no means one to throw everything out that we've come from, because many of those rituals are gorgeous and meaningful - but only if they're meaningful for the individual, right? Only if they land in a place where something inside of you says yes, right? That helps me, that bolsters me, that comforts me. Right? So, you know, whether it's at a Jewish wedding standing under the Chuppah, you know, it's just this beautiful symbol of, of our new home and and this, you know, long standing tradition... if that's meaningful to somebody great. If it's not, then it really.. it's not going to do anything for you on a spiritual level.

I shared with Sheryl that before my wedding, I created a self-commitment ceremony for myself. And in that ceremony I presenced all of my Ancestral grandmothers with the acknowledgement of how important marriage might have been for them, how much of a survival tool. I did this because women’s  standing in society has evolved so much even since my mother's generation, but yet we are still connected to our Ancestral legacy and felt like a really important thing to me. 

Paul: That's incredibly beautiful that you did that and so powerful and it's probably the number one fear that comes up for women that I'm working with in their pre-wedding time in their engagement, is the fear of what does marriage mean? And does it mean that I am beholden to this person now and I lose all sense of self and I become boring and frumpy and... This is the legacy. This is what we've been handed, right? This is what it has meant for thousands and thousands of years is that for women, marriage has meant really the death of self: I exist, to take care of the man and to take care of the children and that's it. And so there's this very deep ancestral legacy that we have to consciously break with and recognize that we are so lucky and we are so blessed to be on this new threshold, that we get to redefine what marriage means for us. And we only can really know that after we've taken the leap, because on the other side, on the first side, on the engagement side, it just all looks and sounds so scary to most women. And you know, that's why I have so many exercises in The Conscious Bride, more-so I think in The Conscious Bride's Wedding Planner, on what does it mean to be a wife? What does that mean to you? What does the word wife connote? When you think of wife, what is the connotation for you? And it's very rare that someone's going to say, "Oh, I see this rad, sexy woman, you know, like, doing like, the dance on the rooftops." Like, no, that's not usually what we think of when we hear the word wife. But it could be. More and more we are redefining that. And we are seeing that. And so I tell people, but look out into the world today and find those those models of marriage where you see a woman who is doing her life fully, you know, and yes, maybe she's also a mother and she's, you know, loves being married and she's fully committed to her path and and making her offerings, and doing her work in the world. Right? Separate from wife and mother. So, yeah, I love, I love that I love what you share. I love what you did. I think that is not only powerful, but essential on that ceremonial ritual level to recognize what we've come from.

Thomas: I'm just so happy and honored to have the chance to talk to you after, after all this time of really, really, really appreciating your book and your wisdom.

Paul: Yeah, thank you, Colleen.

It means a great deal to me to have the opportunity to share Sheryl's wisdom with you. I hope that you are able to use it or pass it along to a friend. Here's one final bit of wisdom, a quote from The Conscious Bride. "A marriage is a rite of passage no matter when it occurs, and the woman must still pass through the phases of her transformation. She must die, she must sit in the unknown, and then she will be reborn."

Sheryl Paul is the author of The Conscious Bride and The Conscious Bride's Wedding Planner. Her website contains a plethora of resources for addressing life transitions. Learn more about Sheryl and her work at https://conscious-transitions.com. Our music is by Terry Hughes. If you like the show, please take a minute to review it on Apple Podcasts. Learn more at shamepinata.com. I’m Colleen Thomas. Thanks for listening.